Category: General Fiction

Simon the Fiddler by Paulette Jiles (Historical and Literary Fiction)

Thank you to William Morrow and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 14th, 2020.

Plot:  4.5/5  Writing:  5/5  Characters:  5/5

The best kind of historical fiction — a deep, richly painted, description of life in East Texas at the end of the Civil War. It’s an everyday adventure story — not about mythical heroes but about people trying to reclaim their lives in the chaotic aftermath of a devastating war.

Simon Boudlin — the titular fiddler — has simple goals after the war: find a piece of land, marry a woman with similar desires, and make a living with his music. But life after the Civil War is anything but simple. The novel is gritty with detail painting the turmoil of that time with a full sensory experience. While some semblance of government is trying to establish itself and put the country back together again, displaced and ruined people are scrambling to survive and make new lives. From my modern perspective life then was impossibly hard — but in this book it isn’t described in an emotional, complaining way. It just is the way it is. This is the story of people getting on with it — making their way by whatever means necessary, while still not losing their way morally.

Included are beautiful descriptions of music at the time: Simon’s lusting for new sheet music that he can’t afford, the way music draws yearning and memory from the new mash of people from disparate backgrounds, and the business side — how to get gigs, what needs to be played, and how to handle the drunks and disorderlies who insist on disrupting.

If you liked The News of the World, you’ll be just as captivated by Simon the Fiddler (in which Captain Kidd makes a surprise, cameo appearance!)

Beautiful writing that gets to essences. Some quotes:

“His worrying kept him awake. The country was in chaos, there were no rules, law was a matter of speculation, nobody knew how to buy land or put savings in a bank since there were so few banks, how to get a loan, register a title to land, or legalize a marriage, everybody was dubious about the new federal paper money, there was little mail service, and nobody seemed to know where the roads led.”

“So he lived in the bright strains of mountain music and the reflective, running pool of the Irish light airs that brought peace to his mind and to his audiences; peace soon forgotten, always returned to.”

“Every song had a secret inside. When he was away from shouting drunks and bartenders and sergeants and armies, he could think his way into the secret, note by note.”

“He knew that he did not play music so much as walk into it, as if into a palace of great riches, with rooms opening into other rooms, which opened into still other rooms, and in these rooms were courtyards and fountains with passageways to yet more mysterious spaces of melody, peculiar intervals, unheard notes.”

“His first problem was to find a girl who would fall in love with him despite his diminutive stature and his present homelessness.”

“People always tired him, always had, always would.”

“He was ragged, a man of a defeated army and at the dinner he had played his heart out in a borrowed shirt. In short, very like the Irish.”

“So it’s dog eat dog and Devil take the hindmost. So it has been in human memory, wild places where the only law is the strength of your good right arm.” He lifted his arm and made a bony fist. “That’s how it is in all human memory. ‘Vastness and Age! and Memories of Eld!’”

“You expect the government and the diplomatic corps to proceed at some foolish breakneck pace! There are substatutes to argy over and rewrite! And meantime the politicians must be paid their stipends and their travel expenses. Become wise, young man, and cynical, and life will be far more understandable.”

Barker House by David Moloney (Fiction)

Writing: 4/5 Plot: 4/5 Characters: 5/5

A set of interconnected stories as told by prison guards in New Hampshire’s Barker County Correctional Facility or “The House.” Each unfolds specific events, though the import of the story comes not from the events themselves but from what they uncover about the life of the person telling the story: a sexual attraction, a fellow officer’s suicide, a softball game between law enforcement branches, the attempted suicide of an inmate, the processing of an accused child killer, etc.

This is way outside of my comfort zone — everything I’ve ever learned about prison comes from documentaries, bad TV shows, and sensationalized news stories. I liked this book because it didn’t appear to come with any specific political agenda — the focus was far more on individual lives. And there were no real stereotypes — each guard is a distinct human being with his/her own motivations, coping mechanisms, and personal context. Some are withdrawn, some mean, some afraid. Many are dealing with their own personal issues while trying to maintain an acceptable demeanor. Not your typical adventure story, it’s all character. It also includes detailed descriptions of typical days in a correctional facility from the perspective of those who run it: the tiers, transportation, property management, and booking. I have no idea how accurate it is, but I found it fascinating and full of depth. Couldn’t put it down.

Thank you to Bloomsbury and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 7th, 2020.

The Astonishing Life of August March by Aaron Jackson (Fiction)

August March grew up in the theater — literally. Tossed in a laundry basket at birth by an empty-headed starlet, raised by the laundress who found him, but left him in the theater at night so she could sleep, and educated by a typically vain and pompous leading man (who was the only one to know he existed), August indeed had the titular astonishing life advertised.

A fast romp through New York from the 30s to the 60s, the best parts of the book are August’s classics inspired dialog and soliloquies. He was trained in the theater (never, in fact, leaving the physical building until he was in his teens), and he behaves like a character in the dramas he observed. While the tone is light, there is a serious thread throughout — August craves family and belonging as most of us do, but has never been in a position to find it. He adapts, he survives, but it’s often a lonely existence.

I wouldn’t call the plot realistic in any sense, but who cares? Lots of fun, well written, and featuring a character who, while understandably flawed, forges a strong path through his own life.

Thank you to Harper Collins and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 7th, 2020.

Meg and Jo by Virginia Kantra (Fiction)

Book 2 in my happy and light series!

A warm-hearted, feel-good novel about family and relationships. It both modernizes and fills in the gaps of Alcott’s beloved Little Women. A kind of fictionalized fiction as it were. Focused primarily on the two older sisters — the titular Meg and Jo — the book delves into what is happening behind the scenes: What is Meg’s marriage like? How can the fiercely independent Jo learn to remain true to herself and still give herself in love to another human being? And what is the mostly absent Mr. March really like as a father? By the way — spoiler alert — in this version Beth is not dead (nor sick, nor recovered). The author just skipped over that realistic for the time but now unnecessary part of the story. Great!! Never particular liked that part anyway!

Easy to read, great insight into the characters, and seamless modernization that maintains the integrity of the key messages but is totally believable for today’s world. Plenty of life lessons for a variety of personalities and situations.

Thank you to Berkley Publishing Group and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on December 3rd, 2020.

Writers and Lovers by Lily King (Literary Fiction)

Writing: 5/5 Characters: 5/5 Plot: 4/5

A sharply observed tale of a writer’s tumultuous journey.  31-year old Casey Peabody is the very definition of a struggling writer — deep in debt from student loans, living in near-squalor, and six years into her “Great American Novel.” Her mother’s sudden and recent death coupled with a devastating breakup have left her with debilitating panic attacks and general anxiety. Making it through each day is not a done deal.

So what makes this book worth reading? For me it’s King’s writing and her ability to meticulously document every aspect of this character’s experience — both personally and as a writer. In many ways, it was hard for me to read about Casey — because we really don’t know her that well, we also live the stress of not knowing if she will be able to get through this period (I’m going to cheat and tell you that she does get through it). In other ways, though, Casey is such an appealing character — her insights and experiences as a writer are fascinating, as are her thoughts about books, teaching literature, and literary criticism. I particularly enjoyed the details of a writer’s workshop near the end — her engagement with the exercises were intriguing.

I love her writing — I felt like I was highlighting every other line. The opening paragraph was perfect — it set the stage and drew me in with just few short lines:

“I have a pact with myself not to think about money in the morning. I’m like a teenager trying not to think about sex. But I’m also trying not to think about sex. Or Luke. Or death. Which means not thinking about my mother, who died on vacation last winter. There are so many things I can’t think about in order to write in the morning.”

A few more great quotes:

“I look back on those days and it feels gluttonous, all that time and love and life ahead, no bees in my body and my mother on the other end of the line.”

“It’s like a dream, the way they transform from sloped strangers, a man with a crackled bald spot and a woman in a gold jacket, into my father and stepmother.”

“Bob chooses this moment to put his hind legs through his front legs and produce a soft tan coil of poop at the base of a Japanese lilac.”

“I didn’t much like the writers Paco did, men who wrote tender, poetic sentences that tried to hide the narcissism and misogyny of their stories.”

“I should be wary of the guy who locks in too soon. It’s a sort of premature commitulation.”

“There’s a particular feeling in your body when something goes right after a long time of things going wrong. It feels warm and sweet and loose.”

“All problems with writing and performing come from fear. Fear of exposure, fear of weakness, fear of lack of talent, fear of looking like a fool for trying, for even thinking you could write in the first place. It’s all fear. If we didn’t have fear, imagine the creativity in the world.”

“Admire me. Admire me. Admire ‘judge’ and ‘courthouse’ and ‘seven sharp.’ I don’t like myself around Adam. I don’t think he wants me to.”

“The bees in my chest stir. A few creep down the inside of my arm. One conversation can destroy my whole morning.”

“I love these geese. They make my chest tight and full and help me believe that things will be all right again, that I will pass through this time as I have passed through other times, that the vast and threatening blank ahead of me is a mere specter, that life is lighter and more playful than I’m giving it credit for.”

Thank you to Grove Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 3rd, 2020.

Last Couple Standing by Matthew Norman (General Fiction)

Mitch and Jessica are the last couple standing. When the other three couples in their set all divorce within a couple of years, suddenly their own previously happy marriage seems almost up for grabs. With infidelity at the root of most of their friend’s problems, they decide to experiment with a temporarily open marriage to see if they can forestall what feels like the inevitable. Jessica — a therapist — points out “Love is a feeling. Monogamy is a rule. One we came up with twelve-thousand years ago when we started worrying about property rights.”

While the first chapter is a kind of leaden background — explaining how all four couples got together and what went wrong in the other three — both writing and content picked up after that. Lots of humorous and interesting dialogue and plenty of non-gender conforming behavior. In fact, I really appreciated the fact that each character was an individual with his/her own ideas and standards — none of which felt stereotypical to me. Scarlett — one of Mitch’s wilder students (and simultaneously Jessica’s client — they work out of the same high school) — really throws some good curve balls at them both with her own ideas about sex, love, and the #metoo movement.

I found the book increasingly insightful and relevant and enjoyed how it portrayed a wide variety of viewpoints.

Some good quotes:
“Like we used to before the kids sucked the life out of us like vampires.”

“For Mitch, being married to a therapist had some advantages and some disadvantages. She was unfailingly reasonable. She was incredibly smart. But sometimes it felt like he was talking to a robot that had programmed to read WebMD pages aloud to him.”

“I haven’t had sex with a guy once since my divorce who hasn’t tried to come all over me.” “Same,” said Sarah. “Which is such a delight, because God knows that’s exactly what we’re hoping for.”

“How much easier would life be if, the moment you get married, you take a pill, and everyone else in the world turns plain and boring?”

Thank you to Ballantine Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 17th, 2020.

The Boys Who Woke Up Early by A.D.Hopkins (Literary / Historical Fiction)

Great historical fiction — peppered with the kind of details that say someone actually lived this story (or something close to it). Most historical fiction can’t help but overlay modern sensibilities on the story, but this one feels completely embedded in the time — from action to dialogue to thoughts.

Thomas Jackson “Stony” Shelor is a high school junior in small town Early, Virginia. His first-person account describes his experiences from Sept. 1959 through Sept. 1960 — working “for free” in the sheriff’s office, getting into trouble with town bullies, hankering after a girl who knows her own mind, and befriending the somewhat crazy new kid in town. This is all amidst much bigger events: massive black voter registration and the resulting Klan rallies; the (very) slowly shifting attitudes of whites towards blacks; and the fine line a good sheriff has to tread to work with corrupt elected officials and still try to keep a town lawful and safe.

It reads like good journalism — no surprise as this is the debut novel of a 46-year veteran journalist. I had forgotten how much I like a real story — not overburdened by excess angst, overly bold characters, and well-defined narrative arcs that bear little resemblance to reality.

I love the way the clean writing describes both the action and our narrator’s perceptions, reactions, and evolving opinions. He does some (to me) stupid things but we are treated to a real understanding of how his worldview and principles led him to those actions. Billed as a YA novel (the main character is 17), for me it was much more a documentation of a particular time and place as experienced by someone growing up in that time period. A nice juxtaposition of history and personal development.

As an aside, lots of interesting details about things like learning to shoot and care for firearms, working at a sheriff’s office, a garage or an apple orchard. Just enough detail to be interesting to someone (like me) that isn’t actually interested in those topics, but never enough to be boring. Also, fascinating attitudes among the largely working class members of the town — they don’t map to any definitions of “liberal” or “conservative” today — just people using their own minds as to the right way to live and treat people.

The Curious Heart of Ailsa Rae by Stephanie Butland (Fiction)

Edinburgh resident Ailsa is not your typical heroine — born with hypoplastic left heart syndrome, it’s a miracle she has made it the age of 28. As the book opens, she is rapidly winding down until she is given the miracle of a matching donor heart. This is the funny, insightful, and intimate story of what happens to someone who suddenly gets to think about a future she never thought she would have.

Ailsa is a blogger. She blogs as BlueHeart — named for the constant bluish tint to her skin due to lack of oxygen. To make the blog more interactive (and to ease the burden of choice from her own shoulders) she polls her large community of followers whenever she needs to make a decision. Post-transplant polls lead her to tango classes, a trip to London to help a new (and pretty sexy) “friend,” and an exciting role in an Edinburgh Fringe Festival gig.

Told through blog posts, emails, and narrative, we follow Ailsa through her adventures of coming to life and forming a relationship with her brand-new heart. Funny, heartfelt, and deeply philosophical, this book took me on a journey I never expected to make (and hope to never have to in real life).

I liked this book, though it felt a bit long in some places, but not quite as much as The Lost for Words Bookshop (which I loved).

Thank you to St. Martin’s Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 29th, 2019.

Witches’ Dance by Erin Eileen Almond (Fiction)

Thank you to Lanternfish Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 22nd, 2019.

Plot: 4/5 Characters: 3/5 Writing: 3/5

An ambitious novel about a young violinist who must fight her own inner demons while in thrall to an extremely talented — and potentially crazy — teacher and former prodigy. The chapters rotate through the perspectives of the three main characters: Hilda, the young violinist who we meet at age 15; her mother Claire, a ballerina whose career was killed by an unplanned pregnancy; and Phillip Manns, a former prodigy who suffered a nervous collapse eight years previously and is only now allowing music in some form back into his life.

The story is gripping. While there were some wonderful musical references, the story is far more about the melodrama of their relationships and personal discovery (or lack thereof). Personally, I would have enjoyed more about the music, the drive, and the “art” portion of those with artistic sensibilities. This is more of a drama with an excellent musical background than a literary piece that manages to convey what it means to be such an artist. For example, while Hilda spends an astonishing amount of time practicing, all her thoughts and reflections are bent towards her obsession with Phillip Manns. Manns, on the other hand, is obsessed with the music but is haunted by the memory of his “beautiful, doomed mother,” Domenica. Claire is struggling to both hide and express the “Secret Mother” within her — the mother who wishes she wasn’t a mother at all.

Strong, dramatic plot, decent writing, characters that I did not bond with(but you might) and some beautiful musical context. My big takeaway — I want to go to the bi-annual Paganini competition held in Genoa next Fall.

How Not to Die Alone by Richard Roper (Fiction)

Writing: 4.5/5 Plot: 4/5 Characters: 5/5

Loved this book!

Andrew Smith works in Death Administration. His unenviable (and often malodorous) job: property inspections of the recently deceased to find funds or friends to help the local council escape paying for the obligatory “Public Health Funeral.” He feels compassion for those dying in such lonely ways — possibly because he is heading that way himself. His own social connections consist of a distant sister, an anonymous group of online train enthusiasts, and a very comforting, but completely imaginary, wife and children. When he has a chance to make a real friend, he struggles with how to extricate himself from this long-lived and thoroughly detailed fabrication.

This is a feel-good book about friendship, connection, and how people get lost … and found again. Effortlessly great writing (at least it appears effortless). I particularly enjoyed the ambient social commentary and the interactions between good characters.

One of the few books compared to Eleanor Oliphant that actually deserves the comparison.
A few writing samples:
“He’d thought having only just turned forty-two he’d have a few more years before he began accompanying minor physical tasks by making odd noises, but it seemed to be the universe’s gentle way of telling him that he was now officially heading toward middle age.”

“Andrew could think of many things he’d rather be doing that evening — most of them involving his testicles, some jam and some aggrieved hornets — but he suddenly felt a rather strong urge not to disappoint Peggy.”

“When it came to model trains, one of the most satisfying simple things Andrew had learned was that the more you ran a locomotive, the better it performed. With repeated use, an engine starts to glide around the track, seeming to grow in efficiency with every circuit. When it came to making connections with people, however, he was less of a smoothly running locomotive and more a rail replacement bus rusting in a rest stop.”

“After said shunt finally materialized, Andrew and Peggy hauled their bags off the train along with a few hundred other passengers traveling back that Saturday whose phasers were all set to “grumble,” only to be elevated to “strongly worded letter” when they were told it would be forty minutes before a replacement train could get there.”

“His shoes were well-polished but starting to look worn. Too many nicks from churchyard gravel, too many times the leather had strained where he’d curled his toes at a vicar’s verbal stumble.”