Writing: 4 / 5 Characters: 4.5 / 5 Plot: 4.5 / 5
I had such fun reading this book — clever and funny with plenty of gender benders, surprise twists, and sass. Short, too, at only 128 pages.
Zinnia Gray of Ohio is the Dying Girl. Afflicted with GRM — a malady that always kills before its victims reach 22 — she has become obsessed with all things Sleeping Beauty (a girl with very similar problems). What follows is a funny and piercingly acute adventure through alternative narratives where an array of women try to alter the “crap” storylines they were given.
It’s a brilliant modernization, magnification, and multiplication of Sleeping Beauty stories, all come together with the spare prose and humorous asides that I love in Harrow’s writing. Some of the references to academic takes on folklore and feminism crack me up while simultaneously getting to the point of what is truly important. A favorite line referencing a female character with a sword: “I know they promoted a reductive vision of women’s agency that privileged traditionally male-coded forms of power, but let’s not pretend girls with swords don’t get shit done.”
Great characters that I liked a lot, no BS, plenty of adventure, some cool self-reflection and growth (always enjoyable), and plenty of gender norm challenges that are playful rather than strident.
Harrow is right up there in my must-reads list.
A couple of other fun lines:
“My only friend in this entire backwards-ass pre-Enlightenment world is about to be married off to a sentient cleft chin.”
“We might not be able to fix our bullshit stories, but surely we can be less lonely inside them at the end.”
Thank you to Macmillan-Tor/Forge and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 5th, 2021.
200 years after The Awakening — when sentient robots left the abusive factories for the wilderness, rejecting further contact with humans — a human and robot meet in a twist on the traditional “First Contact” story. Sibling Dex — a gender neutral monk, meets Mossbank — a sentient “wild-built” robot whose family tree boasts several generations of wild-built individuals descending from16 factory bots. What follows is short on plot but long in world building, while we follow the two as they wander through untraveled areas and talk about their similarities, differences, and rising self-awareness.
I’m a big Becky Chambers fan — I enjoy her writing and her exploration of cultures. This is the beginning of a new series, and I’m hoping some of the future episodes have a little more plot to them. While this was philosophically interesting, I did get a little bored to be honest. Also, she uses the pronoun “their” for Dex and his/her fellow monks. This drove me crazy — I was not able to get used to it although it peppered every single page. Every time I read the word I struggled to figure out who the rest of the people were and then had to remember it was only Dex! Every time! I’m super happy to use someone’s choice of pronoun when I remember — including a made up one (I like zhe) — but using plurals for a singular drives me batty. I probably won’t read the next book because of this — I just don’t need the cognitive load. However, if this doesn’t bother you and you enjoy slow-paced, philosophical, stories, you will enjoy this!
Thank you to Macmillian-Tor/Forge and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 13th, 2021.
Writing: 4/5 Characters: 5/5 Plot: 3/5
The Hidden Palace is a sequel to one of my favorite books: The Golem and the Jinni. Taking up where the G&J left off, we follow the two as they continue their inhuman lives amidst the sea of humanity that is New York City in the early1900s.
The story ranges over fifteen years encompassing WWI, the sinking of the Lusitania, the Triangle Shirtwaist Fire, and the disaster of the Titanic and takes place in New York City and parts of Syria. Including most of the characters from the first book, we also meet a Jinniyeh (a female Jinni) who is impervious to iron; an orphaned, ultra orthodox young girl who had helped her rabbi father create a golem to fight the pogroms in Russia; and Yosselle, the new golem himself.
I enjoyed many aspects of this book — the portrayal of the characters and their interactions were fascinating — especially between the young girl and “her” golem. The continuing themes of “otherness” and immigration continued from book one with additional examples through various human and inhuman characters. I’m sorry to say that I wasn’t captivated in the way I was by the first book — for me there was too much time spent evoking the time and place through description when I prefer character interaction. Also, the overall tone felt more sorrowful than I remember book one, which is perhaps more realistic, but less satisfying. While book one brought multiple cultures together through these (non-human) representatives, this book felt more like the follow up on a couple in love but with such different essences that they were heading for an inevitable divorce (my impression — not what actually happens). For those who haven’t read the first book, she does a decent summary of the important background and events in the first few chapters.
Thank you to Harper and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 8th, 2021.
Writing: 3/5 Plot: 3/5 Characters: 2/5
A cautionary tale of a future where AI based humanoid robots may be slowly taking over the planet while the human population they are intended to serve remains blissfully unaware. All but one — the utterly competent, perfectly empathic, friendly humanoid robots just give Stella Mayfield the creeps.
While the plot had potential, I really didn’t enjoy this book. The characters were extremely stereotyped (and really, although Stella was a Biologist with a PhD, she behaved like the stereotypical neurotic woman while the men behaved like stereotypical men — completely out of touch with their feelings blah blah blah. The techie robot engineer was the biggest stereotype of all (and spoke some weird dialect that didn’t match anything I’m familiar with and I live and work in Silicon Valley!). There is very little science and very little plot — instead it includes lots of filler encompassing a lot of clichéd relationship stuff that had little to do with the plot. Writing is decent enough that I finished the book, but nothing special, and the end was completely predictable. Could have made a decent short story with better characters and more philosophic depth.
Writing: 5/5 Plot: 3.5/5 Characters: 4/5
Wonderful piece of sci-fi history that I somehow missed completely. First published in 1938 by C.S. Lewis (of Narnia fame), this is a beautifully written novel of early space exploration with a deeply philosophical bent. Ransom, a Cambridge professor of philology (language), is kidnapped and taken to another planet in a mistaken desire to offer him as a sacrifice to the alien beings in residence. Instead, Ransom escapes on the planet and explores the landscape, the language, and the multiple rational species who manage to coexist peacefully. The book explores our place in the universe — with wildly competing views. His kidnapper — Weston — represents those who believe that Mankind holds a destiny as the Master Race in the Universe — destined to destroy anything in its way. Ransom, and those he meets on the planet, hold a starkly different view — one that is more theologically based (a common theme in Lewis books).
The writing is excellent — the world building includes descriptions of the physical world as well as ways of life for the various beings encountered. I was quite taken with Ransom’s evolution of perception and cognition as he continues his efforts to understand a completely different world. The consistent observation of his internal mental and emotional state made it much more interesting to me — initial fears based on childhood stories of “other,” timid approaches to strange beings, and his awareness that he represented all of Mankind and had to give beings with superior power an honest assessment of the faults of the race.
It was also fun to see the influences — he and Tolkien were friends, and you can see similarities; he references HG Wells and also borrows from an old favorite of mine, David Lindsay’s A Voyage to Arcturus. I even found small bits that were later borrowed by Madeleine L’Engle in my very favorite children’s book, A Wrinkle in Time.
This is the first of a trilogy — I plan to read the other two. I also learned a new word: consistory — a court presided over by a bishop, for the administration of ecclesiastical law in a diocese. Who knew?
Writing: 4/5 Plot: 3/5 Characters: 4/5
A coming-of-age story set in a future Northern Ghana. Sankofa is only five when her favorite tree pushes up a strange seed after a meteor shower brought sparkling bits of green to the Earth. Before she has any clue as to what is happening, she has been “gifted” with a terrible power which continues to bring tragedy even as she struggles to control it.
A combination of myth, juju, and technology populate this picture of future Ghana. The “bad guy” is LifeGen — a “big American corporation that’s probably going to eventually destroy the world.” But Sankofa is a child, and we watch as she absorbs information and tries to understand what has happened to her, why, and what she can possibly do with it. This is not your typical, action-oriented, one man against a giant, evil machine.
Okarafor labels her work a combination of “African Futurism” and “African Jujuism” — terms she coined — to reflect its African-centricity. I like her definition: “I am an African futurist and an African jujuist. African futurism is a sub-category of science fiction. Africanjujuism is a subcategory of fantasy that respectfully acknowledges the seamless blend of true existing African spiritualities and cosmologies with the imaginative.”
I enjoyed the writing and the characters and the imagery of a blended future — but I did find the plot a little weak.
Thank you to Macmillan-Tor/Forge and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on January 19th, 2021.
World building: 3/5 Characters: 3.5/5 Plot: 3/5 Writing: 4/5
This is a decently written speculative fiction novel that “explores structural racism and generation ships.” Aster is a brilliant neuro-divergent female living on the lower decks of the spaceship Matilda — three centuries into a voyage away from a dying planet. The ship is run by a ruthless sovereign and populated with cruel guards who keep the lower levels of the deck system (a mirror of racial lines) in order. While suffering constant persecution, Aster manages to untangle the secrets of her dead mother’s coded journals to discover a massive secret that impacts the lives of everyone on board.
The story was engaging but overall unsatisfying. The tropes of oppression and persecution are well expressed but quite two-dimensional. There was a lot of action, but very few surprises, and the end lacked clarity. I did find the main characters to be an interesting collection of stereotypes: Aster — the brilliant scientist who insistently pursues her goals despite beatings and directed torment; Giselle — the angry black woman who finds herself so enraged she is destructive towards everyone, including those she loves most; Melusine — the caretaker figure who favors stability and caution over outright rebellion; and Theo — the privileged and talented mixed race man who is driven by guilt and a strong desire to do the right thing and yet cannot bring himself to the violence necessitated by the situation.
The story and characters are a real mishmash of “unheard voices.” Plenty of gender noncomformity, intense class and race clashes, and religion-based oppression. Lots of things didn’t quite make sense — a generation ship capable of traveling for centuries would have a large population and yet the same people seem to consistently run into each other, and the sovereign has a particular hatred for a low-born slave. The scientific explanations for plot points were also weak and understated.
Overall, a decent adventure story but an unsatisfying exploration of her themes of oppression because everything was so heavy-handed.
Writing: 5/5 Characters: 4.5/5 Plot: 4.5/5
Harrow is a fantastic storyteller! I very much enjoyed her The Ten Thousand Doors of January and this second novel is every bit as good if not better. Hooray!
The action takes place in New Salem in the 1890s. It’s a kind of alternate history where the women’s suffrage movement becomes entwined with a movement to bring back witching —benevolent witching being another route to to recover lost power for women in an era rife with female oppression. The three Eastwood sisters — bookish Beatrice Belladona, strong Agnes Amaranth, and wild James Juniper — are at the heart of the story as they work together with a growing sisterhood to bring back the Lost Way of Avalon.
It’s a book focused on women, with a smattering of male characters playing both utterly good and utterly evil men — a male version of the madonna / whore dichotomy. I love it! I also loved the way the embedded fairy tales — written by Charlotte Perrault and Andrea Lang — bore little resemblance to the fairy tales with wicked witches I’ve grown up with. A not so subtle reminder that history is written by the victor!
Lots of action but not the kind that bores me, plenty of interesting characters, and some fantastic malevolence captured in an evil creature of some inner complexity. She even manages to weave in lesbians and a trans person in a completely matter-of-fact manner. Lush prose suffused with magical realism and gripping from start to finish.
Great for fans of Alice Hoffman, Diane Setterfield, and Deborah Harkness.
Thank you to Redhook Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 13th, 2020.
Writing: 4.5/5 Plot: 4/5 Characters: 5/5
Jared is a bot. Engineered from human DNA, he lives a productive life as a dentist in Ypsilanti, Michigan and is deeply programmed to serve humans. Until one day … he starts to have feelings. Thus begin his simultaneously hilarious and yet poignant adventures as he heads to Hollywood to write a screenplay daring to portray bots as beings deserving humane treatment and not the “killer bots” that comprise the bulk of modern cinema.
The social commentary is priceless as Jared struggles to make rational sense of human behavior. Jared’s “voice” as a developing character is so appealing — his way of expressing surprise, disbelief, and acceptance is incomparable. He refers to himself as a “toaster with a heart.” Bots are the new underclass in this world because after all — they aren’t even human. While the journey is comic (laugh out loud funny much of the time), there are plenty of deep things to think about: What makes us human? What should our relationship with other beings be? What kind of “programming” do we humans have of which we are not explicitly aware?
In some ways this reminded me of Vonnegut — the speculative and humorous extrapolation of today’s social mores — but with a little more depth in terms of human (or bot) experience and how we treat others. As fun additions, there are some great descriptions of classic movies (without titles) that are fun to see through Jared’s eyes (and try to make the identification), some fun screen-writing tips, and all the details of a futuristic road trip adventure.
I won’t give away the ending but I loved the way the author embedded an intricately layered set of foreshadowing and self-referential plot twists.
Thank you to Hanover Square Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on September 1st, 2020.
Thank you to Random House and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 14th, 2020.
Writing: 3.5 Characters: 5 Plot: 4/5
A gritty, detailed and yet expansive, story about the evolution of a top (fictional) pop band (Utopia Avenue) in late sixties London. From obscurity to fame — raw talent discovered, initial deals, touring, and the bribery / flirtation / whatever-it-takes approach to getting the music played. The four main band members come from different backgrounds and blend different musical strengths: Dean — an “angry young bassist” specializing in R&B; Elf — a “folk-scene doyenne”; Jasper — a half Dutch “stratocaster demi-god”; and Griff — a Yorkshire jazz drummer.
A lot of dialog and description is devoted to describing the music itself and the music business. For me personally that was less interesting — I love listening to music but don’t translate writing about music to music itself well — but for those who do enjoy discussing and thinking about those topics there is plenty available.
He did a good job of bringing that musical time to life. Many famous musicians pass through these pages with mini appearances that appear true to recorded history: David Bowie, Keith Moon, Jerry Garcia, Janis Joplin, Leonard Cohen, Jimi Hendrix, and Frank Zappa all make realistic cameo appearances. We spend time with the band at the Chelsea Hotel in New York City. All the aspects of their world comes out — family issues, possible mental illness, drug use, the “offsprings” of philandering, and philosophies.
Mitchell’s books are sometimes hard to read. They all develop slowly and the writing style is a little more stream of consciousness than I like, but somehow I’m drawn in, and by the end I’m completely in the grip and continue to think about the emerging holistic picture afterwards. As an aside — and it’s a weird aside — one thread of this novel ties in with characters (beings?) that are elements of at least two of his previous works. It’s really just a thread here but this book fits squarely within the Mitchell universe which is not completely founded on the reality most of us share.