Writing: 4/5 Characters: 3.5/5 Plot: 3/5
A crashed plane in the middle of the night in a small airfield in North Carolina. The dead body of a local black man is found nearby. A sheriff up for reelection in a week and very likely to lose to a younger man who is at the very heart of a good old boy network — to which many of the deputies also belong. And a daughter who returns home suddenly after the heartbreaking loss of her baby. These are the elements of this literary mystery.
The writing is very good in terms of the carefully crafted sentences and the sensitivity and depth of the main characters (Winston Barnes, the sheriff; his daughter; and to some extent Jay, the young black boy who is sent to live with his sister, the now widow of the victim). For me, the plot teetered between gripping and extraneous. Although the crime and the sheriff are front and center, this reads like literary fiction far more than crime fiction and the elements of plot that work to solve the crime are like sudden jagged edges introduced in spurts. I had a very hard time with the characters as well (other than the three I’ve mentioned). They were deeply stereotyped, reinforcing the dangerous divides our country is facing. Bradley Frye — property developer, running against the sheriff for reelection — drives a truck with confederate flags, calls black people the “n” word regularly, and has no trouble terrorizing the town. I also hated the ending — there was enough obvious foreshadowing that it was easy to see what was going to happen but somehow the sheriff didn’t. He behaved uncharacteristically, and I’ll leave it at that to avoid spoilers. The daughter theme resolves but had little to do with the crime plot.
I did enjoy much of the reading, but the ending and the stereotypes were such that I can’t recommend it.
Thank you to William Morrow and Custom House and NetGalley for providing an advance copy of this book in exchange for my honest review. The book was published on September 21st, 2021.