An Isabel Dalhousie book. For those unfamiliar with McCall Smith’s less well-known protagonist (Mma Ramotswe of Number One Ladies Detective Agency is far more popular), Isabel is a philosopher of independent means. She serves as the publisher and editor of the Review of Applied Ethics. What an unusual character on which to base a series! These books center around questions of morality, and amidst the light plots that loosely guide each episode, we are treated to a constant stream of philosophical musings and epiphanies. I love the fact that rather than read the (probably) dry research papers that populate Isabel’s Review, we instead get to hear the intriguing summaries.
In this installment, Isabel is asked to serve as executor of a dying man’s trust while simultaneously coming to terms with her niece’s engagement to an (to Isabel) unsuitable man. These situations give rise to musings about the accidents of love, moral obligations, moral strangers, the sphere of moral proximity, and what it means to act graciously. Populated by the educational elite of Edinburgh, this series also gives rise to discussions on a wide variety of topics — this time including Himalayan languages and Scottish Country dancing.
I have a very good vocabulary and have read most of McCall Smith’s books and yet he *still* surprises me with new words. This time: Gluckschmerz and commensality. Gluckschmerz is feeling pain in the face of another’s success — the opposite of Schadenfreude. Commensality refers to the positive social interactions that are associated with people eating together.
My favorite phrase in the book: “the suppurating corruption of greed.”
Thank you to Knopf Doubleday Publishing Group and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 28th, 2020.
Another nice installment of the 44 Scotland Street series — number 13. I enjoy every one of the books in McCall Smith’s series — I look forward to them as a treat. McCall Smith is the master of exquisite usage of an enormous vocabulary. His writing is precise and insightful, and he wields his vocabulary in such a way as to make the nuance between words of similar meaning obvious.
His characters opine on subjects of private and public matters, and some of his “rants” are masterfully done. The paragraph on reading the news of the world on page 195 was worth the whole price of the book. I also loved his short treatise on “hold music” including this: “…although extensive research has revealed that the Flower Duet from Lakme is not only capable of soothing callers through delays of up to twenty minutes, but also has remarkable qualities in combating airsickness. That piece of music, purloined by British Airways as its theme tune, is suggestive of the soaring of both the human spirit and of aircraft — a happy coincidence for the airline with which it is identified.”
I’m a big McCall Smith fan — I like the ethical foundations of and philosophical ruminations in all of his books. This book marks the beginning of a new series which differs from his other three in two primary ways: the action takes place in Sweden (as opposed to Botswana and Scotland) and features a male protagonist.
In general, I don’t like the result when a writer chooses to write a main character of a gender opposite the writer’s own — it’s a personal thing — but for some reason I love McCall Smith’s female leads. Isabelle Dalhousie and Mma Ramotswe are the kind of women I like — perhaps because they blend an emotional sensitivity with a strong rational thought process that resonates strongly with me. Ulf Varg — the senior policeman of the titular Sensitive Crimes Department of the Malmö Criminal Investigation Authority — has a very similar personality, albeit clothed in a man’s body.
Ostensibly about “sensitive” crimes (a knife attack on the back of a victim’s knee, the disappearance of an imaginary boyfriend, a spa owner subject to apparent werewolf fits…) the stories primarily revolve around the ethical dilemmas we all face in everyday life. The characters have arcane interests (such as Nordic Art) which in typical McCall Smith style are presented in ways that spark an interest where none was present before, and the action is propelled forward by the intriguing and detailed flow between their rich interior worlds and the physical world around them.
A good read — I don’t know that the Swedish environment has been presented with the same depth as the Botswana and Scotland environments had previously, but then this is only book one. On the other hand, nice to read a Swedish mystery that isn’t steeped in horrifying scenes (e.g. the Dragon Tattoo books — yuck!)
Writing: 4.5/5 Plot: 3/5 Characters: 3/5
Another installment (number 19) of the Botswana-based, No. 1 Ladies’ Detective Agency series. In this episode, Mma Ramotswe is persuaded to run for a seat on the Gabarone City Council in order to prevent the “Big Fun Hotel” from gaining council approval while simultaneously helping the victim of a hit and run accident— who happens to be an old friend of her father’s.
While this book is as good as all the rest, I admit to experiencing some series fatigue with the Botswana collection. The characters, once lovably simple and straightforward, have begun to feel like stereotypes that do not grow. I am feeling more and more irritated with Mma Makutsi’s rigidity and undeserved arrogance while simultaneously being annoyed with Mma Ramotswe for putting up with it! However, the story is interesting and many of the regular characters are developing — Mma Makutsi and her husband have a rare falling out and the way they come back to a loving center is beautifully done, Charlie manages to fall in love, and the ongoing focus on living an intentionally ethical life is always welcome. As usual, McCall Smith has managed to utilize a new (to me) word in his writing: “persipience: a good understanding of things; perceptiveness.” I consider myself to have a large vocabulary but he puts me to shame every time!