The last of the three!
I received a complimentary copy of this book from Pushkin Press through NetGalley. Opinions expressed in this review are completely my own. The book will be published on March 12, 2019
An utterly delightful re-publication of a classic children’s series from the 1940s. I’m both embarrassed that I never knew this series existed and happy that I get to discover it now. Originally published in 1941, the author began work on it in 1938 when she was 14 years old — helping to explain why the children all feel so authentic. Maggie Smith says, “I wanted to act before I read this book, and afterwards there was no stopping me.”
This story follows seven children from three families in the town of Fenchester (based on Colchester in the UK) as they found the Blue Door Theater company and forge a future in the dramatic arts. Nigel (15) wants to be a commercial artist and designs and builds all the sets; Vicky (13) is a dancer; Bulldog (13) is a comic and a builder (he does the electric work himself and designs a mechanism to make the curtains “swish”); Jeremy (14) composes music and plays the violin; Lynette (13) is the consummate actress of the group; Sandra (14) sings beautifully and designs and makes all the costumes; and Madeleine (9) acts and works as the group promoter!
What I love about the story is the detail about every aspect of the theater — from converting an abandoned church into an actual theater to writing the pieces to performing them. The children do everything themselves — they create the costumes, they build the sets from abandoned materials, they write the plays and the music and act in them. They learn new skills and use them to create something where nothing had been before. They even make use of one of their mother’s “hair” — the ringlets she cut off and saved ages ago. They also make mistakes and while the story in the book does not revolve around these mistakes, they do lend an air of credibility to the story. Not everything goes perfectly all of the time! I also learned a lot about life in Britain in the 40s: an introduction provides currency translations (12 pence to the shilling; 20 shillings to the pound; 21 shillings to a guinea) and distinct art forms like the English pantomime are introduced. Each performance they give is described in great detail as well — the music, the drama, and the comedy.
This is the first volume of five and I’m happy to find that the publisher intends to release them all. Great for fans of Noel Streitfeld.