Writing: 5/5 Plot: 4/5 Characters: 5/5
The sweeping story of a daring aviatrix (Marian Graves) who is determined to be the first to fly around the globe longitudinally and the self-destructive actress (Hadley Baxter) who will play her in a movie 60 years later. Their somewhat parallel stories (orphaned young, raised by benignly neglectful uncles) and innate curiosity help Hadley delve into the character more than the screen-writer had.
This book was interesting on so many levels. Stunning descriptions of gorgeous locales — Montana, Alaska, and Antarctica between 1920 and 1950 — spread throughout. In-depth discussions of aviation and art, as well as philosophical dives into isolation, the lure of solitude, the impact of war, and the evolution of personal identity are also ubiquitous. Shipstead really gets inside a subject, presenting it not as a separate entity but through the character’s perception of it. We see Antarctica not as a dry description of mountains and snow, but through Marian’s perspective, and it feels as though her soul is exposed through the beautiful language of what she sees and feels. Similarly, while aviation has no appeal for me, Shipstead describes Marian’s intellectual and emotional engagement with it, and I can feel the (unnatural for me) attraction. It’s a rare author who can transmute a dry topic into fascination through the mind of an obsessed character. Even the Hollywood bits feel real through character insight, rather than splashy opulence and name dropping.
Plenty of historical context is introduced via short tidbits from the news (flights from other aviatrices, difficulties for women in trying to achieve in male-dominated worlds, etc.). As always, I like the fact that the author just wrote the story, with realistic reactions and approaches of her characters and didn’t spend time pontificating on the obvious. Yes, life was much harder for women who wanted to pursue the unorthodox, but this story is about what they did anyhow, not what they were prevented from doing. Her writing style is also not overly dramatic — no heart wrenching prose — though the tale abounds with angsty opportunities.
I’d forgotten that I’d read one of Shipstead’s earlier works — Astonish Me —about ballet dancing and defection. She reminds me of Jennifer Egan a bit (I’m a big Egan fan) in the way she can bring clarity to complex topics in a variety of subjects.
A quick warning — I found the first two chapters a little dry — it gets much, much, better. Highly recommended.
Some good quotes:
“…how best to squeeze Marian’s completely unknowable existence into a neat pellet of entertainment…”
“…and out over the loose northern jigsaw of spring ice that the planet wears like a skullcap, …”
“There should be an Antiques Roadshow for memories, and I would sit behind a desk and explain that while your memory might be lovely and have tremendous sentimental value, it was worth nothing to anyone but you.”
“The landscape is secretive and harsh and impossibly immense, and she borrows some of its inscrutability for herself, its disinterest in human goings-on. Unfriendliness is another form of camouflage.”
“Mountain everywhere: monstrous, ice-choked cousins of the forested peaks that had encircled her as she looped and spun over Missoula.”
“Was this what her father had done after he left Missoula? Slung his skills over his shoulder and set out?”
“Does that mean I wish to die? I don’t think I do. But the pure and absolute solitude in which we leave the world exerts a pull.”
“She thinks he means that no matter what earnest promises of peace are made, what fragments are hauled up and glued back together, the dead will not return. A return to the world as it was is impossible; the only choice is to make a new world. But making a new world seems dreary and exhausting.”
Thank you to Knopf and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 4th, 2021.