Number four in the Ruth Galloway series — they just get better and better. The whole series has great characters, good writing, and intricate plots. Each installment includes some new piece of history and plenty of character banter on current social topics.
This story includes the surprising contents of of a medieval Abbott’s coffin, a drug ring with a creative transport mechanism, the push to repatriate a collection of Aboriginial bones, and of course, a couple of mysterious deaths. The regulars — now single-mom forensic anthropologist Ruth Galloway, the gruff and somewhat tormented DCI Nelson, and the intuitive Druid Cathbad — are joined by an Aboriginal visiting scholar, a trans local expert on Bishop Augustine, and the Lord who owns the local museum and racing stables.
Fast, engaging, read. I’ve already ordered number five.
A recent backpacking trip left me exhausted and able only to read genre books — so here are reviews of three Mystery / Women’s Fiction / Romance novels that were quite enjoyable for a relaxing read on a rock facing gorgeous scenery. Review number 1…
Now You See Them by Elly Griffiths
Thank you to Houghton Mifflin Harcourt and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on December 3rd, 2019.
The 5th book in Griffith’s Magic Men series, this episode takes place in Brighton in 1964. The Mods and the Rockers are coming into the public eye, getting into brawls and leading to moral panic amongst the British. DI Edgar Stephens (newly promoted to Superintendent) is investigating a string of missing girls though all the best ideas seem to come from his wife (previously his star sergeant and now frustrated mother of three), her equally frustrated journalist friend Sam, and the very tall, 19-year old, WPC Meg Connolly, a promising new policewoman. For those not in the know (like me), WPC stands for ‘Woman Police Constable” (the term was discontinued in 1999).
I’m a big Elly Griffiths fan, but haven’t read any books in this series. In comparison with the Ruth Galloway series and her standalone novel, I found this book to be a little more disjointed — particularly in the beginning where much of the text seemed extraneous to either the plot or the characters. However, the plot was gripping and I found the focus on intelligent women in constrained circumstances managing to accomplish a great deal fascinating. The sixties seem not that long ago (to some of us), but cultural expectations for women were vastly different than they are now. Reading the descriptions of the earlier four books, they seem to focus much more on DI Stephens and Max Mephisto (the variety magician), while this one seems to relegate them to a secondary role in solving the mystery. Interesting!
Writing: 3/5 Plot: 4/5 Characters: 4/5
The latest installment of the beloved Inspector Gamache series is a bit disappointing, to be honest. I loved every one of her books until Glass Houses which I thought was terrible. After that came Kingdom of the Blind which was gratifyingly back to Penny’s typical level of excellence. Unfortunately, A Better Man appears to be a regression. It’s a decent story — Gamache and crew try to find a missing, frequently abused, woman and, eventually, identify her murderer. In the background is the threat of an every one-hundred-years flood, Gamache’s demotion to Head of Homicide after a nine month suspension, and the potential clash between Gamache and Beauvoir for the three overlapping weeks where they both wear the same title. Unfortunately, the book is poorly written, repetitive, and trite.
The book is overly emotional — many pages are devoted to Gamache and Beauvoir imagining their own feelings had it been their daughter who had been abused and eventually murdered. And while I love Gamache’s calm, steady, and kind manner, I swear that word kindness was presented multiple times on each page. It was as though Penny didn’t trust her readers to get the message and felt she had to repeat it over and over again. Or maybe she just didn’t have enough plot to fill the pages.
It was not a hard book to read — her writing style is clean and the plot twists were interesting. There were a few scenes in Three Pines which I always enjoy, but even there I think her characters have run their course — there is nothing new, and watching all of the hand wringing has become boring.
She also included a fairly shallow portrayal of a woman named Dominica Oddly — an all-powerful online art critic who, using her extremely popular online presence, could build or destroy artists with a single post. Oddly’s description was “wild black woman in dreadlocks and combat boots,” but she was given no further depth. This was combined with some plot around the dangers of social media with two tweet storms causing real pain for two of the characters. I feel like Penny is trying to update her fictional world but doesn’t have enough real understanding of it herself to give the characters the kind of depth she has been so successful with.
I really like Elly Griffiths and I guess I now have to go back to start the series from the beginning. Good writing, appealing characters, twisted plots that I don’t figure out until the end and lots of archeology and pagan traditions thrown in. I did notice that her “families” are largely non-traditional — I actually had a little trouble keeping up with who was partnered with whom and who fathered whose children — but found the variety interesting and possibly more in keeping with the times? Gorgeous (but not too lengthy) landscape descriptions of Norfolk and coastal environs. This is #11 and I’ve only previously read #9. The characters definitely develop across the series so while I was never “lost” I definitely need to start at the beginning if I want to get to know the people as well as enjoying the story. Unlike some other series I’ve read, she is still pumping out full stories and not bulking out with lots of filler because the basic idea has run out of steam…
Writing: 4/5 Plot: 4/5 Characters: 4.5/5
A strange and captivating book that gets better and better with each page. Six-year old Aoife (pronounced EE-fah) misses her mama who is “confused” and has been taken someplace to help her feel better. With the help of her imaginary friend — a large bear named Teddy — and her slightly older and more confident neighbor Hannah, Aoife sets off to solve the mystery of her brother’s murder with the childish logic that this will allow her mother to come home again.
Aoife is the most compelling of narrators — her mind is young and she has been kept uninformed about the big issues facing the family (as is typical of six-year olds). She tells her story piece by piece, describing events and her interpretation of them in an utterly convincing manner — her mother’s “confusion,” visits from cee pee ess (child protective services), and the explanations her Uncle Donnie, Father Paul, and her mother’s “special friend” Mac give in answer to her questions.
A beautifully imagined book about a child growing up and making sense of her (in no way average) world. A surprising and well-structured plot, good writing, and well-drawn characters as depicted from Aoife’s perspective. Understated themes of mental illness and what it means to be crazy.
Thank you to Crooked Lane Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on December 10th, 2019.
Writing: 3/5 Characters: 4/5 Plot: 4/5
Thank you to Mulholland Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on September 17th, 2019.
Race is always front and center in this second “Highway 59 Mystery” book following the work of black Texas Ranger Darren Matthews. In this episode, he is investigating the disappearance of a 9-year old white boy whose father (now incarcerated) was big in the Aryan Brotherhood. At the outset, it seems likely that the boy will be following in his father’s footsteps based on his early and nasty harassment of his black and native American neighbors. Set in the time period of the Trump election, the plot tangles together potential hate crimes, peculiarities of East Texas geography, and convoluted connections to history, family, and communities whose borders are not always what they seem. The latter is where Locke really shines.
The writing is good, the characters have real depth (FYI the black characters are far more sympathetic than any of the white ones). Darren Matthews is a great lead — strong, competent, and human — driven from an intense moral core. I appreciated his constant struggles with the morality of his actions, coupled with an awareness of his own flaws.
I read an advance reader copy and did find the writing to be a little muddier and in need of editing than the first novel (which I thought was spectacular). This is a solid mystery — convoluted plot, deep characters, good writing — but it doesn’t achieve the literary level of book one in which I found many, many, lines of perfect craft and deep beauty (see my review of the prior novel — Bluebird, Bluebird — at:https://bibliobloggityboo.com/2018/11/07/bluebird-bluebird-by-attica-locke/).
Writing: 4.5 Plot: 5 Characters: 4.5
I love Jane Harper — this is her second book written and the third that I have read. I seem to like them best in reverse order of their writing which bodes well for the future!
In this book, five women set off on a multi-day trek into dense bush as part of a corporate retreat (note to self: Never go on a corporate retreat of this sort! Never!). Only four of them come back. Federal Police Agent Aaron Falk — who features in Harper’s The Dry — gets involved as the missing woman has been an informer for his work in the Federal Financial Investigations Unit. Lots and lots of complexity, psychology, strange relationships, suspicion, and suspense. Told in chapters alternating between what Falk and his partner are discovering and what actually happens during the four days the women are out. As the personalities of the five women slowly unravel during their ordeal, Falk is simultaneously coming to terms with his own.
A complete page turner — a kind of modern-day, corporate version of Lord of the Flies amidst threads of money laundering, serial killers, anorexia, and fear.