Marry Him: The Case for Settling for Mr. Good Enough by Lori Gottlieb (Memoir)

Writing: 4/5 Coverage: 5/5
Lori Gottlieb likes to document her life in a series of simultaneously hysterical and insightful installments. Marry Him is focused on her dating life — at 41 she finds herself an (intentional) single mother, looking for a life partner and having trouble. She brings us along as she consults with friends, matchmakers, a rabbi, and a dating coach with episodes of online and speed dating. There are some valuable insights (which I try to summarize below) and it’s a fun read. My favorite parts were her interactions with the dating coach — Evan Marc Katz. Like therapy sessions you watch him call her out blow-by-blow on the (bad) habits she brings to her search for love. The forced reflection is fascinating.

Some of my favorite insights (** indicates favorite-favorite!):
• People tend to focus on objective and unimportant criteria (height, looks, clothes, shared interests) and not on the important subjective criteria like shared values and goals.
• Stop looking for what’s wrong with people — instead focus on what is right and have compassion for the “not as good.” Make a list of what a partner would have to put up with to be with you and think about how you would like to be considered under those circumstances. **
• Be careful of the assumptions you make — Gottlieb would infer whole (usually incorrect) personalities from tiny little comments or statements in a profile.
• Stop looking for a one-stop shopping life partner — nobody can be everything to you, and it is unfair pressure to apply!
• Be a sufficer rather than a maximizer. A sufficer says “this one is good enough” while a maximizer is always wondering if there is something better out there.
• Looking for instant chemistry — many women give up on a man after one date because “they didn’t feel it” or “there were no sparks.” Katz points out that real intimacy (and sparks) often come later and initial sparks distract you from the red flags until it’s too late to unhook easily.
• Understand the basic rules of biology — a man of similar age may be looking for a younger woman to start a family with. No use being annoyed — it’s just the way it is. (Personally I have always found it interesting that while women thought it fair to date older men during their younger years, leaving the male half of the cohort dateless, they aren’t happy when the tables turn at the other end of the time scale.)

In many ways I felt this book focused on a certain type of woman — New York, Jewish, and neurotic — but the advice / messages are valuable for people of any age or gender who are looking for love. For me there was a little too much repetition and a few too many anecdotes — but I completely enjoyed her writing, clarity, and humor. Much more fun to read (and probably more insightful) than a dry self-help book on the same topic.

Vera by Carol Edgarian (Historical Fiction)

Writing: 4/5 Plot: 5/5 Characters: 4/5

A wild coming-of-age story — Vera is the daughter of the Barbary Coast’s most successful (and infamous) Madam (Rose) and is raised by a “proper” Swedish widow (Morie) who lives on that income. At 15 Vera is a “scrawny and sharp-tongued girl” seething with a fervent desire for more: more time with her real mother, more options, more life. And then the 1906 San Francisco quake hits.

With a cast of unforgettable characters deployed across unforgettable scenes, we follow Vera through adventures during and after the quake and resulting fire (which burned 28,000 buildings and 500 city blocks). From Rose’s “gold house” on Lafayette Square to Chinatown to the many encampments for the suddenly homeless (400,000 people), the novel depicts the new mixtures of uppercrusters, corrupt politicians, wandering orphans, and the military with their overrun field hospitals — all adhering to their own sense of morality, loyalty, and their survival instinct.

Real life personalities Alma Spreckles, Abe Ruef, Caruso, and Mayor Eugene Schmitz (the quake occurring on the eve of his arrest on corruption charges) all play parts. The writing is full of details such as the ingredients in Dills cough medicine (chloroform and a heroin derivative). Completely brings to life the time and the place for a variety of characters with different backgrounds. Could not put it down.

Thank you to Scribner and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 2nd, 2021.

China by Edward Rutherfurd (Historical Fiction)

Writing: 5/5 Plot: 5/5 Characters: 5/5

A sweeping novel of China from 1839 – 1900, from the Opium Wars through China’s Century of Humiliation to the suppression of the Boxer rebellion. It’s the story of the conflicts surrounding the forced opening of China to Western trade, customs, and religion. The story is told through a variety of characters who span cultures, classes, backgrounds, and professions (including plenty of women characters with different roles, abilities and agendas). Multiple generations of characters such as a young English merchant trying to make his fortune (through opium), an upright Mandarin charged with enforcing the emperor’s ban of opium, a palace eunuch, a peasant girl, a mercenary pirate, a missionary, a Manchu bannerman, the emperor and various concubines and princes, and some craftsmen. The characters have depth, too. They reflect on what is happening, how they feel about their own role, and how to achieve their goals while maintaining their values (or how to shift their values to attain their goals).

I love that history itself is the protagonist in this novel, rather than the background setting for individual stories. Everything is told through the personal stories of the characters — either through participation in the action or through conversations between neighbors, colleagues, and family members. Even past history is exemplified in ritual and description of the origin of individual morality. This approach brings to the fore what it was like to live through these times with only direct observations and rumors as sources of information. And how very different that information was depending on your location, background, profession, culture and connections. Additionally, there were so many fascinating descriptions of various ways of life — all told in a style that was interesting because someone was learning it (e.g. a craft) or going through it — so always real and never dry. This was a long book, and I literally had trouble putting it down. (As a warning, one of these “fascinating” descriptions was about foot binding, and I skimmed through trying not to read that at all. Of all the atrocities visited upon humans, this is the one I find most horrific and barbaric (yes, even more than female circumcision which comes in a close second).

This is my first Rutherfurd and I’m now going back to read more. Meticulously researched, personal and accurate — a kind of modern day Michener for those old enough to remember classics like Tales of the South Pacific, Hawaii, The Source, or Caravans. After reading this, I have a far more in-depth understanding about the relationship between China and the West and of life in the 19th century.

Thank you to Doubleday Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 11th, 2021.

The Poet X by Elizabeth Alcevedo (Young adult)

Spectacular book — possibly one of the best I’ve read this last year. Made me really “get” some concepts that I knew only peripherally.

This is a coming-of-age story about Xiomara — an Afro-Latina teenager with an intensely religious immigrant mother and a father who is absent even in his presence. She is “unhideable” with “too much body for such a young girl.” And she is a secret poet who puts her thoughts about family, religion, boys, and the place for girls into her poetry.

The story is a novel-in-verse — told in poetry with an overall narrative arc. I was hesitant because I don’t typically enjoy poetry but this was utterly engrossing. The author was able to consistently distill complex thoughts, feelings, and narrative into a concise set of stanzas of great profundity. Told from Xiomara’s point of view, we see depth in the characters — her mami, papi, twin brother, best friend, potential boyfriend, priest, and the teacher who convinced her to join Poetry Club — through their relationship with her. Incredibly engaging and incredibly well-executed. No stereotypes in this book — Xiomara is anything but — she is always “working to be the warrior she wanted to be.” I was surprised to find that I really liked the character of the priest who was culturally bilingual (able to deal simultaneously with Mami’s deeply religious life and Xiomara’s search for her own way) and thus was able to help Xiomara and her mother come to terms with their different priorities and goals.

I’ve put some of my favorite quotes below — additionally, I absolutely loved the whole of the “Church Mass” poem on page 58-59.

“The world is almost peaceful
when you stop trying
to understand it.”

“But everyone else just wants me to do:
Mami wants me to be her proper young lady.
Papi wants me to be ignorable and silent.
Twin and Caridad want me to be good so I don’t attract attention.
God just wants me to behave so I can earn being alive.”

“How your lips are staples that pierce me quick and hard.”

Metropolitan Stories by Christine Coulson

Writing: 3.5/5 Plot: 3/5 Characters: 3/5

A collection of (somewhat) interconnected short stories that revolve around life in the Metropolitan Museum of Art, based on the 25-year employment experience of the author (and her very active imagination). The stories range from the surreal (art coming alive, ghosts swirling about, people slowly disappearing) to the real (experiences of interns, neurotic but talented curators, donors, Lampers, and night guards). Coulson experiments with different POVs — first person “chair,” plural first person, third person omniscient, etc.

From the description I really should have liked this book but I didn’t. For me, the writing got in the way — I found it overwrought and pretentious. Lots of obviously carefully crafted metaphors and similes (LOTS) that felt more self-indulgent than communicative to me. I love writing that can distill insight into a few carefully chosen words — this felt like the opposite — more stream of consciousness chock full of impressions and feelings but (to me) utterly lacking in insight. I can see that many people would really enjoy this open, imaginative gush of sentences but it’s not a style that works for me. My favorite stories were those focussed on real people told in a 3rd person style — the characters had more depth, the writing was more spare. I should point out that I’m a huge speculative fiction fan; my issue with the more fantastical stories here was the writing, not the subject matter.

I did like this particular line: “He shoves his anxiety into every second of every minute, like jamming extra socks into an overstuffed suitcase.”

Almost Human by HC Denham (Speculative Fiction)

Writing: 3/5 Plot: 3/5 Characters: 2/5
A cautionary tale of a future where AI based humanoid robots may be slowly taking over the planet while the human population they are intended to serve remains blissfully unaware. All but one — the utterly competent, perfectly empathic, friendly humanoid robots just give Stella Mayfield the creeps.

While the plot had potential, I really didn’t enjoy this book. The characters were extremely stereotyped (and really, although Stella was a Biologist with a PhD, she behaved like the stereotypical neurotic woman while the men behaved like stereotypical men — completely out of touch with their feelings blah blah blah. The techie robot engineer was the biggest stereotype of all (and spoke some weird dialect that didn’t match anything I’m familiar with and I live and work in Silicon Valley!). There is very little science and very little plot — instead it includes lots of filler encompassing a lot of clichéd relationship stuff that had little to do with the plot. Writing is decent enough that I finished the book, but nothing special, and the end was completely predictable. Could have made a decent short story with better characters and more philosophic depth.

The Night Hawks by Elly Griffiths (Mystery)

Keep writing, Elly! I always look forward to a new Ruth Galloway book and it never disappoints. I’m so glad Ms. Griffiths is making good use of her pandemic time to up her (already high) prolificity (I may have made that word up — not sure).

These books are a great mix of mystery and novel — full of Norfolk folk lore and history with plenty of archeology — with no repeats so far. In this novel we also get a group of Detectorists (defined as a person whose hobby is using a metal detector); an interesting (fictional but plausible) theory about the Beaker people who came to Britain about 4400 years ago and left only 10% of the native population after 200 years; and a timely plot line around dangerous and illegal vaccine trials. A high body count, some progression in the Nelson / Ruth saga, and a variety of eccentric and interconnected characters make this a real page-turner. Enjoy!

Thank you to Houghton Mifflin Harcourt and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 29th, 2021.

The Half-Orphan’s Handbook by Joan F Smith (Young Adult)

A well-written book about a young girl going through the grief of her father’s recent suicide. Lila is 16 and has been reluctantly cajoled into attending a grief camp for the summer. This is the story of her slow journey towards healing, including a healthy amount of new friends, a budding love interest, and that irreverent teen style that helps makes the unbearable, bearable.

The author, who went through a similar experience, does an excellent job at describing the confusion of competing feelings, the different ways grief hits you at different times, and the eventual return to the three Ls: laughing, loving, and living without guilt. I really liked all the characters, and I want to emphasize that this was not at all a depressing book — there was a lot of honest reflection, observation, and fun. Plenty of racial and sexual diversity as well as discussions of addiction, suicide, and first love.

Thank you to Children’s Publishing Group and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 6th, 2021.

Great Circle by Maggie Shipstead (Literary Fiction)

Writing: 5/5 Plot: 4/5 Characters: 5/5

The sweeping story of a daring aviatrix (Marian Graves) who is determined to be the first to fly around the globe longitudinally and the self-destructive actress (Hadley Baxter) who will play her in a movie 60 years later. Their somewhat parallel stories (orphaned young, raised by benignly neglectful uncles) and innate curiosity help Hadley delve into the character more than the screen-writer had.

This book was interesting on so many levels. Stunning descriptions of gorgeous locales — Montana, Alaska, and Antarctica between 1920 and 1950 — spread throughout. In-depth discussions of aviation and art, as well as philosophical dives into isolation, the lure of solitude, the impact of war, and the evolution of personal identity are also ubiquitous. Shipstead really gets inside a subject, presenting it not as a separate entity but through the character’s perception of it. We see Antarctica not as a dry description of mountains and snow, but through Marian’s perspective, and it feels as though her soul is exposed through the beautiful language of what she sees and feels. Similarly, while aviation has no appeal for me, Shipstead describes Marian’s intellectual and emotional engagement with it, and I can feel the (unnatural for me) attraction. It’s a rare author who can transmute a dry topic into fascination through the mind of an obsessed character. Even the Hollywood bits feel real through character insight, rather than splashy opulence and name dropping.

Plenty of historical context is introduced via short tidbits from the news (flights from other aviatrices, difficulties for women in trying to achieve in male-dominated worlds, etc.). As always, I like the fact that the author just wrote the story, with realistic reactions and approaches of her characters and didn’t spend time pontificating on the obvious. Yes, life was much harder for women who wanted to pursue the unorthodox, but this story is about what they did anyhow, not what they were prevented from doing. Her writing style is also not overly dramatic — no heart wrenching prose — though the tale abounds with angsty opportunities.

I’d forgotten that I’d read one of Shipstead’s earlier works — Astonish Me —about ballet dancing and defection. She reminds me of Jennifer Egan a bit (I’m a big Egan fan) in the way she can bring clarity to complex topics in a variety of subjects.

A quick warning — I found the first two chapters a little dry — it gets much, much, better. Highly recommended.

Some good quotes:

“…how best to squeeze Marian’s completely unknowable existence into a neat pellet of entertainment…”

“…and out over the loose northern jigsaw of spring ice that the planet wears like a skullcap, …”

“There should be an Antiques Roadshow for memories, and I would sit behind a desk and explain that while your memory might be lovely and have tremendous sentimental value, it was worth nothing to anyone but you.”

“The landscape is secretive and harsh and impossibly immense, and she borrows some of its inscrutability for herself, its disinterest in human goings-on. Unfriendliness is another form of camouflage.”

“Mountain everywhere: monstrous, ice-choked cousins of the forested peaks that had encircled her as she looped and spun over Missoula.”

“Was this what her father had done after he left Missoula? Slung his skills over his shoulder and set out?”

“Does that mean I wish to die? I don’t think I do. But the pure and absolute solitude in which we leave the world exerts a pull.”

“She thinks he means that no matter what earnest promises of peace are made, what fragments are hauled up and glued back together, the dead will not return. A return to the world as it was is impossible; the only choice is to make a new world. But making a new world seems dreary and exhausting.”

Thank you to Knopf and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 4th, 2021.

The Last Garden in England by Julia Kelly (Historical Fiction)

A story you can slide right in to, The Last Garden in England brings to life three generations of women whose lives cross the spectacular gardens at Highbury House in Warwickshire. Mixing their voices in a collection of chapters slotted into each season of a single year, we witness the progression of their lives in the contexts of radically different times and accompanying social mores.

In 1907, Edwardian garden designer Venetia Smith designs the gardens. In 1944, recently widowed Diana Symonds is the Lady of Highbury House, now repurposed as a convalescent hospital; Stella Adderton, head cook, is caring for her orphaned nephew; and Elizabeth Pedley is a Land Girl on the adjacent farm. In 2021, Emma Lovett is trying to restore the gardens, struggling to unearth information on their original state.

The writing and story remind me of Kate Morton (I’m a fan) — deep characters and easily absorbed writing with a plot that that is equally character and story driven. I love the way each character makes her way through the constraints of her time period following the dictates of her own values on vocation, family, love, and internal worth. They were all different! Some were naturally maternal, some not; some were pulled towards a life of great achievement (despite difficulties), some not; some were willing to compromise for love, some not. I loved the lack of stereotypes and the matter-of-fact descriptions of social context for women in each time period and the way they got on with it. Included interesting insight into the process of garden design (both creation and restoration).

A real joy to read with that lovely combination that keeps both the heart and the mind engaged.

Thank you to Gallery Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on January 12th, 2021.