Writing: 4/5 Plot: 5/5 Characters: 4/5
A wild coming-of-age story — Vera is the daughter of the Barbary Coast’s most successful (and infamous) Madam (Rose) and is raised by a “proper” Swedish widow (Morie) who lives on that income. At 15 Vera is a “scrawny and sharp-tongued girl” seething with a fervent desire for more: more time with her real mother, more options, more life. And then the 1906 San Francisco quake hits.
With a cast of unforgettable characters deployed across unforgettable scenes, we follow Vera through adventures during and after the quake and resulting fire (which burned 28,000 buildings and 500 city blocks). From Rose’s “gold house” on Lafayette Square to Chinatown to the many encampments for the suddenly homeless (400,000 people), the novel depicts the new mixtures of uppercrusters, corrupt politicians, wandering orphans, and the military with their overrun field hospitals — all adhering to their own sense of morality, loyalty, and their survival instinct.
Real life personalities Alma Spreckles, Abe Ruef, Caruso, and Mayor Eugene Schmitz (the quake occurring on the eve of his arrest on corruption charges) all play parts. The writing is full of details such as the ingredients in Dills cough medicine (chloroform and a heroin derivative). Completely brings to life the time and the place for a variety of characters with different backgrounds. Could not put it down.
Thank you to Scribner and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 2nd, 2021.
Thanks to NetGalley and Lake Union Publishing for an advance reader copy in exchange for my honest opinion. Book to be released on Oct. 30, 2018.
Writing: 3/5 Characters: 4.5/5 Plot: 4/5
A gripping, and ultimately uplifting, tale highlighting a piece of American immigrant history. The date is 1923 and Mei Ling is an 18-year old girl in Guangdong Province whose family fortune has suffered “the triple devastation of war, famine, and disease.” With little warning, she finds herself a “paper wife” — married to a stranger (and mother to a two-year old named Bo) under the false name of his recently deceased wife in order to enter America. Her true identity is buried under a second layer — her elder sister was the intended bride, but a last minute illness forced the substitution. Mei Ling must keep this quiet as her husband is expecting a timid Rabbit wife and is instead receiving a fierce Dragon.
The story follows Mei Ling through her wedding, the trip in steerage to San Francisco, her new family, including a six-year old orphan named Siew whom she meets on the boat, and immigration through Angel Island. Beautiful and detailed descriptions of San Francisco and Oakland Chinatowns, the people she meets, the lives they lead, and the way different people try to succeed in the new country. I love that each of the characters (even the unpleasant ones) has real depth — the author did not resort to stereotypes in this fictionalized account of a Chinese immigrant experience. The story takes some surprising turns as Mei Ling the Dragon takes steps to maintain harmony and protect her family.
As a way of setting the context, the book’s epigraph comprises a single disturbing quote from then President Rutherford B. Hayes: “I am satisfied the present Chinese labor invasion (it is not in any proper sense immigration — women and children do not come) is pernicious and should be discouraged. Our experience in dealing with the weaker races — the negroes and the Indians, for example — is not encouraging.” Ugh.
Thank you to Random House and NetGalley for an early review copy of A River of Stars by Vanessa Hua, which will publish August 14, 2018. All thoughts are my own.
Writing: 4 Plot: 4 Characters: 3.5
Heavily pregnant, Scarlett and Daisy, meet at Perfume Bay — the exclusive maternity home in Los Angeles for Chinese women who want to have their “anchor” babies in the U.S. for automatic citizenship. Neither wants to be there — teen-age Daisy has been placed there by parents anxious to separate her from an “unsuitable” boyfriend; Scarlett has been placed there by the baby’s father — also her married boss — who wants the son he believes she is carrying.
After an opportunistic escape, they make their way to San Francisco’s Chinatown where they learn about motherhood while trying to bulldoze their way to legal status and financial stability (Scarlett) and find the boyfriend (Daisy).
Woven throughout the modern day narrative are the historical stories of Scarlett’s China — highlighting the contrasts between the traditional and modern, the city and the country, and China and the U.S. There are a lot of interesting details included: Scarlett’s estranged mother was the village “family planner” — the woman charged with upholding the unpopular “one child” law (only recalled in 2013, this novel takes while the law was still in effect). Historical immigration policies in the U.S. had banned Chinese women from immigrating as families “weren’t supposed to take root here.” The backstories of other characters reveal even more detail of life in China under Communist rule.
While the end is tied up perhaps too neatly, the story is unpredictable and engaging, the characters are appealing, and I appreciated the inclusion of historical and cultural detail. It is simultaneously a novel about China and San Francisco, quirks and all. It shirks from neither!