Writing: 4.5/5 Characters: 5/5 Plot: 5/5
I love this book — it combines the humor and non-conformity of Eleanor Oliphant with the twisted and cleverly converging plots of John Irving.
Elizabeth Zott — master chemist — trying to do science in a late 50s / early 60s world that treats women as incapable, inferior, and irrelevant. Her experiences are kind of over the top IMHO — she gets hit with every possible thing that could happen to a woman trying to succeed in a man’s world — but the real story is what she does about it, so I accepted the 2D portrayals of the really bad guys and their machinations (and to be fair she gives a lot more page attention to truly good men as well).
The characters are wonderful — both quirky and deep thinking — and include Elizabeth, her out-of-wedlock genius child, Mad, (so named as a result of a miscommunication with a cranky nurse), and a dog named six-thirty whose vocabulary is expanding at a carefully tracked rate. The story is told from each of their perspectives — yes, the dog, too.
The plot and dialog kept me constantly hooked and included plenty of twists and turns as well as interesting philosophy discussions, opportunities for characters to rethink their assumptions, and very positive messages about what is important, practical, inspiring, and possible.
Also — and this is important to me — Zott really does love chemistry and there is plenty of real science included. This isn’t one of those (very irritating) books where the main female character “loves” some kind of science / tech field but spends all her time worrying about her love interest and giggling with her friends while shopping for the perfect dress. At one point Zott is running a cooking show based equal parts on the chemistry of cooking and female empowerment and those scenes alone are worth reading the whole book.
A lot of the plot relied on the bad people doing bad manipulative things which is not a favorite plot device for me, but again I forgive it because of how much I liked the characters and what they did. Funnily, I realized that this book gave me the same feeling of pleasure that I get from old Clint Eastwood movies — when the bad guys are so very obviously bad it feels great when they are brought down (albeit in this case without violence).
Thank you to Doubleday Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 5th, 2022.