A small town on the Tasmanian coast. An intense storm 12 years ago that led to two deaths and a disappearance. And now — the inexplicable murder of a young, well-liked, visiting artist that is somehow connected to events of the past. With Harper’s expert pacing and character development, we witness small town life through two lenses: one where everyone seems an irreproachable member of a tight-knit community and the other where each feels like a reasonable suspect. Through a maelstrom of online community postings, we see how the anonymous amplification of suspicions and accusations can bring a community to its knees. As with all Harper’s books, it is just about impossible to put down.
Thank you to Flatiron Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 2nd, 2021.
Writing: 3/5 Plot: 4/5 Characters: 4/5
Ex-editor / publisher Susan Ryeland is living in a not-so-glorious involuntary retirement in Crete after the events of Horowitz’ Magpie Murders in which her primary author (Alan Conway) was murdered and her publishing company offices burned to the ground. Now she is approached by a pair of distraught parents who want to help find Cecily Treherne, their missing daughter. Why Susan? Because just before she went missing Cecily had called them to say that upon rereading Conway’s Atticus Pund Takes the Case, she realized that the wrong person had been jailed eight years ago for a murder taking place in the Treherne hotel. I love British murder mysteries but I am constantly amazed that anyone is left alive in the country!!
This is a murder mystery steeped in literary detection. Right in the middle of the novel we are treated to the entire text of Atticus Pünd Takes the Case to try to decipher what Cecily read. I didn’t figure it out and neither will you (let me know if I’m wrong — I’d love to hear!). The literary “clues” are deeply embedded in the book and we need the main character to unpack them for us. Luckily there are also a lot of un-literary clues that follow more traditional murder mystery lines.
Lots of fun to read, though I admit to having had a hard time keeping track of the initial characters once the book-within-a-book began (it is not short). Horowitz is an adaptable writer — he does a great job of writing in the style of another (his Sherlock Holmes stories are a case in point). The embedded Atticus Pünd book is in the style of Agatha Christie and Pünd himself is a thinly disguised Poirot (I literally just finished watching the entire David Suchet series so it was easy to spot).
Possibly a little long — especially the embedded book. I like the Horowitz style of writing better than the Agatha Christie-like writing so that also added to the feeling of wanting to get back to the main story a little faster. As always, though, the plot twists were just the right amount of convoluted and surprising. Worth reading.
Thank you to Harper Collins and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on November 10th, 2020.
Coopers Chase retirement village — a place where everyone has done something interesting with his or her life and everyone has a story. And trouble with technology, memory, and joints. They aren’t afraid to play the dementia card if it suits them. The Thursday murder club meets every — you guessed it — Thursday to talk about cold cases to see if they can solve the cases to its own satisfaction. That is, until a real murder falls into their lap. And then another, and possibly a third.
Sounds like your everyday cozy but it isn’t at all. The ocatgenarians of the club are interesting and smart: Elizabeth, with the mysterious background and friends in high and low places who all seem to owe her favors; Ibrahim, the retired psychiatrist, who pores over the cases he failed; Ron, the former trade union leader who loves a chance to get back on the stage; and Joyce, the newest addition, who has the often underappreciated skill of bringing everyone together while remaining invisible herself.
The plot is convoluted with all sorts of intertwining stories, some with actual bearing on the case and others simply with bearing on individual lives. Great writing that had me in stitches, completely gripped, and even tearful at times.
My one word summary: fun! Make that two words: Great fun!
Thank you to Penguin Group Viking and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on September 22nd, 2020.
I gulped this book down in (almost) a single sitting. Perfect for long quarantine days: part novel with great characters who have evolved over the 12 books in Griffiths’ Dr. Ruth Galloway series and part mystery with all that closure we crave in these anxious days.
Four dead woman and a convicted murderer, but do they have the right man? In this installment, Ruth has moved to Cambridge with a new partner and a new job but is drawn back to Norfolk by the prisoner offering to disclose the location of additional bodies if Ruth promises to do the excavation. An artist colony and cycling group feature prominently in the story with plenty of local history, folklore, and archeological digs. All our favorite characters are back, each slowly progressing in their own long term narrative arcs.
Now I just have to wait for the next one…
p.s. For those who are new to this series, Dr. Ruth Galloway is a forensic archeologist who, before this book, lived in a remote area near Norfolk amidst the marshes near the sea. She works with the large and brooding but spectacularly capable Detective Chief Inspector Nelson. Another favorite character is Cathbad — part-time University employee and full-time modern druid. You can start the series anywhere, really, but the it never hurts to start at the beginning!
Thank you to Houghton Mifflin Harcourt and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 14th, 2020.
Number four in the Ruth Galloway series — they just get better and better. The whole series has great characters, good writing, and intricate plots. Each installment includes some new piece of history and plenty of character banter on current social topics.
This story includes the surprising contents of of a medieval Abbott’s coffin, a drug ring with a creative transport mechanism, the push to repatriate a collection of Aboriginial bones, and of course, a couple of mysterious deaths. The regulars — now single-mom forensic anthropologist Ruth Galloway, the gruff and somewhat tormented DCI Nelson, and the intuitive Druid Cathbad — are joined by an Aboriginal visiting scholar, a trans local expert on Bishop Augustine, and the Lord who owns the local museum and racing stables.
Fast, engaging, read. I’ve already ordered number five.
A recent backpacking trip left me exhausted and able only to read genre books — so here are reviews of three Mystery / Women’s Fiction / Romance novels that were quite enjoyable for a relaxing read on a rock facing gorgeous scenery. Review number 1…
Now You See Them by Elly Griffiths
Thank you to Houghton Mifflin Harcourt and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on December 3rd, 2019.
The 5th book in Griffith’s Magic Men series, this episode takes place in Brighton in 1964. The Mods and the Rockers are coming into the public eye, getting into brawls and leading to moral panic amongst the British. DI Edgar Stephens (newly promoted to Superintendent) is investigating a string of missing girls though all the best ideas seem to come from his wife (previously his star sergeant and now frustrated mother of three), her equally frustrated journalist friend Sam, and the very tall, 19-year old, WPC Meg Connolly, a promising new policewoman. For those not in the know (like me), WPC stands for ‘Woman Police Constable” (the term was discontinued in 1999).
I’m a big Elly Griffiths fan, but haven’t read any books in this series. In comparison with the Ruth Galloway series and her standalone novel, I found this book to be a little more disjointed — particularly in the beginning where much of the text seemed extraneous to either the plot or the characters. However, the plot was gripping and I found the focus on intelligent women in constrained circumstances managing to accomplish a great deal fascinating. The sixties seem not that long ago (to some of us), but cultural expectations for women were vastly different than they are now. Reading the descriptions of the earlier four books, they seem to focus much more on DI Stephens and Max Mephisto (the variety magician), while this one seems to relegate them to a secondary role in solving the mystery. Interesting!
I really like Elly Griffiths and I guess I now have to go back to start the series from the beginning. Good writing, appealing characters, twisted plots that I don’t figure out until the end and lots of archeology and pagan traditions thrown in. I did notice that her “families” are largely non-traditional — I actually had a little trouble keeping up with who was partnered with whom and who fathered whose children — but found the variety interesting and possibly more in keeping with the times? Gorgeous (but not too lengthy) landscape descriptions of Norfolk and coastal environs. This is #11 and I’ve only previously read #9. The characters definitely develop across the series so while I was never “lost” I definitely need to start at the beginning if I want to get to know the people as well as enjoying the story. Unlike some other series I’ve read, she is still pumping out full stories and not bulking out with lots of filler because the basic idea has run out of steam…
Writing: 4/5 Plot: 4/5 Characters: 4.5/5
A strange and captivating book that gets better and better with each page. Six-year old Aoife (pronounced EE-fah) misses her mama who is “confused” and has been taken someplace to help her feel better. With the help of her imaginary friend — a large bear named Teddy — and her slightly older and more confident neighbor Hannah, Aoife sets off to solve the mystery of her brother’s murder with the childish logic that this will allow her mother to come home again.
Aoife is the most compelling of narrators — her mind is young and she has been kept uninformed about the big issues facing the family (as is typical of six-year olds). She tells her story piece by piece, describing events and her interpretation of them in an utterly convincing manner — her mother’s “confusion,” visits from cee pee ess (child protective services), and the explanations her Uncle Donnie, Father Paul, and her mother’s “special friend” Mac give in answer to her questions.
A beautifully imagined book about a child growing up and making sense of her (in no way average) world. A surprising and well-structured plot, good writing, and well-drawn characters as depicted from Aoife’s perspective. Understated themes of mental illness and what it means to be crazy.
Thank you to Crooked Lane Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on December 10th, 2019.
Writing: 3 Plot: 4 Characters: 3.5
The latest in Winspear’s Maisie Dobbs series (#15) finds Maisie investigating the murder of Catherine Saxon — the irrepressible American journalist from a wealthy, politically connected, and a defiantly isolationist family.
This series never feels stale — each volume moves forward in time (the first took place in 1929 and we’re up to 1940 now) and is based on a factual piece of British History. In this case, the Blitz and the effort to get the U.S. to enter the war. Woven into the plot is Joseph Kennedy, the anti-Semitic and somewhat pro-Hitler, then American ambassador to England and the U.S. Organization America First. I’m sure it’s not an accident that she chose this particular topic for this year’s entry.
Always fun to read these — very little “filler,” a twisted plot, and Maisie’s character progresses as well.
I’m a big McCall Smith fan — I like the ethical foundations of and philosophical ruminations in all of his books. This book marks the beginning of a new series which differs from his other three in two primary ways: the action takes place in Sweden (as opposed to Botswana and Scotland) and features a male protagonist.
In general, I don’t like the result when a writer chooses to write a main character of a gender opposite the writer’s own — it’s a personal thing — but for some reason I love McCall Smith’s female leads. Isabelle Dalhousie and Mma Ramotswe are the kind of women I like — perhaps because they blend an emotional sensitivity with a strong rational thought process that resonates strongly with me. Ulf Varg — the senior policeman of the titular Sensitive Crimes Department of the Malmö Criminal Investigation Authority — has a very similar personality, albeit clothed in a man’s body.
Ostensibly about “sensitive” crimes (a knife attack on the back of a victim’s knee, the disappearance of an imaginary boyfriend, a spa owner subject to apparent werewolf fits…) the stories primarily revolve around the ethical dilemmas we all face in everyday life. The characters have arcane interests (such as Nordic Art) which in typical McCall Smith style are presented in ways that spark an interest where none was present before, and the action is propelled forward by the intriguing and detailed flow between their rich interior worlds and the physical world around them.
A good read — I don’t know that the Swedish environment has been presented with the same depth as the Botswana and Scotland environments had previously, but then this is only book one. On the other hand, nice to read a Swedish mystery that isn’t steeped in horrifying scenes (e.g. the Dragon Tattoo books — yuck!)