A River of Stars by Vanessa Hua

Thank you to Random House and NetGalley for an early review copy of A River of Stars by Vanessa Hua, which will publish August 14, 2018.  All thoughts are my own.

Writing: 4 Plot: 4 Characters: 3.5

Heavily pregnant, Scarlett and Daisy, meet at Perfume Bay — the exclusive maternity home in Los Angeles for Chinese women who want to have their “anchor” babies in the U.S. for automatic citizenship. Neither wants to be there — teen-age Daisy has been placed there by parents anxious to separate her from an “unsuitable” boyfriend; Scarlett has been placed there by the baby’s father — also her married boss — who wants the son he believes she is carrying.

After an opportunistic escape, they make their way to San Francisco’s Chinatown where they learn about motherhood while trying to bulldoze their way to legal status and financial stability (Scarlett) and find the boyfriend (Daisy).

Woven throughout the modern day narrative are the historical stories of Scarlett’s China — highlighting the contrasts between the traditional and modern, the city and the country, and China and the U.S. There are a lot of interesting details included: Scarlett’s estranged mother was the village “family planner” — the woman charged with upholding the unpopular “one child” law (only recalled in 2013, this novel takes while the law was still in effect). Historical immigration policies in the U.S. had banned Chinese women from immigrating as families “weren’t supposed to take root here.” The backstories of other characters reveal even more detail of life in China under Communist rule.

While the end is tied up perhaps too neatly, the story is unpredictable and engaging, the characters are appealing, and I appreciated the inclusion of historical and cultural detail. It is simultaneously a novel about China and San Francisco, quirks and all. It shirks from neither!

Review double-header…

The Ensemble by Aja Gabel

Writing: 4.5 Plot: 4 Characters: 4

A story about the Van Ness String Quartet and the individual members comprising it, both evolving from rocky beginnings to success and stability. Some very nice descriptions of music and the art of making music together. Over the roughly 15 years of the story there are romances, friendships, children, students, and always lots about the music.

At first I didn’t enjoy it as it seemed far more about individual dysfunction than music, but then I realized the author used this personal squirming to show the interplay between the growth of the entity and the growth of its constituent parts.

A compelling story for me, both in terms of the world of classical music performance and the personal motivations and challenges for each performer. I also found it interesting to see which characters I could relate to and which left me cold (I related best to Henry and Brit…). Would love to compare notes with others!

Mambo in Chinatown by Jean Kwok

Writing: 3 Plot: 3 Characters: 4

Kind of disappointing. Pretty obvious “ugly duckling becomes beautiful dancing swan” plot and stereotype characters (simplistic Chinese immigrants, semi-slutty, neurotic, but super nice and supportive ballroom dancers). What started out as an obvious story told in a sweet way became just an obvious story told without a lot of grace. Writing was decent but the characters and story were just too simplistic for me.

There were some very nice Lao Tzu quotes, description of Tai Chi and Qigong, and descriptions of ballroom dancing in the first half. And I did enjoy the characters at the beginning when they had more individuality and less stereotype to them. Somehow it feels as though the second half was written more hurriedly and more focused on plot and less on the character and environment that made the first half so enjoyable.