
I liked this fun and uplifting story about two of the members of a piano trio continually struggling to find a third to keep the gigs coming. The larger story brings in all the extended family (and almost family) with their issues, desires, and intricacies of life. Bridget, the cello player and daughter of the wealthy Edward Stratton — the pushing 90, well-known conductor; her best friend Will, piano player and arranger; her daughter Isabelle, who just quit her 80-hour/week job in Hong Kong; and her son Oscar, who arrives home having left his husband over a suspected infidelity. Plenty of other quirky characters and situations appear in this romantic comedy taking place in Bridget’s Connecticut country home making the whole thing a fun, upbeat read.
I like Poeppel’s writing a lot and I was very happy with this quick read where an upbeat ending was ensured by the implied “romantic comedy” contract. In truth I liked her later novel — The Sweet Spot — a little better as I felt like it offered some serious lessons in addition to the comedy that I didn’t really find in Musical Chairs. An added thought — I did enjoy the musical references and the details about their musical lives — I would have been happier with more depth along those lines as that is an area of interest for me, but the book probably included just enough for a seeker of comedy rather than a serious musically oriented reader like myself.