The Overstory by Richard Powers (Literary Fiction)

This book absolutely deserved the Pulitzer — the writing is probably the best I have ever seen; the characters have the level of depth and detail that makes them more real than the people we interact with daily; the plot — like life — is in no way predictable.

I can try to explain what the book is “about,” but it will sound like a plot and in no way will explain what it will be like to read it —to be drawn into the world it depicts in a complete immersion. It’s a book about forests — the trees and plant life that came into being about 400 million years ago and have been thrumming along ever since. It’s about philosophy and psychology and activism. It’s about how eight wildly different people with wildly different backgrounds and interests became part of the story about recognizing the rights of forests as more than simple utility for humans. I’m still not getting across what it’s about exactly 🙂

The first eight chapters serve as the introductions to each character. Each is like a short story in itself. While this served to provide the backstories, each was intriguing in its own way. Except for chapter one! I can’t explain but I didn’t like that chapter at all, and in fact this stopped me from continuing the first two times I attempted it! I can’t explain it — hated the first chapter and then got completely absorbed and never looked back.

Eight individual narrative arcs are superimposed on a segment of an ultra-long term narrative — that of forests and the planetary ecosystem. An engineer, a gaming prodigy, a property lawyer, a plant specialist, a behavioral economist, an activist, an artist, and a man I’m having a difficult time categorizing all twirl around in our current world engaging with our trees. Some cross physical paths, some influence others, all have their minds shifted in one way or the other … and we go along for the ride. All are misfits in the sense that they don’t feel forced to adhere to cultural norms and this makes them both more interesting and more capable of growth.

I love the way the author brings in so many different angles. From actual behind-the-scenes information to new (to me) concepts about rights. In succinct and yet poetic language do we learn about the nature and mechanisms of the ecosystem, the wood industry, and the way human societies behave. As an aside, this is a book that writes about nature in a way that appeals to me — I’m not a visual person so long descriptions of the way something looks does zippo for me. This book describes nature in terms of its systems using vivid imagery and detailed behaviors. And the concept of plant rights — sounds ridiculous and yet by the end of the book I was thinking about it. A quote: “Until the rightless thing receives its rights, we cannot see it as anything but a thing for the use of “us” — those who are holding rights at the time.” Wow — doesn’t that sound familiar from past and current fights?

Beautiful writing, beautiful sentiment — every sentence is perfect. Covers the gamut of interaction styles — between each other and within ourself — intellectual, spiritual, emotional. The scale of this book is only barely comprehensible to the reader — but it is. Definitely not a fast read — you’ll want to take your time with this one.

So many quotes! I had to whittle down the list but here are some of my favorites:

“Even as an infant, he hated being held. Every hug is a small, soft, jail.”

“Adam can’t stop reading. Again and again, the book shows how so-called Homo Sapiens fail at even the simplest logic problems. But they’re fast and fantastic at figuring out who’s in and who’s out, who’s up and who’s down, who should be heaped with praise and who must be punished without mercy. Ability to execute simple acts of reason? Feeble. Skill at herding each other? Utterly, endlessly brilliant.”

“We’re all trapped in the bodies of sly, social-climbing opportunists shaped to survive the savanna by policing each other.”

“… the backs of her thighs bitten Braille by wasps…”

“The understory fills up with tracks like longhand accusations scribbled on the snow. She listens to the forest, to the chatter that has always sustained her. But all she can hear is the deafening wisdom of crowds.”

“And still a part of him wants to know if his few and private thoughts might in fact be ratified by someone, somewhere. The confirmation of others: a sickness the entire race will die of.”

“You know, you look at those mountains, and you think: Civilization will fade away, but that will go on forever. Only, civilization is snorting like a steer on growth hormones, and those mountains are going down.”

“Once Ray starts a book, he force-marches through to its conclusion, however hard the slog. Dorothy doesn’t mind skipping the author’s philosophies to get to those moments when one character, often the most surprising, reaches down inside herself and is better than her nature allows.”

“Righteousness makes Mimi nuts. She has always been allergic to people with conviction. But more than she hates conviction, she hates sneaky power. She has learned things about his mountainside that sicken her. A wealthy logging outfit, backed by a pro-industry Forest Circus, is exploiting the power vacuum prior to a big court decision by rushing through an illegal grab of mixed conifers that have been growing for centuries before the idea of ownership came to these parts. She’s ready to try anything to slow the theft down. Even righteousness.”

“The article stokes his distress. Should trees have standing? This time last month, it would have been his evening’s great sport to test the ingenious argument. What can be owned and who can do the owning? What conveys a right, and why should humans, alone on the all the planet, have them? … His entire career until this moment — protecting the property of those with a right to grow — begins to seem like one long war crime, like something he’ll be imprisoned for, come the revolution.”

“His heart contracts back down to the size it was when she found him.”

“All that’s left to sell up here is nostalgia, those recent yesterdays when tomorrow seemed the answer to everything a human might ever want.”

“This is her freedom. This one. The freedom to be equal to the terrors of the day.”

“At some time over the last four hundred million years, some plant has tried every strategy with a remote chance of working. We’re just beginning to realize how varied a thing working might be. Life has a way of talking to the future. It’s called memory. It’s called genes. To solve the future, we must save the past. My simple rule of thumb, then, is this: when you cut down a tree, what you make from it should be at least as miraculous as what you cut down.”

“It strikes her that she envies him. His years of enforced tranquility, the patience of his slowed mind, the expansion of his blinkered senses. He can watch the dozen bare trees in the backyard for hours and see something intricate and surprising, sufficient to his desires, while she — she is still trapped in a hunger that rushes past everything.”

“A massive, crowd-sourced urgency unfolds in Like-Land, and the learners, watching over these humans’ shoulders, noting each time a person clicks, begin to see what it might be: people, vanishing en masse into a replicated paradise.”

Ruthie Fear by Maxim Loskutoff (Literary Fiction)

Writing: 5/5 Plot: 4/5 Characters: 5/5

A story about a young girl growing up in a trailer in the Bitterroot Valley, just South of Missoula, Montana. Raised by her father when her mother abandons them, she alternates between absorbing his values and lifestyle and wishing she could have almost any other life. We follow her from age six through her early thirties as she tries to find her place in the world.

The book is beautifully written, evoking the wild beauty of the valley, surrounding mountains, and wildlife as well as depicting small town Montana life amid a sea of changes. We see the world through Ruthie’s eyes as she struggles to reconcile the violence and injustice that she abhors with her own inner darkness and the natural and man-made disasters that beset the Valley.

The overall tone of the book is (to me) depressing. Her perceptions of most (not all) of the men around her is as pathetic, angry, and beaten down by life. The story is a slow parade of natural and man-made disasters and the impact on the relatively impoverished people around her: fires, a giant earthquake, the mills closing and ensuing lack of work, the incursion of the “California carpetbaggers,” ski areas closed due to warming weather, thousands of geese killed from polluted ponds, etc. She is a constant witness to conflict and violence — against animals and against other people. She observes that much of the anger percolates through the hierarchy of locals: white settlers who have been there for generations, the Salish Indians (the “original” locals), and the constant influx of people who came fleeing someplace else — hippies, polygamist mormons, retirees. Everybody wants the others to disappear and nobody wants anyone new to show up.

The last chapter took a wild turn into left field. I don’t know where it came from, and I can’t decide if it was symbolic or something that was actually happening. I’m going with largely symbolic, but I don’t want to include any spoilers so you’ll have to read it and let me know your thoughts…

Overall I enjoyed reading this book — gorgeous writing, character depth, and a level of detail that made it all so palpable. I would have preferred a more balanced view of life in the area — I understand that this really was one person’s experience, but it painted the area as somewhat hopeless, full of victims who were unable to stem the tide of unwanted change (or adapt to it). It reminded me of Louise Erdrich books which I’ve stopped reading — incredibly beautifully done, but on the depressing side.

Thank you to W.W. Norton & Company and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on Sept. 1st, 2020.

500 Miles From You by Jenny Colgan (Chick Lit)

This is just one of those happy, sweet, books that buoys my spirits. The fact that all the action takes place in London and a Scottish village near Loch Ness (two of my favorite locations on the planet) doesn’t hurt a bit. OK — also I am a Jenny Colgan fan, so no surprise that I enjoyed this one.

Kind of a cross between “The Holiday” and “84 Charing Cross Road,” two Nurse Practitioner Liaisons switch jobs and houses for a three month period — Lissa Westcott leaving London for Kirrinfief, Scotland while Cormac MacPherson heads to London. Having never met, they get to know each other via daily email check ins and … you can guess the rest. Very nicely done — the perspective of the stranger learning the ropes in a foreign place (I’m sorry, but Scotland wins every time) — made me hunger to visit (a little difficult right now as we have to wonder when we will ever be able to travel again). Some lovely descriptions of nature, tight knit communities, friendship, and the excitement of learning something new. Very sweet ending.

Thank you to William Morrow Paperbacks and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 9th, 2020.

The Peppermint Tea Chronicles by Alexander McCall Smith (literary fiction)

Another nice installment of the 44 Scotland Street series — number 13. I enjoy every one of the books in McCall Smith’s series — I look forward to them as a treat.  McCall Smith is the master of exquisite usage of an enormous vocabulary. His writing is precise and insightful, and he wields his vocabulary in such a way as to make the nuance between words of similar meaning obvious.

His characters opine on subjects of private and public matters, and some of his “rants” are masterfully done. The paragraph on reading the news of the world on page 195 was worth the whole price of the book. I also loved his short treatise on “hold music” including this: “…although extensive research has revealed that the Flower Duet from Lakme is not only capable of soothing callers through delays of up to twenty minutes, but also has remarkable qualities in combating airsickness. That piece of music, purloined by British Airways as its theme tune, is suggestive of the soaring of both the human spirit and of aircraft — a happy coincidence for the airline with which it is identified.”

The Editor by Steven Rowley (Literary Fiction)

An incredibly touching novel about motherhood, life, and forgiveness. Masterfully crafted, the plot weaves together author James Smale’s effort to publish his first novel and his own personal growth through the process. The surprise yoda-like catalyst for this — wait for it — is his editor: Jacqueline Kennedy Onassis. I admit to fearing the book would be a fictionalized history of Jackie and her glamorous life; however it was anything but. This book celebrates Jackie’s work as an editor, and while James is the main character, Jackie provides the stimulus, advice, and motivation to make his work great.

As The Editor winds through the editing process of James’ Ithaka — a loosely fictionalized story about James and his mother — the interplay between author and editor, fiction and life is brilliantly done. With clear, concise, and humorous writing, carefully crafted sentences, and excellent, in-depth characters, it was a real pleasure to read.

As an interesting aside in these virus-infested times — while we don’t get treated to any excerpts from Ithaka, we do know that the action occurs during a 40-day quarantine (!) that forces mother and son to confront all of their issues. So perhaps we can look forward to some valuable personal and relationship insights from our own shelter-in-place experiences 🙂

Some Quotes:
“To me, typing was akin to publishing. I lived for that typewriter, and I would agonize when the ribbon became twisted, or the keys stuck, and I needed my mother’s assistance. She didn’t prioritize typewriter repair the same way I did.”

“When we exhausted all possible topics of conversation, I dropped my news like I was carpet-bombing Baghdad in Desert Storm.”

“Is the mark of adulthood putting others first? Or is it standing behind your own vision, your own work, your own view of the world? Beads of sweat form on my forehead and I have to wipe my brow.”

“To find something in a manuscript that you recognize as familiar truth, but also as wisdom you’re hearing voiced in a new and articulate way.”

About sausade: “It’s like a nostalgia or melancholy, but more than that. With a recognition that the something we’re longing for hasn’t happened, or isn’t returning. Or maybe never was.”

“Women like your mother and me, from our generation, we were duty bound. Things were expected of us, marriage and motherhood. But we were girls once, with dreams and aspirations of our own. When we see our children succeed, of course part of their accomplishments are our own. But it also reminds us that life doesn’t turn out for everyone the way they dreamed.”

“Jackie has lived most of her adult life in the long romantic shadow cast by history. What must it be like to have a whole nation idealize a past that you know firsthand was painfully imperfect?”

Thank you to Penguin Group Putnam and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 30th, 2020.

One Fatal Flaw by Anne Perry (Mystery)

Like many people, I’m sticking to light and entertaining books these days.  Although I’m not posting a review of it (because I’ve already read it 4 times and multiple reviews is CHEATING) my favorite go-to destresser book is Just One of the Guys by Kristan Higgins.  Just in case you need it!

And now for this latest mystery from Anne Perry…

Thank you to Ballantine Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 7th, 2020.

The third book of Perry’s new series starring twenty five year-old Daniel Pitt (Inspector Thomas Pitt’s now grown son pursuing a legal profession). It’s the first of this series that I have read — decent, twisted, plot; some good characters including Daniel himself and and 40-year old Miriam fforde Croft — a talented scientist who has been denied entrance to an all-male profession. The plot of this novel hinges on the expert testimony of a most unpleasant man who argues that a cracked skull is the result of a fire’s high heat and not a bludgeoning. Strong themes of the importance of justice and proof, and the lengths to which some will go to maintain their (unearned) high reputation.

I liked the themes and the characters — I found the whole thing a little repetitive but overall entertaining.

Invisible Women: Data Bias in a World Designed for Men by Caroline Criado Perez (Non-fiction)

A fascinating (but somewhat uneven) book that looks at the way the needs of half of the world’s population (women) are ignored in the design of almost every system and object on the planet. From transportation systems, to medicine, to the sizes of tools, cars, and piano keyboards, Perez points out the insidious way that women’s needs aren’t considered unless they perfectly align with men’s. She divides the book into three themes: the female body, women’s unpaid care burden, and male violence against women. It’s a mixed bag — a huge pile of information (with references) — some of which is deeply insightful, some politically motivated, and some really about the needs of groups which may be predominantly women but are not necessarily problems of women because they are women.

The best parts (for me) focused on the (ignored) biological differences in the female body. Examples include different heart attack signs, incorrect medication dosages, and pacemaker thresholds. What amazed me was that some studies have shown different medication efficacy at different stages of the menstrual cycle — and yet no pharmaceutical trials ever even consider that. Why? As one researcher said — it’s just too hard! Other aspects of the “female body” theme are a little less cut and dried. Many, many, things from tools, to voice recognition systems, to pianos, to car seats, to the temperature in offices are designed for “the average man.” I always have trouble with averages because that means that many men — who are not average size — will also have trouble with these things depending on the shape of the curve and the spread in sizes. Still — I found all of these stories to be fascinating and primarily things I had never considered. I had some issues with the other two themes — the assumptions and calculations didn’t always make sense to me — though they did give me something to think about.

Overall this is a really fascinating collection of data (or lack of data) about how the world that we live in considers women to be the “exception to the norm.” While I found that some of the examples strain the point — really belonging to other groups, many of whom happen to be women; calculations of economic productivity that leave out factors not supporting her conclusion; items based on averages that are not working for non-average men as well as women, etc — there are an equal number of truly fascinating studies and examples that completely shifted the way I thought about things.

Recommended, but keep your own thinking cap on before blindly accepting all of her conclusions….

The Escape Artist by Helen Fremont (Memoir)

Very well-written memoir about the author growing up in a dysfunctional family full of mental illness and big-time secrets. Raised as a Catholic, her discovery that her parents and aunt were instead Jewish holocaust survivors was the subject of her first book — After Long Silence (1999).  The Escape Artist starts with the aftermath of the previous work — estrangement from her family and an invitation to her father’s funeral only to find that she had been cut out of his will with the phrase “as if she had predeceased me.” The narrative bounces between 1965 and the present (well-labeled and easy to follow) and follows the wild dynamics of a sister who is alternately her best friend and a foaming-at-the-mouth crazy person vowing to kill her. While the first book uncovers the Catholic / Jewish secret, this book uncovers a second large family secret (which truthfully is not the main purpose of the book and is not over dramatized in any way — it’s just something we find out / figure out near the end). The primary focus is on her relationship with the family, particularly her sister, and her own slow self-discovery of the person she wants to be.

I enjoyed reading this book — it was well-written and the characters were deeply portrayed — intentionally from the author’s perspective. Exactly my kind of memoir where the author makes plain her interior logic, experiences, and even her own doubt as to what actually happened vs what she remembers happening. My only complaint might be that it was a tad too long — I was ready to be done about 40 pages from the end. I admit that there is also something that disturbs me about one person writing a memoir that exposes the secrets of others. There was a good reason her family did not want people to know they were Jewish and I can see being equally unhappy about the family exposure in this book.

I Was Told It Would Get Easier by Abbi Waxman (Fiction)

Writing: 4/5 Character: 4.5/5 Plot: 4/5

A fun new offering from the author of The Bookish Life of Nina Hill. LA lawyer and single mom Jessica and her 16-year old total-teenager Emily tour East Coast colleges. Along the way they connect with old friends, colleagues, and a personality-ridden tour group. Plenty of great banter (both live and text based), likable characters, and some quite decent insight. Amidst the lightness are serious themes around getting into college: pressure, competition, how far parents are willing to go to give their offspring a boost. There is a lot of focus on how to know what the “right thing” is and how to make sure you are doing it. Nicely drawn relationships — mostly female but without (too much) male bashing.

I put this in the category of “hanging out with friends” books — meaning that while I’m reading it, that’s exactly what I feel like I’m doing. While some of the events towards the end veered off the credible scale, they really didn’t affect the main themes or take up too many pages so I found them easy to forgive.

Just a couple of fun quotes:

“I know a lot about philosophy, and people say it’s a pointless subject, but I swear I see human thought changing in front of my eyes every day. In the two decades I’ve been teaching, opinions and attitudes have evolved and altered and swung back and forth, and I have a ringside seat.”

“It’s not a constant interview which is what seems to happen when two adults get together. What do you do for a living? where did you go to school? What does your wife do?” She looked out the window. “You guys are weird, you don’t know how to communicate, you’re too busy stratifying.”

Thank you to Berkley Publishing Group and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 16th, 2020.

Old Lovegood Girls by Gail Godwin

Writing: 3/5 Plot: 3/5 Characters: 4/5

Thank you to Bloomsbury Publishing and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 5th, 2020.

The story of a lifelong friendship between two women who first meet at Lovegood College in 1958. Feron comes from a terrible, dark, background and has trouble connecting with people in any meaningful way; complacent and composed, Merry comes from a happy background and yet suffers a tragedy that forces her to withdraw from school after only one semester. Both develop literary interests and talents which feature in the story.

It’s an odd (to me) friendship and an odder narrative. After bonding immediately as freshman roommates, their next contact isn’t for ten years and remains sporadic after that. The narrative plays off this strange relationship by leaping from contact to contact and filling in the (event rich) intervening years via memories and asides. Thus whole marriages are relegated to a sad memory summarized in a couple of lines.

In some ways the book is written well — the language is good, the characters interesting, the dialog decent. However, it was difficult to get invested in the characters and this central relationship when there was so little to it. The author does convey the closeness each feels to the other, in spite of the fact that neither seems to make much effort to connect more often. It’s possible that these are just not people or modes of interaction that would work for me — I didn’t particularly like either of the main characters. I could not manage to find empathy for Feron, despite knowing her background and being privy to her inner thoughts. Merry was less well developed and while likable, she was far too passive for my taste. I feel like a real friendship would have brought out more in the other — the fact that these two felt close, despite rarely seeing or talking to each other, wasn’t much of a story.

While there was a lot in the book I liked — the (very different) literary aspirations, motivations, and processes for the two; the full depictions of Merry’s tobacco farm, Feron’s New York City life, Lovegood college, and the other characters — overall I found it rather depressing. Nobody in the book has a particularly happy life, and while the tone is not overly dramatic (the action is removed since it’s all in history), I felt dragged into an emotional pall. While each character seemed to have found some happiness or sense of accomplishment in their life, we don’t get to experience that directly. Overall I found the book mildly interesting from an intellectual perspective and mildly depressing from the emotional.