The Things We Never Say by Elizabeth Strout (Literary Fiction)

Writing: 5/5 Characters: 5/5 Plot: 4/5

I was instantly hooked by the epigraph: Loneliness does not come from having no people about one, but from being unable to communicate the things that seem important to oneself, or from holding certain views which others find inadmissible. — Carl Jung

This was the beautifully written, deeply reflective story of Artie Dam — a high school history teacher who spends time considering free will, loneliness, and whether or not anybody can really know anybody else. He watches his own mind a lot — I like that concept. He has been married 34 years, has a grown son who has become more distant, and a deep love for his students who he fears, based on the last election, he is sending out into an unsafe world.

I love the way the author (who is one of my favorites) paints a scene from multiple points of views. We spend a lot of time in Artie’s head, but we also get snapshots of what each of the people in his life think about him simultaneously and why. The elucidation of how we perceive the people around us, how they perceive us, and how we manage to make a connection to them despite this variance is brilliant. I also loved the fluid way Artie reflects on his life — memories precipitated by small events and interactions and the larger social shifting in reaction to the big events — Covid, the 2024 election, and the (ever changing) perceptions of right and wrong.

Political angst is a big piece of the context for Artie and several other key characters. Semi-oblique references to orange hair, cancelled government contracts, ICE “Nazis”, and general loathing for certain personages (you know who they are!) are tossed out without too much discussion. I found this interesting not because I agree or disagree with the view, but because of how having these feelings — justified or not — deeply impacted the characters. I appreciated that the author did include other characters — presented as reasonable and good people — who held either opposing views (they voted for Trump!) or who were simply content to wait and see what actually happened, rather than get too intensely worked up about it. What I loved about this book was that in spite of the angst — both internally and externally induced — the novel was primarily about personal insight and the way that we can have a positive impact on others and work to achieve the contentment and connection that we want. I found this book ultimately uplifting.

Quotes:
“She was unaware — even after their thirty-four years of married life — of the deep pockets of sensitivity that Artie had. And why did she not know? Because she herself did not have those particular sensitivities — and like almost everyone else on this Earth her imagination could not take her fully to another place, even with her husband.”

“So blind we humans are — so blind. To each other and to ourselves, moving through life as though through shadows, putting out a hand in the dark and thinking we have touched someone. And maybe we have, as Artie did with Rhonda Lazarre that day. But mostly we travel through life unsighted, grasping only the smallest details of one another’s selves, including our own. Thinking all the while that we can see.”

“And then she leaned her head against his shoulder, and this is what stabbed Artie now, their innocence, and how badly he wanted — as that elderly woman had — to lean his head against a loving person, to be innocent and incorruptible.”

“And now he knew why. Because to say anything real was to say things that nobody wanted to know. Or if they wanted to know, they would not care in the right way. Or even understand. It was a private thing, to be alive. He understood this now.”

“As he walked slowly up to the bedroom, he thought that now, after all these years, he was finally becoming a grownup. What did he mean by that? That he was finally beginning to understand the multitudinous aspect of people. He was amazed by it, really, now that he thought about it. In his study of history, he had learned about the leaders, and the various groups involved, but he had some how missed this fact about every single person: that they held within themselves a vast, unknowable universe. And he understood that it could make a person lonely; people had to take and give to one another whatever they could. If it was not enough … Well, then it meant one just had to be a grownup.”

Thank you to Random House and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 5th, 2026.

Grace and Henry’s Holiday Movie Marathon by Matthew Norman (Literary Fiction)

Grace and Henry have been “mommed” — brought together by their well-meaning mothers over a ridiculously fabricated wifi problem to see if they could help each other out. Grace’s husband died after a long battle with cancer; Henry’s wife died in a private plane crash that also took out most of the senior leadership of the company for which they both worked. Neither is anywhere close to being ready to “move on,” but thanks to the intervention, they do find some comfort in having a friend who understands what they are going through.
This book is about grief and holding it together against all odds and yet … I found myself laughing out loud on every page. It takes real authorial talent to focus on the depth and complexity of trauma induced emotion while simultaneously seeing the wry humor available to the reflective soul during nearly any aspect of life. I loved the characters — Henry and Grace, but also Grace’s son — the sensitive, artistic, emotionally intuitive boy-child Ian; their family dog Harry Styles, purchased on the way home from her husband’s funeral, Grace’s emotional support ghost (aka her dead husband), and the various friends and family who surround them with infusions of the kind of quirky love that only the collection of misfits we call ours can provid

I loved the writing — the wry humor, the stellar dialog, the poignant shifting of perspective between a future focus and the firm grip maintained on rapidly elusive memories. It made me think about how we consider our priorities — how often do we seek excitement over contentment or adrenaline rushes over dwelling in beauty? How often do we discount the importance of human connection over career advancement or external recognition?

I’ve read all of Matthew Norman’s books and don’t know how I missed this one which just came out last November. He writes families and individuals with humor and depth — one of the few male writers I’m aware of who can write about these topics in a way that resonates with me.

Some great quotes:
Parenting in times of crisis, I’m learning, is a delicate balance between fiction, nonfiction, and pure fantasy, like when Bella asked if we could call her dad in heaven, and I told her they don’t have cell towers there.

Watching this guy drink a beer is like watching someone test something for poison. He sips, looks with trepidation into his glass, awaits death.

Unfortunately, the rest of my apartment looks like it’s set in a dystopian future where humans no longer care about home décor because we’ve been enslaved by robots.

Plus, she probably isn’t even awake. It’s 7:47 p.m., and she said she’s been tired for eleven years.

… And I’ve combined them with my favorite lounging sweater. Last time I wore it home, my mom said she didn’t know Goodwill had a section specifically for shut-ins.

A Thousand Painted Hours by Barbara O’Neal (Historical Fiction)

Excellent historical fiction alternating between London in late 1940, during the Blitz, and the early 1900s in India and England. Elsie has been raised in India, her father in the British civil service. While there she forms a deep friendship with a Sikh prince with strong tendencies towards independence. When her father is called back to England, Elsie is reluctantly sent back as well.

This is a love story that stretches across time, space, class, and political trends, including the recognition of the treatment and consideration of women. It’s quite emotional and there are plenty of scenes I can only describe as “torrid” which is usually not my thing, but the writing was excellent, the situations were quite believable, and I never felt emotionally manipulated. Additionally, the various characters and depiction of life in those times and places were really good — colonial India, war torn England, Cairo after WWI, etc.) . Elsie is an artist struggling to make her way in a world where her responsibilities and the expectations of others don’t always allow her much autonomy. The descriptions of her artistic efforts were very engaging (that’s two books in a row about artistic types that have appealed to me, the unartistic type) and the detailed descriptions of the (completely appropriate to the ages) discussions and interests of the various characters (her Prince, his sister, her own mother, a Bohemian group she connects with, etc) is a marvel. I love the way that the letter exchanges between her and her Sikh Prince always contained “one small beauty” regardless of the deeply disturbing events they were going through.

It was a quick read — a little repetitive (for me) on the love story, but fully compelling from start to finish.

Thank you to Lake Union Publishing and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on August 11th, 2026.

Six Little Words by Sally Page (Fiction — Audiobook)

Lighthearted and uplifting, this is a charming tale of a Norfolk (England) community group that comes together around an amateur competition designed to unlock a person’s creative spark. We alternate between the perspectives of Bardy, a retired English teacher suffering from writer’s block, and Kate, an equally frustrated once-painter, but the others in the group each have equally compelling narratives that slowly surface as the group coalesces into something much greater than originally intended.

This could have been simply another piece of uplifting women’s fiction (and nothing is wrong with that!), but I found a lot to love that went far beyond the expected bromides. Bardy experiences synesthesia and the description of how he saw people as intense and specific colors was fascinating. It was as though his subconscious experiences of people manifested as actual visual portrayals. I also found all the discussions about art — making it, recognizing it, expressing oneself through it (without considering external judgement) incredibly insightful and engaging — even though I have no artistic capabilities or experiences trying to produce it. The array of artistic endeavor was both amusing and absorbing — from oils to poetry to photography to fashion designs (on dogs!) to musical theatre. I was particularly interested in the way that any artistic expression is a window into someone — their interests, the way they see things, the way their brain works — I’m always curious about people and very aware of how differently people “work” from each other. I hadn’t really thought about artistic expression as a channel in that. I liked the reminder also that artistic expression is for the artist, regardless of the opinions and valuations of others. With so much commentary and criticism on all sides, it’s sometimes difficult to remember that you paint or play piano or pretend to take on acting roles because it’s fun and internally satisfying, not because you need the approval from others (unless you’re trying to make a living that way, of course!).

The book had a nice happy ending — full of (realistically IMHO) resolved situations with personal growth required for decent closure. The “Six Little Words” inspiring the title are exposed near the end — and they are perfect! Great for fans of Joanna Trollope. Thoroughly enjoyed it.

When God was a Rabbit by Sarah Winman (Literary Fiction)

Writing: 5+/5 Plot: 4/5 Characters: 5/5

Charming, deep, and full of insight. A coming of age and beyond novel with clear flows from life experiences to the development of a personality, a worldview, and a moral core.

Eleanor Maud is a bit of a loner, with an adored older brother, a best friend from the “other” side of the tracks, an odd collection of adults who provide her with myriad perspectives and experiences, and a pet rabbit she has named God. Introverted and introspective from an early age, we see her develop a sense of self and a unique brand of faith by continually modifying her worldview and her self-understanding in reaction to events both personal and societal (e.g. a suicide, a scary lump, lost memory; 9/11, the massacre at Dunblane, John Lennon getting shot).

I thoroughly enjoyed reading this, being immersed in another’s quirky and slanted, but also rational and considering, mind. Ellie was an easy character for me to “travel with” in this way. I loved the cast of supporting characters who were each unconventional in his or her own way, always through eccentricities well-supported by their outlook and exploits. This is a reprint of the book — it was originally published in 2011 and was the author’s debut. She has since written three additional books.

Some beautiful quotes:

“He had skirted the periphery of my early life like an orbiting moon, held between the alternate pull of curiosity and indifference, and probably would have remained that way, had Destiny not collided with a Tyrolean coach that tragic, pivotal afternoon.”

“He presented a colorful alternative to our mapped-out lives. And every day as I awaited his return from school, my longing became taut, became physical. I never felt complete without him. In truth I never would.”

My father had never met a lesbian before, and it was unfortunate that K. H. should be his first, because his liberal cloak was pulled away to reveal an armory of caricatured prejudice. He could never understand what Nancy saw in her, and all she ever said was that K. H. had amazing inner beauty, which my father said must be extremely hidden, since an archeological dig working round the clock would probably have found it hard to discover.

“I just want my friend back,” I said, tears burning behind my eyes. ‘I’ve become forgettable”

Do I believe in a mystery, the unexplained phenomenon that is life itself? The greater something that illuminates inconsequence in our lives; that gives us something to strive for as well as the humility to brush ourselves down and start all over again? Then yes, I do. It is the source of art, of beauty, of love, and proffers the ultimate goodness to mankind. That to me is God. That to me is life. That is what I believe in.

And she had left nature alone, opting instead to banish vanity like the meddlesome, suffocating weed it was.

His strange presence had uncovered a loneliness of such devouring longing, one that reached cruelly back into the past, and I knew I could no longer be around him.”

And he uncovered in us a curious need: that we each secretly wanted him to remember us the most. It was strange, both vital and flawed, until I realized that maybe the need to be remembered is stronger than the need to remember.

Thank you to G. P. Putnam’s Sons and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 24th, 2026.

The Heart of Everything by Marc Levy (Literary Fiction)

I loved this book — it was funny, sweet, and poignant. Always enjoyable with plenty of insight on the “big questions” and peppered with little surprises that evoke the individuality of each character, rather than serving as plot devices. I both laughed out loud and teared up frequently.

Thomas — a concert pianist in Paris — is surprised when his father (now dead for five years) appears in his apartment to beg him for one last favor — to reunite him with his long lost love in San Francisco. Not your typical ghost story, the long journey provides the vehicle for a chance for a father and son to have the kind of reconciliation one always hopes for after a death. I could not have predicted the level of insight, sweetness, and hidden delight from the plot description alone. The bantering style between the two often made me laugh out loud, but also clearly had that bittersweet feeling of two people who love each other but have never really been able to express that love directly. Teasing, at times acerbic, direct and simultaneously avoidant. What would you say to your deceased parent if you suddenly had just a few extra days with him or her? I liked being given the opportunity to think about just that. As an extra, I very much enjoyed Thomas’ musical references and his experiences as a performer. They had real depth and were not simply window dressing on a character.

I loved the writing style. Understated, lovely, and clean. The words don’t draw attention to themselves, but each one appears precisely chosen to impart exactly the meaning the author intended. I am embarrassed to admit that I had not previously heard of Marc Levy, who is apparently a bestselling French author and wrote the novel on which the movie “Just Like Heaven” was based. According to the Amazon page, “Le Figaro newspaper recently commissioned a nationwide poll asking the French to rank their favorite author: Marc Levy and Victor Hugo were #1.” I’ll certainly be investigating his backlist!

Thank you to Amazon Crossing and NetGalley for providing an advance copy of this book in exchange for my honest review. The book was published on January 1st, 2026.

Bet Me by Jennifer Crusie (Rom-com)

This was just pure fun to read from start to finish. A romcom with a voluptuous (rather than thin) heroine, great banter, a sizzling romance, good messaging around relationships and love, and some even greater friendships that I enjoyed every bit as much as the big romance. I only read romcoms if they are very funny and if the women aren’t portrayed as disorganized idiots (think Bridget Jones) — this one had me laughing and happy throughout. A couple of funny lines that don’t give much away:

“Look mother, I am never going to be thin. I’m Norwegian. If you wanted a thin daughter, you should not have married a man whose female ancestors carried cows home from the pasture.”

“She looked like the blowsy barmaid who worked in the inn behind the castle, the one who’s trash-picked one of the princess’s castoffs.”

“…who should have been hale and welcoming but instead had the vaguely paranoid look of a sheepdog whose sheep were plotting against him.”

The Parisian Chapter by Janet Skeslien Charles (Fiction)

A sequel to Charles’ The Paris Library which alternates between Paris during the Nazi occupation and a small Montana town to which the protagonist (Odile) flees about 40 years later. In this “chapter,” Lily Jacobson, the young girl Odile befriended in Montana, gets a chance to go to Paris and work in the same American Library that meant so much to Odile in the 40s. The story — MUCH less depressing than the last (as there are no Nazis in this one) — alternates Lily’s experiences with short character vignettes on others in the library community.

The best part of the book for me are these characters and the way they come together to maintain an under-funded, increasingly shabby, but definitely beloved library. Characters range from library staff, to volunteers, to patrons, to a live-in (hidden) homeless person. And the rather two-dimensional and all around loser — the current Library Director. My favorite chapter is the first, introducing Head Librarian Lorenzo Bruni who complains bitterly (but also quite humorously) about the annoying habits of the Public and all of the things he is not allowed to do. I wonder why that appealed to me so much?

It’s a charming story with a happily-ever-after style ending, and lots of literary and artistic references. While I found all of the characters to be interesting people (they all love libraries, so how could I not??), I would have preferred a little more depth, but overall I quite enjoyed my last read of the year (finishing exactly two hours before the New Year began!)

Thank you to Atria Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 5th, 2026.

More than Enough by Anna Quindlen (Literary Fiction)



One of my favorite books of the year — thoughtful, relatable, and delightful, even, in an odd way, the sad parts. This is in large part due to the characters who are all good and wise people in their way, but always with more to learn. I’d like to say there was a jackass or two in the pages, but there really weren’t.

Polly is a high school English teacher at a private Manhattan school where the kids are (mostly) wealthy and privileged but also driven, smart, and with problems of their own. As an aside, I like the fact that people who are not poor, not downtrodden, and not necessarily members of a minority class are allowed to have problems and drives and desires like anyone else. Her appealingly well-adjusted husband is a big animal vet at the Bronx zoo — possibly my favorite character occupation of all time! And she is part of a perfectly balanced four member book club — unique in that its members must buy, but not actually read, the chosen book every month. At the same time, however, her beloved father is losing his mind to dementia, she is struggling with infertility, she is in a perpetually low-grade state of anger with her mother, and a “joke” DNA test gift has resulted in a surprising and uncomfortable disclosure.

The book is a “tag along” to a thoroughly examined life as it progresses, as all lives do, completely out of the control of the one who lives it. All we can do is adjust, appreciate, understand, and settle in for the ride. Beautifully written with a slew of insightful comments (and many apt literary references and quotations — she teaches advanced Literary Honors courses after all!). Full of myriad families and friend groupings, each with their own distinctive cultures and implicit behavior patterns. I loved that the story was a study in non-dysfunctional ways of handling both life’s vicissitudes and pleasures. I found myself disagreeing with Tolstoy — not all “happy families” are alike, because every family, even the happy ones, find their own way of handling all that life throws at them. And lastly, some truly fun and informative scenes with alpacas.

Some quotes both directly from the author and as referenced in the book:

I am out with lanterns looking for myself — Emily Dickinson.

Marriage. Like calculus without the answers.

There’s a kind of equipoise to our group, so that we’ll veer here and there and somehow always come back to center, and peace.

Sometimes I think the human brain is a house, and the lights only come on in mine one room at a time.

Life is a tragedy for those who feel and a comedy for those who think — Moliere

“Daddy Daddy Daddy is running through my head like a piece of music with only two notes, like Philip Glass. I hate Philip Glass.”

“I’d like to disabuse you of the notion that you are the only woman in the world who doesn’t like her mother,” my therapist had said three years before.

The thing about living in New York City is that you feel either perpetually untethered or unwaveringly embedded.

You girls need to allow me my petty grievances.

Beauty is whatever gives joy — Edna St Vincent Millay.

I’m afraid families are a funnel, and ours is running out.

Thank you to Random House and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 24th, 2026.

Whistler by Ann Patchett (Literary Fiction)

The key to my love for all Ann Patchett novels is the depth and intricacies of her characters. There is no other writer that I know of who consistently imbues her characters with the level of introspection and thirst for personal knowledge that her characters have — or at least the ones that I relate to! Having read many of her essays, I think the secret is the profundity with which Patchett gets to know people in real life — and I mean any and all of the people she comes into contact with. Not many of us are blessed with the ability to know too many others at this level, and this wide ranging understanding of the varying types of human experience makes for characters who feel real and complex. The fact that Patchett is also an incredible storyteller, with ideal pacing and consistently enlightening disclosures, does not hurt!

So. Our deep and complex characters are launched in this story by a chance encounter between Daphne (our protagonist) and her (first and quite beloved) stepfather — the one who disappeared from her life abruptly after a traumatic car accident when she was nine (she is now 53). Through a set of discussions, connections, and events (celebrations, get-togethers, random walks), we get to unravel the very components that go into telling anyone’s personal story — the different pathways that lead to the person one becomes over time. The story (for me) was one touching moment after another, and I promise that none were of the overly schmalzified Hallmark variety. These are the moments that mark our lives, that matter, and that cause the shifts in our understanding of the world and ourselves.

I loved Daphne’s sister, the best friend and therapist; I loved her (older) husband Jonathan, who is unraveling a family mess of his own (a now deceased mother whose each element of hoarding precipitates a cornucopia of overwhelming memories); I especially loved Eddie, the newly discovered, now-ex stepfather. We see him skillfully through the eyes of the once and current Daphne, whose life experiences only slightly shade perceptions gained as a child during some intensely pivotal moments. The narrative reminded me of how different we are in each dynamic relationship with another.

There are LOTS of (really good) literary references and asides — Eddie is in publishing, Daphne writes, and let’s face it — Patchett knows a thing or two about the business! Themes include the impact of childhood experiences, mistakes and missed opportunities, the contemplation of life and death, human connection, and what it means to show up — really show up — for the people you love. The biggies! I couldn’t put it down.

Thank you to Harper and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 2nd, 2026.