All Adults Here by Emma Straub (Fiction)

Plot: 3/5 Characters: 4/5 Writing: 4/5
Engaging novel about the complex family dynamics of three generations of Stricks: Astrid (a 68-year old widow and newly woke bi-sexual), her three adult children, and her teenage granddaughter Cecelia — all in various stages of “growing up.” Evolving relationships between couples, parents and children, siblings, friends, and ex-lovers pepper the plot. Featuring lesbians, bi-sexuals, single mothers, and trans teens, there are strong themes around gender norms, roles and expectations and the impact they have on our lives.

The characters are all well-drawn and interesting, the writing insightful and clean, the story interesting. My only complaint is the (mostly) subtle anti-man feeling permeating the text. All the male characters are stunted, shallow, or dead with the exception of one delightful teen boy … who actually turns out to be a girl in boy-skin (trans). There were even a couple of quotes which were meant to be light and funny, but really are pretty awful:

“It seemed so easy, to cut out the creeps and sexual predators, just by cutting out all the men.”

“It’s always white men, you know, nine times out of ten. It’s white men who turn to violence against their families, against strangers, against the world.”

This kind of thinking is a big problem. Even if it’s true that most violence is done by men (and reducing the set with “white” is actually completely incorrect), it does not at all follow that most men are violent. This is the kind of sloppy thinking and gross over-generalization that brings out hate all over the place. I wish authors would be more careful about popularizing this kind of thought.

That aside, I did enjoy the book. Some very good lines:

“Astrid’s greatest strength, as a person, had always been her iron tear ducts.”

“Any perks were vastly outweighed by the crushing feeling of apocalyptic failure and profound injustice.”

“So much of becoming an adult was distancing yourself from your childhood experiences and pretending they didn’t matter, then growing to realize they were all that mattered and composed 90 percent of your entire being.”

“No one laughed at gorgeous white men. It was a design flaw in the universe.”

“Nicky made marriage look like an art project, and Elliot made it look like prison.”

“Cecelia wanted the Hollywood version of her own life — fast-forward, with wrinkles made out of papier-mache. It was too hard to wait and see.”

“All love settled. Not settling for something less than you deserved, just settled down, the way breath settles in a sleeping body, not doing more than necessary.”

“That was the problem with being part of a family: Everyone could mean well and it could still be a disaster. Love didn’t cure all, not in terms of missed communication and hurt feelings during an otherwise uneventful dinner conversation.”

“The downside of Buddhism, as Cecelia understood it, and also of years of therapy, was that no one ever seemed to think anything was their fault. Everything was always open to everyone else’s feelings, or the ultimate balance of the universe. If the point of life was to let things go, then you never had to be sorry about anything.”

Thank you to Riverhead Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 5th, 2020.

 

Backpacking Book Review #3

The end of the backpacking trip was a little surprising.  Slipping down a sandy friction pitch I was pushed over by the pack and landed right on my face — specifically my poor nose — on a flat but very hard rock.  Did not even realize that this was possible.  Don’t think I’ll include a photo because really — you don’t want to see it!  But no broken teeth or nose, just some very strange bruising and a better attitude to scampering down friction pitches in the future …

Meant to Be Yours by Susan Mallery

Thank you to Harlequin and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 22nd, 2019.

Hunky Vietnam Vet Jasper (who is not as “broken” as he thinks) is freshly returned from his book tour. A successful action adventure writer, he wants to finish off one series so he can start another but is flummoxed by his utter inability to write women. Enter Renee Grothen — wedding planning extraordinaire — who herself has given up on men after some very bad experiences. And guess where they both live? Happily Inc — a (fictional) wedding destination town with a real Disneyland flair. We learn this all in the first few pages and we know how it’s going to end — but the journey is fantastic.

I really don’t care for the romance genre but I read everything Susan Mallery writes. Her characters are interesting and nuanced (yes — sexy as well) and the plots are twisty and fun with captivating side stories. To start with, Renee works on theme weddings, and although I am personally not into decorations, weddings, etc, I loved hearing about the “Dallas Cowboys,” Nutcracker, and Apple themed weddings, just to name a few. Add to that a town that features an animal preserve, a horse ranch run by the adopted daughter of the King of El Bahar, and a woman who can actually sense what animals are thinking — and you have all the ingredients of a pretty engaging story. Some extremely well-written and steamy sex scenes as well. This is not a “cozy romance” — the attraction between our two is palpable rather than polite.

Fun read!

All That’s Bright and Gone by Eliza Nellums (Literary Fiction)

Writing: 4/5 Plot: 4/5 Characters: 4.5/5

A strange and captivating book that gets better and better with each page. Six-year old Aoife (pronounced EE-fah) misses her mama who is “confused” and has been taken someplace to help her feel better. With the help of her imaginary friend — a large bear named Teddy — and her slightly older and more confident neighbor Hannah, Aoife sets off to solve the mystery of her brother’s murder with the childish logic that this will allow her mother to come home again.

Aoife is the most compelling of narrators — her mind is young and she has been kept uninformed about the big issues facing the family (as is typical of six-year olds). She tells her story piece by piece, describing events and her interpretation of them in an utterly convincing manner — her mother’s “confusion,” visits from cee pee ess (child protective services), and the explanations her Uncle Donnie, Father Paul, and her mother’s “special friend” Mac give in answer to her questions.

A beautifully imagined book about a child growing up and making sense of her (in no way average) world. A surprising and well-structured plot, good writing, and well-drawn characters as depicted from Aoife’s perspective. Understated themes of mental illness and what it means to be crazy.

Highly recommended.

Thank you to Crooked Lane Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on December 10th, 2019.

The Weight of a Piano by Chris Cander

Writing: 4.5/5 Plot: 4.5/5 Characters: 4.5/5

Captivating novel about the lifespan of an antique (circa 1905) upright Blüthner piano and the two women whose lives are inextricably bound to it across place, time, and culture. Katya grows up in Leningrad. She inherits the piano at a young age from the blind pianist in the building with the note: “Even a blind man could see the music beating in your heart.” She devotes her life to music and the Blüthner until she is ripped from everything that she loves by her husband’s unilateral decision to leave Russia for a better life in the U.S. (~1980). Life is not easy for Soviet Jews in that time period (well, any time period in Russia, really).

Clara is a mechanic. Born to academic parents in Santa Monica, she loses everything in a fire when she is twelve. Only the Blüthner piano that her father gave her a week before he died is saved, having been in the shop for repairs at the time. She is insistently self-reliant, having learned long ago the heartbreaking loss when someone you depended on disappears abruptly. She grows up with an Aunt and Uncle in Bakersfield, and while she never develops any musical skills, the Blüthner is her prized possession. When a professional photographer offers to rent her piano for a series of desert shots in Death Valley, she is reluctant, but persuaded by the large sum on offer. She impulsively follows the piano on its journey and ends up discovering more than she ever imagined about her own history and approach to living.

Told through alternating narratives, the story is intricate and riveting. I loved the descriptions of music and the myriad ways it affected different people. Katya’s favorite piece, and one which threads through both narratives, is Scriabin’s Prelude #14 in E flat minor. Clara’s father’s attempt at characterization: “It’s poetry and color and imagination. In any of the languages I know, I can’t find the right words for it.” The depictions of Death Valley and the piano-centered photographic essay process make for both an inspiring travelogue and a photography primer for the uninformed (that would be me) — worth the price of admission all on its own.

As one narrative proceeds from bittersweet to utterly heartbreaking, the other narrative flows towards understanding, growth, and release. A full and satisfying read full of characters with depth for whom we cannot help but have great empathy.

2018 in Review …

2018 was a good reading year for me — 111 books in total; 86 by women authors, 25 by men; a lot of British and American based books but also a few from Korea, Ireland, China, and Rwanda.  Types:

10 non fiction
48 General fiction
17 Literary fiction
10 Fantasy and Science Fiction
8 Mystery
18 Children and Young Adult

My goal for 2019 — more non-fiction and more foreign fiction — but we’ll see what happens!

My favorites for the year …

Non Fiction:

The Art of Power by Jon Meacham — An insightful and well-written biography about one of the Founding Fathers and the author of our Declaration of Independence (Thomas Jefferson).

Killers of the flower moon by David Grann — A chilling history of the “Osage Reign of Terror” in which a large number of wealthy Indians from the Osage tribe were killed over a period of several years, possibly even decades, in the early 1900s.

The Library Book by Susan Orleans — The story (and multiple fascinating back stories) of the massive 1986 fire that brought the Los Angeles Central Library to its knees.

General Fiction:

The Almost Sisters by Joshilyn Jackson — Quintessentially southern, humorous, and impossible to put down. 38-year-old Leia Birch is a well-regarded graphic novel artist and self professed “uber-dork”. After an enjoyable comic book convention hook-up with a gorgeous black man in a come-hither Batman cowl and cape, she finds herself pregnant. Take it from there …

Chemistry by Weike Wang—A belated (she’s in her 20s) coming-of-age story about a young, Chinese-American woman in the midst of capsizing both her Chemistry PhD and long-term relationship. We view the process of life dismantling and reconstruction from within her own mind through her unique, first-person voice.

The Ensemble by Aja Gabel — A story about the Van Ness String Quartet and the individual members comprising it, both evolving from rocky beginnings to success and stability. Some very nice descriptions of music and the art of making music together.

The Last Year of the War by Susan Meissner — An historical novel that plunges you right into the WWII period period through the eyes of Elsie Sontag — a ten-year old Iowan girl whose life is utterly upended when her father is unjustly arrested as an enemy alien under Executive Order 9066 and first interned, and then repatriated to Germany.

The Lost for Words Bookshop by Stephanie Butland — Spiky Loveday Carew has worked in the Lost For Words bookshop in York (England) for 15 years. Her network of tattoos is a compendium of significant first lines from favorite novels — I was hooked right there. By the way, the first line of this book? — “A book is a match in the smoking second between strike and flame.” By turns comic, powerful, uplifting, and literary, this book about books and the people who love them made me one happy clam.

The News of the World by Paulette Giles — A Wild West story that by no means glorifies the period. Captain Jefferson Kidd — seventy two years old and making his living by reading the “news of the world” to audiences around Texas for a dime a piece — takes on a troubling task: to return a ten-year old white girl to relatives after being kidnapped by the Kiowa four years before.

Once Upon a River by Diane Setterfield —An old-fashioned Story (with a capital S!) full of richly drawn archetypal characters, a convoluted but cohesive plot, and just the hint of inexplicable mysteries.

Literary Fiction
Exit West — A brilliant, insightful, distillation of the experience of two individuals who go from a life which appears “normal” to one of upheaval, exposure to extremism, and displacement.

Kinship of Secrets by Eugenia Kim — An utterly engaging story that follows two sisters as they grow up separately due to the Korean War.

Like a mule bringing ice cream to the sun by Sarah Ladipo Manyika — Beautifully written book about Morayo Da Silva — a strong, vibrant, deliciously interesting character. Almost 75, she lives in a small, book-filled, rent-controlled apartment in San Francisco with an incredible view. A retired professor of literature, she was born in Nigeria and lived around the world before settling in San Francisco.

The Museum of Modern Love by Heather Rose — A powerful and poignant novel about the transformational impact of Marina Abramović’s The Artist is Present on those who witness it during the 75 days of performance at MOMA.

Pachinko by Min Jin Lee — A sweeping, multi-generational, saga of a Korean family spanning the Japanese occupation of Korea, WWII, and beyond.

Salvage the Bones by Jessmyn Ward — Salvage the Bones is an utterly gripping depiction of life in Bois Sauvage, Mississippi for the Batiste family during the twelve days before, during, and after Hurricane Katrina — as seen through the eyes of 15-year-old Esch.

Sing Unburied Sing by Jessmyn Ward — A powerful novel. The language is riveting and evokes a pervasive sense of physical and emotional space in a way I haven’t felt since reading Toni Morrison’s Beloved.

Small Country by Gaël Faye — A coming-of-age novel in the politically charged climate of Burundi in the 1990s.

Virgil Wander by Leif Enger — A story of the opportunity for redemption and resurrection for a fading town and the fading men within it. Perfect for fans of Kent Haruf, Ivan Doig, and Wallace Stegner.

Fantasy and Science Fiction
Irontown blues by John Varley — A nice fast-paced, action-oriented, noir-mystery in a futuristic setting from Sci-Fi master John Varley. could be subtitled: “The Case of the Leprous Dame of Irontown”

Zoo City by Lauren Beukes — A blend of African style juju, speculative fiction twists, and a hard boiled detective story. Our first person narrator is Zinzi Lelethu December — the “animalled,” ex-junkie, hard-boiled, Sam Spade style character with a hefty past just struggling to survive in a dark environment.

Words of Radiance by Brandon Sanderson — Book two of Sanderson’s Stormlight Archive series as awesome and complex as the first.  Unrivaled world building with an  overwhelming variety and depth of populating cultures  — a constant mental exercise for the reader as a continual stream of new information forces refactoring of the complex models held in reader land.

Mystery:
Bluebird, Bluebird — A remarkable and entertaining book — appealing to literary fiction and mystery lovers alike. As a whodunit, it has it all — convoluted plot, simmering tensions in the community, and plenty of motive to spread amongst an array of characters. What takes it past straight mystery and into the realm of literary fiction is the top notch writing, truly in-depth characters, and the fact that the narrative never takes the easy way out.

Young Adult:
School for Psychics by K.C. Archer — A Harry Potter-style story for millennials with a menagerie of psychic powers nurtured by a blend of science, chakras, vegan diets and computer hacking in a School for Psychics. A fun book — well paced, great plot development, cool characters, and multiple layers of mystery. Also, nothing egregiously stupid which frankly tends to pepper this kind of book.

A Cloud in the Shape of a Girl by Jean Thompson

Thanks to NetGalley and Simon & Schuster for an advance reader copy in exchange for my honest opinion. Book to be released on Oct 9, 2018.

Writing: 4 Characters: 3.5 Plot: 3

This (well-written) book could easily be subtitled: “Three Generations of Unhappy Women.” Evelyn — the matriarch — gave up the intellectual life she craved to marry a man she didn’t love. Her daughter, Laura, became a “pleaser,” working constantly to smooth tensions between her mother, her husband, her troubled son, and the rest of the world. Laura’s daughter, Grace, struggles to free herself from family binds but can’t seem to make much progress.

The book is 336 pages of pure drama — unwanted pregnancies, extramarital affairs, alcoholism, cancer, drug addiction and rehab, and just plain old meanness fill the pages giving the characters the opportunity to experience grief, angst, anger, and numbness in a raucous merry-go-round of emotions. While it is very well done — a real page turner — I found it a little annoying that most of these problems (the cancer excepted) were of their own devising and fully under their own control to fix. There was little insight, revelation, or determination brought to bear on the various situations. I personally did not identify with, or even particularly like, any of the characters.  That’s just me — I’ve read some of the other early reviews and people seem to really like the emotional intensity of the story and identify with the troubles these people face — maybe you will too!

The Museum of Modern Love by Heather Rose

Thank you to Algonquin and NetGalley for an early review copy  which will publish November 27, 2018

Writing:5 Characters: 4.5 Plot: 4

A powerful and poignant novel about the transformational impact of Marina Abramović’s The Artist is Present on those who witness it during the 75 days of performance at MOMA. Abramović’s sits in silence in a large room furnished only with a table and two chairs. Without speaking, she gazes into the eyes of those who choose to sit across from her. From museum opening until closing, Marina does not speak, move, eat, drink, or go to the bathroom. Expecting only modest participation, by the end of the 75 days people are lining up the night before to get a chance at participating. By the end, over 1500 people had sat and over 500,000 had observed either in person or online.

The book delves into the internal experiences of those who participate — either by sitting or by observing. The reflections on art, life, and meaning that emerge from the beings brought together by this piece are incredible, with fresh insights on every page. Abramović says her pieces are “establishing an energy dialog” and that she is “only interested in art that can change the ideology of society.” Some fascinating background on Abramović’s personal history and other pieces are included — I was half way through the book before I realized that this was a real artist and a real piece. Heather Rose has not fictionalized any real people or events but has instead built a story around the deep and transformative impact the piece had on those who bore witness. In some cases we get whole storylines, in others simply passing comments. It was brilliantly done.

Some of the longer storylines follow Arky Levin — a composer of film scores whose beloved wife is sinking into what may be the last stages of a long-term, eventually fatal, genetic condition; Jane Miller, a 54-year old middle school art teacher from the South who is grieving her recently deceased husband; Brittika Van Der Sar, a pink-haired Asian adoptee from the Netherlands writing her PhD on Abramović; and Healayas Breen, a tall and gorgeous media personality.

It brought me to tears many times — not through drama but because of the nakedness of the human experience portrayed as the art “captures moments at the heart of life.”