Writing: 4/5 Plot: 4/5 Characters: 3.5/5
Great adventure story! Love, betrayal, and a panoply of creatures, cultures, and “magical” objects that leak through Doors: the thin boundaries between our world and innumerable others.
Our heroine is January Scaller, and the time is ~1900. January is a motherless child of indeterminate color who lives with her father’s employer, the kindly and wealthy Mr. Locke. By comparison, January is told she is “quite improper, willful and temerarious” — temerarious quickly becomes her favorite word :-). However, no thing or person is exactly what they seem in this deliciously complex story that weaves together intricate stories across time and multi-world space.
The Doors represent Change — as January’s father explains it: “Doors are change, and change is a dangerous necessity. Doors are revolutions and upheavals, uncertainties and mysteries, axis points around which entire worlds can be turned… Without doors the worlds would grow stagnant, calcified and storyless.” But not everyone is enamored of the “change” the Doors represent, and someone or something is working hard to close them all down, ostensibly to maintain order and bring Progress and Prosperity to our world (but mostly benefiting themselves).
A number of memorable characters step in to help or hinder including: Mr. Locke and his slightly unsettling Archeological Society; Samuel Zappia, January’s only “non-fictional friend;” Jane Irimu, sent from East Africa by way of a predatory Leopard people world by January’s father; and Adelaide Lee Larson “ born of poor luck and poverty and raised by ignorance and solitude,” whose epic love story begins when she meets a ghost boy in an empty field at 15.
Speculative fiction is often used a vehicle for discussing difficult topics through the guise of “other worlds,” and this book is a thinly veiled portrayal of the perception of Change as necessary (liberals) or as something to be feared (conservatives). While I personally favor liberal policies, I don’t appreciate the over simplified and highly stereotyped cabal of rich, white, men that are literally out to rape, pillage, and destroy the happiness and life potential of everyone else. Well-written fiction can feel so real that it is easy for stereotypes like this to be perpetuated without the reader’s conscious awareness. So … great writing and a tremendous girl-power adventure — but a little heavy handed on the definition of the “bad guys” for me.
Thank you to Redhook Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on September 10th, 2019.
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