Book two of the Scholomance series (which I previously labeled “Harry Potter meets Hunger Games with the ironic style of The Name of the Wind”). Galadriel (“El”) is finally a senior at the Scholomance — a school for the magically gifted that operates without staff of any sort and typically graduates (i.e. allows to survive) only a quarter of the class. But this year, even the school itself is looking for a change, and if El and the invincible fighter Orion Lake have their way, this may be the last graduating class ever…
Very similar to book one — good writing, fun to read, likable characters — perhaps a little more detail on innovative monsters than I needed but it made for some very impressive “magical” world building. Strong messaging about the benefits of working together to ensure everyone does well, rather than desperation leading to selfish and ultimately self-destructive strategies.
I still have a preference for her earlier works — Spinning Silver and Uprooted but I always enjoy reading anything she writes. Is this the last book in the series? Hard to say — once again there was no real cliffhanger but … I do feel a little more needs to be explained! This could be read without reading book one but if you plan to do that, go online and get a quick plot summary for book one just to gain familiarity with the characters.
Thank you to Ballantine Del Rey and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on September 28th, 2021.
In the Age of Peculiarities, women give birth to rabbits, well-dressed ghouls roam the streets of London, individuals start sprouting leaves, and terrible luck to those who break contracts — though these oddities mostly impact the very poorest, so who cares? It’s 1899 and Thomas Thresher — the younger, largely ignored, son of the Thresher banking family — turns to the occult to find out why the bank seems so very involved in the pervasive disasters. He seeks to save the bank and return it to its original charter — to serve those with nowhere else to go.
Portals to astral realms, a magical society, and Aleister Crowley himself are at the center of this wild-ride style adventure. Plenty of surprises, wry asides, and a strong sense of duty — but what I really love is that the ability to see and manipulate the patterns within mathematics is the powerful magic that is able to do what the best stylings of the Crowley gang cannot.
A real page-turner — well-written, humorous, exciting, and with a wide array of interesting, non-stereotypical, characters.
Good for fans of Alix E. Harrow and Susannah Clark.
Thank you to Tachyon Publications and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on September 7th, 2021.
A hardware malfunction causes a cascade of crashing comm satellites over the Five-Hop One-Stop space station causing the quarantine of all beings present. In a story long on socio-cultural world building and short on plot, individuals from four different species are forced to spend time together while each desperately needs to get back to the life that was abruptly brought to a halt. A quarantine story for our time…
Chambers excels at building intricate and engaging cultures which makes the relatively absent plot easy to overlook. She manages to include all of the current “hot topics” camouflaged in non-humanoid skins. Roveg is the insectoid Quelin who takes in information through smells and has a completely non-emotive space; Pei the Aeluon cargo captain who loves a human against the interspecies mating taboo of her kind; Speaker is the perpetually space-suited Akarak as the only planet that could support her methane-breathing life was rendered useless in a previous war; and Ouloo and not-yet-gendered offspring Tupo are the furry Laru who host the station. Throughout their enforced stay, the four learn about each other’s cultures, opinions, and preferences in a pretty interesting set of expositions on modes of communication, mating rituals, taboos, etc.
It’s nice to read a speculative fiction story that isn’t fully dystopian. We’re not embedded in Ewoks here — there are plenty of problems and even a history of downright atrocities — but the characters are able move forward in a more positive way after their experience in a model that suggests how this might be done for any of us. A harmless and relatively uplifting book.
While this is #4 in the series, the books just share a common universe. Not necessary to read the prior novels though I confess I found the earlier books a little more interesting.
The first few chapters follow a count down to the specific time at which Nora Seed will decide to die. She is 35, has worked at a music store called String Theory for the last few years, is estranged from her only relative, recently split from her fiancee, and is now presented with the body of her dead cat. She feels as though she is a black hole — “a dying star, collapsing in on itself”. On the brink of death, she finds herself in the Midnight Library — where the infinitude of books are all instances of her own life, hinging on some decision large or small.
The book is nicely executed — plenty of philosophy, psychology, and scientific tidbits (many worlds interpretation of quantum mechanics, Dunbar’s number, and environmental asides). I did find it a bit disappointing — it has received such rave reviews but I feel like it has been done before and most of the “insights” were of the self-help variety. Entertaining but (for me) not terribly inspiring.
I had such fun reading this book — clever and funny with plenty of gender benders, surprise twists, and sass. Short, too, at only 128 pages.
Zinnia Gray of Ohio is the Dying Girl. Afflicted with GRM — a malady that always kills before its victims reach 22 — she has become obsessed with all things Sleeping Beauty (a girl with very similar problems). What follows is a funny and piercingly acute adventure through alternative narratives where an array of women try to alter the “crap” storylines they were given.
It’s a brilliant modernization, magnification, and multiplication of Sleeping Beauty stories, all come together with the spare prose and humorous asides that I love in Harrow’s writing. Some of the references to academic takes on folklore and feminism crack me up while simultaneously getting to the point of what is truly important. A favorite line referencing a female character with a sword: “I know they promoted a reductive vision of women’s agency that privileged traditionally male-coded forms of power, but let’s not pretend girls with swords don’t get shit done.”
Great characters that I liked a lot, no BS, plenty of adventure, some cool self-reflection and growth (always enjoyable), and plenty of gender norm challenges that are playful rather than strident.
Harrow is right up there in my must-reads list.
A couple of other fun lines: “My only friend in this entire backwards-ass pre-Enlightenment world is about to be married off to a sentient cleft chin.”
“We might not be able to fix our bullshit stories, but surely we can be less lonely inside them at the end.”
Thank you to Macmillan-Tor/Forge and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 5th, 2021.
200 years after The Awakening — when sentient robots left the abusive factories for the wilderness, rejecting further contact with humans — a human and robot meet in a twist on the traditional “First Contact” story. Sibling Dex — a gender neutral monk, meets Mossbank — a sentient “wild-built” robot whose family tree boasts several generations of wild-built individuals descending from16 factory bots. What follows is short on plot but long in world building, while we follow the two as they wander through untraveled areas and talk about their similarities, differences, and rising self-awareness.
I’m a big Becky Chambers fan — I enjoy her writing and her exploration of cultures. This is the beginning of a new series, and I’m hoping some of the future episodes have a little more plot to them. While this was philosophically interesting, I did get a little bored to be honest. Also, she uses the pronoun “their” for Dex and his/her fellow monks. This drove me crazy — I was not able to get used to it although it peppered every single page. Every time I read the word I struggled to figure out who the rest of the people were and then had to remember it was only Dex! Every time! I’m super happy to use someone’s choice of pronoun when I remember — including a made up one (I like zhe) — but using plurals for a singular drives me batty. I probably won’t read the next book because of this — I just don’t need the cognitive load. However, if this doesn’t bother you and you enjoy slow-paced, philosophical, stories, you will enjoy this!
Thank you to Macmillian-Tor/Forge and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 13th, 2021.
The Hidden Palace is a sequel to one of my favorite books: The Golem and the Jinni. Taking up where the G&J left off, we follow the two as they continue their inhuman lives amidst the sea of humanity that is New York City in the early1900s.
The story ranges over fifteen years encompassing WWI, the sinking of the Lusitania, the Triangle Shirtwaist Fire, and the disaster of the Titanic and takes place in New York City and parts of Syria. Including most of the characters from the first book, we also meet a Jinniyeh (a female Jinni) who is impervious to iron; an orphaned, ultra orthodox young girl who had helped her rabbi father create a golem to fight the pogroms in Russia; and Yosselle, the new golem himself.
I enjoyed many aspects of this book — the portrayal of the characters and their interactions were fascinating — especially between the young girl and “her” golem. The continuing themes of “otherness” and immigration continued from book one with additional examples through various human and inhuman characters. I’m sorry to say that I wasn’t captivated in the way I was by the first book — for me there was too much time spent evoking the time and place through description when I prefer character interaction. Also, the overall tone felt more sorrowful than I remember book one, which is perhaps more realistic, but less satisfying. While book one brought multiple cultures together through these (non-human) representatives, this book felt more like the follow up on a couple in love but with such different essences that they were heading for an inevitable divorce (my impression — not what actually happens). For those who haven’t read the first book, she does a decent summary of the important background and events in the first few chapters.
Thank you to Harper and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 8th, 2021.
Writing: 3/5 Plot: 3/5 Characters: 2/5 A cautionary tale of a future where AI based humanoid robots may be slowly taking over the planet while the human population they are intended to serve remains blissfully unaware. All but one — the utterly competent, perfectly empathic, friendly humanoid robots just give Stella Mayfield the creeps.
While the plot had potential, I really didn’t enjoy this book. The characters were extremely stereotyped (and really, although Stella was a Biologist with a PhD, she behaved like the stereotypical neurotic woman while the men behaved like stereotypical men — completely out of touch with their feelings blah blah blah. The techie robot engineer was the biggest stereotype of all (and spoke some weird dialect that didn’t match anything I’m familiar with and I live and work in Silicon Valley!). There is very little science and very little plot — instead it includes lots of filler encompassing a lot of clichéd relationship stuff that had little to do with the plot. Writing is decent enough that I finished the book, but nothing special, and the end was completely predictable. Could have made a decent short story with better characters and more philosophic depth.
Wonderful piece of sci-fi history that I somehow missed completely. First published in 1938 by C.S. Lewis (of Narnia fame), this is a beautifully written novel of early space exploration with a deeply philosophical bent. Ransom, a Cambridge professor of philology (language), is kidnapped and taken to another planet in a mistaken desire to offer him as a sacrifice to the alien beings in residence. Instead, Ransom escapes on the planet and explores the landscape, the language, and the multiple rational species who manage to coexist peacefully. The book explores our place in the universe — with wildly competing views. His kidnapper — Weston — represents those who believe that Mankind holds a destiny as the Master Race in the Universe — destined to destroy anything in its way. Ransom, and those he meets on the planet, hold a starkly different view — one that is more theologically based (a common theme in Lewis books).
The writing is excellent — the world building includes descriptions of the physical world as well as ways of life for the various beings encountered. I was quite taken with Ransom’s evolution of perception and cognition as he continues his efforts to understand a completely different world. The consistent observation of his internal mental and emotional state made it much more interesting to me — initial fears based on childhood stories of “other,” timid approaches to strange beings, and his awareness that he represented all of Mankind and had to give beings with superior power an honest assessment of the faults of the race.
It was also fun to see the influences — he and Tolkien were friends, and you can see similarities; he references HG Wells and also borrows from an old favorite of mine, David Lindsay’s A Voyage to Arcturus. I even found small bits that were later borrowed by Madeleine L’Engle in my very favorite children’s book, A Wrinkle in Time.
This is the first of a trilogy — I plan to read the other two. I also learned a new word: consistory — a court presided over by a bishop, for the administration of ecclesiastical law in a diocese. Who knew?
A coming-of-age story set in a future Northern Ghana. Sankofa is only five when her favorite tree pushes up a strange seed after a meteor shower brought sparkling bits of green to the Earth. Before she has any clue as to what is happening, she has been “gifted” with a terrible power which continues to bring tragedy even as she struggles to control it.
A combination of myth, juju, and technology populate this picture of future Ghana. The “bad guy” is LifeGen — a “big American corporation that’s probably going to eventually destroy the world.” But Sankofa is a child, and we watch as she absorbs information and tries to understand what has happened to her, why, and what she can possibly do with it. This is not your typical, action-oriented, one man against a giant, evil machine.
Okarafor labels her work a combination of “African Futurism” and “African Jujuism” — terms she coined — to reflect its African-centricity. I like her definition: “I am an African futurist and an African jujuist. African futurism is a sub-category of science fiction. Africanjujuism is a subcategory of fantasy that respectfully acknowledges the seamless blend of true existing African spiritualities and cosmologies with the imaginative.”
I enjoyed the writing and the characters and the imagery of a blended future — but I did find the plot a little weak.
Thank you to Macmillan-Tor/Forge and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on January 19th, 2021.