Category: Multi cultural interest

About People by Juli Zeh (Literary Fiction)

Writing: 5/5 Characters: 5/5 Plot: 4.5/5

Dora — a 36-year old advertising creative — thinks a lot. It doesn’t necessarily make her happy, but the stubborn core inside her makes her bristle at any hint of absolute truth, absolute authority, or socially enforced groupthink. Her long-term boyfriend, Robert, has become obsessed with climate change, steadily ramping up his insistence on (her) behavior modification to meet his right-thinking absolutes. When Covid hits, he retargets his laser focus on lockdown adherence and becomes unbearable in close quarters. Dora escapes to a dilapidated house in a small village for a breath of fresh air and finds herself in an AfD (right-wing German populist party) hotbed with the self-proclaimed Village Nazi as a neighbor. Thus begins an unasked for opportunity for a deeply introspective and stubbornly think-for-yourselfer to contemplate existence, humanity, and the nature of moral certitude while the world goes nuts around her.

Had I known anything about the author when I picked this book up, I wouldn’t have been as surprised as I was by how good it was — Zeh is an award winning German author and former judge. I realize that I haven’t kept up with European authors at all in the last decades. The writing / translation is excellent. Through a widely variable set of characters — her rigid climate activist boyfriend, the neo-Nazi next door, her highly confident (veering on the arrogant) neurosurgeon father, advertising colleagues, and a slew of village denizens — Zeh is able to cover a wide range of viewpoints on both specific hot topics (e.g. climate change, covid) as well as general socio-political attitudes towards life.

I loved this mildly satirical look at the way we humans cope with life — “mildly” satirical because it didn’t feel unkind to me. We all have our weaknesses, biases, rationalizations, and expectations and figuring out how to accept that ourselves and others seem like one of the more important problems to tackle. I appreciated Dora’s stubborn insistence on doing her own thinking and doing a lot of it. I loved the way explanation and depth was present in every argument, regardless of the character spouting it. It helped me to (surprisingly) be able to empathize with all of the characters, not just the ones I liked.

There were a lot of great quotes — here are a few:

“She follows the rules and regulations. But her thoughts remain free. Nobody can force her to view the beer drinkers outside the Spatis as treasonous public enemies.”

“What happened to the old certainty that there are no absolute certainties, which is why everything needs to be doubted, debated, and thought about? Dora couldn’t understand how Robert could feel so completely certain his lifestyle was so superior. She just didn’t follow.“

“The era of endless self-pity and constant complaining, JoJo will say. When everyone is always offended, afraid, and feels like they’re in the right. What a combination.”

“Take away the possibility of escape, and every refuge turns into a prison.“

“That sense of superiority is a long-acting poison that devours all humanity from the inside. “

“Then life prescribed her a neighbor. A nazi behind a wall. He was ugly and he stank. If he had been a product, he would’ve gotten only one star in the customer reviews on Amazon.”

“She’s often wondered what, exactly, lies behind this racism-triggered stiffness. Maybe a quandary. A series of impossible either-or decisions: Be a moralizer, or be a coward. Follow your convictions, or society’s expectations — or go for a third option and follow your aversion to conflict.”

“Everyone’s busy being interesting and important. And successful, of course, in both their professional and their personal lives. It’s a rat race of conformists outcompeting one another to come across as something special, someone different.”

“Of course there’s no law stating that neo-Nazis can’t appreciate hydrangeas. But it’s a jarring notion nevertheless. It poses a threat to the life-affirming yet mistaken idea that good and evil can easily be distinguished from one another.”

Thank you to World Editions and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 3rd, 2023

The Golden Gate by Amy Chua (Historical Mystery)

Writing: 4/5 Plot: 4.5/5 Characters: 5/5

An extremely convoluted ( in a delightful way) murder mystery set against an intricately detailed history of the San Francisco Bay Area in the 1930s and 40s. Walker Wilkinson — a rich industrialist and possible presidential candidate — is shot in his room at the Claremont Hotel in Berkeley. Mixed race Detective Al Sullivan lands the case which offers him suspects and witnesses that range from the very rich to the poor and dispossessed — from political figures to steel workers to Chinese / Black / Mexican / Japanese workers. Chua — an historian, this is her first novel — weaves in famous figures such as Madame Chiang Kai Shek, Julia Morgan, Dr. Margaret Chung, and August Vollmer with perfect integrity and context. Background history is delivered in a more or less integrated way ranging from laws and policies to the history of crime labs, the threat of Communism, the opening of the Golden Gate Bridge, the Kaiser shipyards (before it was just a medical plan!), and even the geology of the state. I was aware of some of the historical references — e.g. the Chinese Exclusion Act — but not some of the others such as the Mexican Expulsion of 1931 and the Mann Act (aka the White Slaves act) which was often used against those in interracial marriages. Chua’s non-fiction books focus on “the disparate impact of capitalism on different ethnic and immigrant groups” and that theme is front and center of this well-written and engaging historical mystery.

Some random quotes:
“In California, we have county coroners, and they’re elected, which is not exactly a recipe for competence.“

“That depends on your view of relevance. Yours, Mr. Doogan, appears to be quite cramped.”

“You can’t trust newspapers, but there’s one subject they’re good at — hate. First they whip it up, then they report on it.“

“There’s a suspicion line in every society, Miriam, and you’re either above it or below it. The people above that line, they never even think about it. They walk the streets like they own them. They take for granted that the law is there to protect them because it is.”

Emily Dickinson, but quoted in the book and I love it: “To live is so startling it leaves little time for anything else.”

Thank you to Minotaur Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book was published on September 19th, 2023

Kunstlers in Paradise by Cathleen Schine (Literary Fiction / Audio book)

Twenty-something Julian Kunstler — somewhat ineffective in his attempt at adulting — is sent to care for his ninety-something grandmother Mamie and her elderly dogsbody of unknown origin, Agatha, during Covid. Venice, California is a lovely place to wait out a pandemic — almost too lovely as Julian feels guilt at his own safety while others dwell in fear and panic. They pass the time with Mamie’s stories — of her own times of isolation, fear, and survivor guilt as an 11-year old Jewish emigre from Vienna who lucked into safety through the intense efforts of Hollywood’s artistic community to extract as many Jews as possible from Germany in 1939.
This was truly a wonderful book — full of stories suffused with reality and a painstakingly reconstructed sense of time and place. We hear the stories as well as the inner thoughts / reactions of both of them, giving an evolving insight into two distinct characters with wildly different contexts taking in the same information. Spectacularly presented.
With these stories, Schine manages to evoke not just the physical space of Venice Beach / Hollywood in the 40s, but the mental and cultural space as well. Music, language, philosophy, meaning, existence, and the nature of memory pervade conversations and thoughts. Music in particular suffused everything — Mamie came from the most cultured of Viennese Jews, her father a composer and mother a writer. She supported herself as a violinist, and I loved the way she took up violin as a youngster because she found the piano an oppressive instrument — as it missed all the notes in between while the violin could get them all. Many Hollywood stars of that era (mostly emigres like Mamie) feature in the stories: Greta Garbo, Arnold Schoenberg, Thomas Mann, and others. Her discussions with Schoenberg are priceless — they discuss the “emancipation of the dissonance.” (I can’t stand dissonance in my music but I sure enjoyed reading about the Schoenberg’s thoughts on the subject!). There are parallels between Mamie and Julian — the guilt of being safe while their friends and family are decidedly not, the isolation, the feeling that the world they know is collapsing — and Mamie wants to help Julian make spiritual and ethical progress in his life. To understand the need for joy and to be able to live fully.
Listening to the audio book while walking I had to stop every five minutes to write something down — I was so afraid of losing it (unfortunately, I have a crap memory). I felt like every page had a life lesson available to anyone who wanted to catch it. I would have had a lot of quotes, but could not capture them in time with the audio format. I did manage to remember one: “ Ones trauma becomes banal when it is trotted out too many times.”
Hard to believe I hadn’t heard of Catherine Schine before this. I read so much that I am literally shocked to find such an excellent writer with plenty of previous work that I don’t know. I listened to this on audio and loved it. The reader did an excellent job of portraying the voices — I sometimes found the “elderly” voice she used for Mamie to be a bit difficult to hear but I adapted.

Paper Names by Susie Luo (Literary Fiction)

Writing: 4.5 / 5 Characters: 5/5 Plot: 4/5
I quite enjoyed this story which weaves together three characters: Tony, a first generation Chinese immigrant who gives up a prestigious engineering career in China for the promise of more opportunity in America for his descendants; Tammy, the daughter who “gets” to live his dream for him — Harvard educated with a promising legal career in a wealthy firm; and Oliver, a wealthy (white) lawyer with a very secret past, whose path brings him close to both of them.


I don’t agree with the book blurb: “An unexpected act of violence brings together a Chinese-American family and a wealthy white lawyer in this propulsive and sweeping story of family, identity and the American experience.” IMHO the “act of violence” — which happens fairly near the end — did serve as a forcing function for some essential reflection and self-reckoning, but it didn’t bring them together and detracts from the real meat of the story which indeed was about “family, identity and the American experience.”


I quite liked the characters and found them both realistic and individualized (no stereotypes!). I enjoyed the contrast between the first generation immigrant father and the second generation immigrant daughter. I found the expression of how each felt — about his or her history, opportunities, and values as well as the complex web of feelings and attitudes about each other — to be artful, genuine, and identifiable.

The chapters alternate between perspectives of the three and jump around in time. I didn’t find it difficult to keep track of the time (very appreciative of the chapter labels!)
There are a lot of Asian immigrant stories out there — I found this one to be more reflective, less stereotyped, and less over-dramatic than most. Definitely recommend.

Thank you to Ballantine, Dell and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 6th, 2023

Yellowface by RF Kuang (Literary Fiction)

Writing: 5/5 Characters: 4/5 Plot: 4.5/5

This book never goes where you expect it to go. Ostensibly the story of an author (Juniper Song) who takes the latest manuscript from a recently deceased friend (Athena Liu), completes it, and publishes it as her own. But the depth of introspection, thought, and reaction every step of the way neatly details the complexities of every aspect of the world of writing, publishing, marketing and fandom. And it is absolutely fascinating.

Ever noticed how easy it is to have a (strong) opinion on something for which you’ve only read a headline? You’re not the only one. This book forces us to think a lot more deeply about a whole slew of issues: What is plagiarism vs influence vs mashups? How are we influenced by both direct marketing / branding and the more subtle (but equally insistent) influence of current trends and fads? How quick are we to leap to conclusions without analysis or an attempt at understanding?

Kuang also tackles the hydra of cultural appropriation by having her narrator (a white woman) writing a (thoroughly researched) book about Chinese history. Does she have the right to write about something that is not her heritage? Is it more reasonable for someone who is of Chinese descent but has never experienced (or been exposed to) anything like the characters in the book to write it? Kuang (who herself is ethnically Chinese) presents multiple sides to a whole slew of issues via the opinions, thoughts, and comments of various characters — both fully fleshed out and spewed in every angry storm of social media commentary. If Kuang herself has a strong opinion on these topics, she keeps it well camouflaged through her characters’ many disparate voices. I think she showed real courage tackling the subjects — helpful that she is already an award winning author — but I hope the strong-minded Internet trolls bother to think things through before attacking!

Lots of literary references, real insight into the industry, and a wildly convoluted plot that is actually clean, believable, and easy to follow. Human nature presented with all of its intricate folds dancing about in the intersection of morality, social acceptability, and judgement. Very different from her last book (Babel — which I loved) — it is equally compelling.

A fantastic first line, which drew me in instantly: “The night I watch Athena Liu die, we’re celebrating her TV deal with Netflix.” A fantastic last line, too, but I won’t include that here!

A small selection of good lines — there are so, so many:
“I stare at Athena’s brown eyes, framed by those ridiculously large lashes that make her resemble a Disney forest animal, and I wonder, What is it like to be you?”

“Cue the myth making in real time, the constructed persona deemed maximally marketable by her publishing team, paired with a healthy dose of neoliberal exploitations. Complex messages reduced to sound bites; biographies cherry-picked for the quirky and exotic.”

“The Last Front hardly breaks new ground; instead, it joins novels like The Help and The Good Earth in a long line of what I dub historical exploitation novels: inauthentic stories that use troubled pasts as an entertaining set piece for white entertainment.”

“In any case, Twitter discourse never does anything — it’s just an opportunity for firebrands to wave their flags, declare their sides, and try to brandish some IQ points before everyone gets bored and moves on.”

“It’s hard to reach such a pinnacle of literary prominence that you remain a household name for years, decades past your latest release. Only a handful of Nobel Prize winners can get away with that. The rest of us have to keep racing along the hamster wheel of relevance.”

“But enter professional publishing and suddenly writing is a matter of professional jealousies, obscure marketing budgets, and advances that don’t measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product — your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about.”

Thank you to William Morrow and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 16th, 2023

Vera Wong’s Unsolicited Advice for Murderers by Jesse Q. Sutanto (Cozy Mystery)

This book really grew on me. At first I just thought it was a (very silly) cozy mystery, but in reality the mystery is just an excuse for Vera Wong — a kind of Chinese Mary Poppins — to make everything better for everyone. Definitely upbeat!

Vera Wong runs a tea shop in San Francisco’s Chinatown. Vera Wang’s World Famous Tea House in fact, though it is named after the famous Vera Wang not the proprietor Vera Wong, and doesn’t appear to be very terribly famous as it rarely has any customers. Everything changes one morning, though, when Vera heads down to the shop and finds a dead body clutching a thumb drive on the floor. Based on her unshakeable premise that a criminal always returns to the scene of the crime, Vera soon has four “suspects” who, while still under suspicion (from Vera’s perspective), also become close friends and subjects for Vera’s meddlesome, tyrannical and yet heartfelt ways.

What started as a kind of stereotypical Chinese auntie persona for Vera really blossomed with individual personality as the story went on. One of my favorite scenes: Vera reads Rumplestiltskin to an impressionable young girl and rails against the utter stupidity of the story in favor of an alternative Chinese folk story that addresses the situation … differently. Some actual interesting comments on tea as well. And the resolution of the mystery nicely surprising. Very pleasant read.

Some good quotes:

“In Chinese culture, respect only flows in one direction, from the younger to the older, like a river. The older generation doesn’t owe the younger ones respect; if any is given it is done so out of kindness and generosity, not necessity.”

“Lipton, like many other Western brands of black tea, uses inferior tea leaves that are then roasted at a higher temperature, killing all traces of subtle flavoring. The result is a strong black tea that can stand up to aggressive boiling and generous amounts of sugar and milk.”

As an opening line, this one tickled me: “Vera Wong Zhuzhu, age sixty, is a pig, but she really should have been born a rooster.”

Thank you to Berkley Publishing Group and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 14th, 2023

The Vanishing of Margaret Small by Neil Alexander (Historical Fiction)

Writing: 4/5 Plot: 3.5/5 Characters: 4/5
Margaret Small is not your typical protagonist. Seven year-old Margaret was “Vanished” (her words) in 1947 — left at St. Mary’s Hospital in Canterbury by her grandmother who never saw her again. St. Mary’s was an institution for people who were unwanted — those with disabilities such as Down’s Syndrome, polio, or “moral imbecility.” Though we never get a stated diagnosis for Margaret, she appears to have been “slow” or “simple minded.” When we meet her in 2015 at the age of 75, she is (still) unable to read or write.

In a dual timeline, the 75-year old Margaret recalls her past in a set of chunks: the sudden drop off at seven — scared, and confused; a confusing sexual experience when she is 22; sudden (scary) freedom at 32 when she is told she can leave the hospital and live in a small group home with the help of a Social worker / carer. As her social worker helps her come to terms with her life, he draws an analogy between people with disabilities and people who are gay 50 years before when that was illegal. There are several long lectures about how people with disabilities were seen as having illnesses (like being gay) and how they were put away for that reason.

While the end is ultimately uplifting, I found the (longish) story somewhat depressing and a little simplistic in terms of how her life could have easily been much better. The story did highlight how people were shunted to these institutions with no hope of “release” and no effort made to help them overcome whatever difficulties they had. While the story is not new to me, it was particularly upsetting to lump in people who literally could not care for themselves (severe mental retardation or extreme physical disabilities) with people who simply did not confirm to social norms at the time (usually due to some kind of sexual preference or action that upset someone else).

Thank you to Embla Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on Nov 16th, 2022

Cantoras by Carolina De Robertis (Literary / Historical Fiction)

Writing: 3.5/5 Characters: 4.5/5 Plot: 4.5/5
Five women find each other amidst the oppressive dictatorship in Uruguay in the 1970s. Together they manage to find and buy a small shack in a lonely coastal town where they can be themselves without fear, where they can blossom into themselves. They are “cantoras” or “women who sing” — a euphemism in this case for women who prefer women. Flaca, a relatively masculine butcher’s daughter; Romina, a Jewish refugee from Ukraine; Anita, renamed “La Venus,” a housewife who can no longer bear the standard life she is expected to lead; Malena, a schoolteacher with a hidden past; and Paz, the youngest at 16.


Following the individual and collective stories of these women through the long dictatorship and through the first years of recovery was far more captivating that I had expected. Based (I believe) on many interviews with people who had lived through this time period, the author really captured the experiences, feelings, and reactions of individuals without going overboard on the drama. I’m always appreciative of an author who recognizes that the subject can speak for itself when properly depicted without resorting to melodramatic finger pointing. Woven together in the narrative is the general persecution of people during an oppressive regime as well as the more generic persecution of homosexuals (in truth this persecution seemed to be more cultural and not actually related to the dictatorship, though the book jacket links the two together). The writing was full and descriptive, doing an excellent job of depicting the sensuality of the lesbian relationships and the pervasive tumult of feelings — fear, joy, worry, exultation — resulting from living through the period. I liked the reflection of each character as she considered her life and the larger situation into which she had been born. And her decision as to how she would participate — enjoy what she has? Take chances by working with those willing to rebel? Hide — either physically or culturally?


I learned a lot about Uruguay — I’m probably not alone in simply being unaware of this aspect of Uruguayan history. While not mentioned in the story, the all-knowing Wikipedia claims the 1973 coup that brought in the military was backed by the U.S. (I’m guessing to stop the perceived Community insurgency). Separately, the gradual opening of the culture to homosexuality, culminating in the 2013 right to same-sex marriage (the third country to do so in the Americas after Canada and Argentina), was also depicted through the stories of these women. The narrative brought together these two concurrent themes well — the book felt quite real.

A few good quotes:
“Histories tend to grow richer with time, gathering details as they pour down generations.”
“That the silence of dictatorship, the silence of the closet, as we call it now—all of that is layered and layered like blankets that muffle you until you cannot breathe. For many people it is too much. In Paraguay we have seen it. And so, here, none of you should carry the blame.”
“Furniture gave slow birth to itself: a table started as a plank on four stacks of bricks, then became a slab of swirled driftwood, found on the beach and dragged back home, cut, placed over the bricks at first until the attempt began to hammer on legs and to sand the knots and whorls on the top into a more even surface.”

Central Places by Delia Cai (Literary / multi-cultural fiction)

Writing: 4/5 Characters: 4/5 Plot: 3.5/5
A somewhat over-detailed but ultimately satisfying story of a young woman coming to an understanding of herself — the person she wants to be and the person she evolved from. Twenty something Audrey Zhou loves her life in New York City: her kind and conscientious NYC born and bred photojournalist boyfriend (Ben) and her job as a salesperson for a trendy NY magazine, but most of all she loves the extreme distance from her home and immigrant parents in Hickory Grove, Illinois. When her father has a potential health problem, Ben insists on accompanying Audrey home to meet her parents for the first time and learn more about her.

I was impressed by the way this book worked out — it really did focus on a single person’s experience, rather than another agenda heavy diatribe about racism in the U.S. Assumptions, biases, and exposed hypocrisies appear in multiple places, and the recognition of what part Audrey finds herself playing in all of that is worth the price of admission. The story did NOT evolve the way I expected it to, and I found I really liked the non-standard, unexpected ending. Some of the more descriptive sections contrasting her Hickory Grove memories and current experiences went on for a little longer than I needed, but I was overall quite happy with the book.

Thank you to Ballantine Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on January 31st, 2023.

Interior Chinatown by Charles Wu (Fiction)

A bizarre, screenplay format novel told in the second person as Willis Wu describes his life as a series of bit part Asian roles, particularly Generic Asian Man with a dim hope of becoming a specialty character: Kung Fu Guy. Moving from an SRO to the Golden Palace restaurant where the cop show Black and White (starring — wait for it — a black cop and a white cop) is constantly “playing,” we are treated to an ongoing internal monologue where the bitterness is as often directed against himself as to others. Full of a wry humor that derives from essential and uncomfortable truths, the narrative is interspersed with a recitation of U.S. laws aimed specifically at excluding Asians (e.g. the Chinese Exclusion Act, 1882; the SF Bingham Ordinance of 1890; the Geary Act of 1892; the Cable Act of 1920; and the Johnson-Reed Act of 1924 — look them up — they are appalling) and a pretty compelling speech asking why, after two centuries in America, Asians are not fully assimilated and are not considered “American”? By the way, I particularly enjoyed this quote which I am including out of context:

“What are you looking? Do you think you’re the only group to be invisible? How about: Older women. Older people in general. People that are overweight. People that don’t conform to conventional Western beauty standards. Black women. Women in general in the workplace.”

It’s always irked me that there are so many “groups” which are treated unfairly in one way or the other, but unless you are part of some larger, acknowledged, “oppressed” group, nobody really cares…

In sum: a short book with a pretty interesting message and engaging format.