The Winds from Further West by Alexander McCall Smith (Literary Fiction)

In this new, standalone novel, McCall Smith takes on the ethics and responsibilities of those caught up in cancel culture — including the perspectives and calculations of those willing to play along (on either side) for personal gain. We follow Neil, a University of Edinburgh public health lecturer and researcher, as he is accused of making an “insensitive” comment and is asked by an unscrupulous dean to apologize regardless of guilt. I’ll hasten to say that McCall Smith does not allow the book to slide into a Kafkaesque nightmare from which our hero cannot emerge unscathed (I almost stopped reading when I thought it was going in that direction). Instead, he focuses on how people react to “life experiences” such as these and how they can be used to further self (and world-at-large) awareness and growth. I found it insightful and inspiring.

I love that McCall Smith always brings the ethics of big social trends into how they play out in individuals. The book is full of pithy commentary as to the state of the world (or one’s university!) and one’s role within it. His characters are always interesting — one is caught reading a book called “A Brief History of the Smile.” Others contemplate and discuss such random (but IMO engaging) topics such as a recent theory about Neanderthals, people vs. microbes, the use of shaming in society, and as always, a lovely collection of quotations from (mostly Scottish) poets (my favorite is Auden’s line: “If equally affection cannot be, let the more loving one be me.” It made me cry. I also loved the discussion (minor argument?) about the democratization of science — while Neil’s girlfriend feels teachers should be less didactic, Neil points out that Bernoullis equation is not an opinion.

Honestly, I have loved almost all of McCall Smith’s books and really can’t believe he hasn’t run out of philosophical musings and expositions after all this time. Every book seems to cleanly dissect complex problems into clear and concise points to help you thread through them.

Some of my favorite quotes:
“One had to become indifferent to the things you could not do anything about, unless you were prepared to let them hurt you indefinitely.”

“He, and people like him, might do a little to change the basic rules of engagement between human beings and microbes, but here and there, in small corners of the battlefield, they achieve their largely unsung victories. And in the background, their research, sometimes painfully slow and seemingly entirely theoretical, built up the human armory against microbial defeat.”

“People say that the thing about poetry is its power to haunt.“

“The world’s in a sorry mess. People put so much energy into finding fault with others, with attacking them, with calculating personal advantage, with … with all of those things. We’ve broken the bonds that exist between us, with the result that we are all potential enemies of one another, locked in mutual suspicion and distrust. And do you know what? I’ve had enough of it, I can’t bear to be part of that any longer.”

Thank you to Pantheon and NetGalley for providing an advance copy of this audio book in exchange for my honest review. The book will be published on July 29th, 2025.

The Eights by Joanna Miller (Historical Fiction)

Historical fiction at its best! Four women are part of the historic 1920 matriculation of women to Oxford — the first in over 1,000 years. Roomed together in “corridor eight,” this is the story of their first year, with several flashbacks to flesh out their personal context. Beatrice Sparks — almost 6 feet tall, daughter of a famous (and vigorous!) suffragette, with an appetite for politics; Marianne Gray — the motherless daughter of an English vicar; Dora Greenwood — beautiful and still grieving for the brother and fiancee who died in the war; and Ottoline Wallace-Kerr — wealthy and at odds with her family’s expectations, who keeps herself calm with mathematics. There are some secrets and some surprises — all quite realistic and perfectly embedded in the well-drawn context of the time. And for the girls, a discovery of unexpected, but deeply felt, friendship.

I say this is historical fiction at its best because it finds the right balance between the extremes of dull, historic, facts and overly sensationalized (and manipulatively emotional) story telling with a minimum of historic accuracy. There are no modern sensibilities sneaking in — but plenty of individual reactions and experiences nestled in the very real context of the day. The country had just emerged from WWI, (some) women had just gotten the vote, and now — Oxford was open to women who wanted to pursue a more intellectual path through life. I loved the many small details that peppered the prose: a new mystery author — Agatha Christie — who was set the challenge to write a novel where it was impossible to guess who did it — and succeeded; the introduction of ouija boards; stories of the Bodlein library and how the rare books were protected during the war; the second wave of influenza; the origin of Chequers (home to Britain’s prime ministers); practice trenches in the countryside; suffragette pennies, etc. A pretty interesting Oxford-style debate on whether or not women should be at Oxford at all. I loved the bits of discussions on various studied subjects. The secondary impact of the war on various people after the war was over was equally interesting — more personal, individualized, and detailed. Philosophical and ethical issues pervaded the experiences because how could they not?

I like historical fiction because, when done well, you learn about what history might have meant to the people who lived through it. The author’s note delineates fact from fiction as well as describes inspirations — with a nice bibliography on relevant sources. Also — there is a glossary at the end that I really wish I had known about before I finished! Plenty of period specific slang was used that I had to constantly look up or guess at. Now you know!

Thank you to G. P. Putnam’s Sons and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 15th, 2025.

The Boxcar Librarian by Brianna Labuskes (Historical Fiction)

Writing: 4/5 Plot: 5/5 Characters: 5/5

Loved this historical fiction centered in Montana in the early 1900s. Three timelines for three characters that slowly converge: Millie Lang (1936), exiled to Missoula to “fix” the state’s contribution to the depression era American Guide Series, sponsored by the Federal Writers Project of the WPA. Alice Monroe (1924), small town Missoula librarian born to wealth, who works to get more books into more hands via rural visits. Colette Durand (1914), daughter of a Shakespeare loving union organizer for the miners employed by the Anaconda Mining Company.

An excellent cast of supporting characters, lots of action and surprising plot twists, well-researched details of the time period, and plenty of interesting locations (e.g. Glacier National Park, Wild Horse Island in Flathead Lakes, Missoula mining camps) — all vividly brought to life. Lots of literary references, both in terms of very apt quotes and individual books for an assortment of characters and the real impact they had. Really demolished the stereotype of the “lower classes” being uninteresting in learning and mind expansion. She handled themes of vengeance, injustice, and restrictions on and expectations of women adroitly with real reflection on how to know what “doing the right thing” means, and what it might cost. Loved the Boxcar library itself (apparently you can see the Lumberman’s library box car in Fort Missoula — I may take a trip!)

A great read!

Some quotes:

“Everyone had a story, and most people were just trying to get by. They didn’t deserve to become empty vessels to hold other people’s anger and insecurities.“

“So did writers. They saw the extremes in life as appealing – tear courage, fear, and strength, love and hate. They were what made humans human. But Millie didn’t think of herself as a writer. She thought of herself as a journalist. She was there to tell other people’s stories.”

Thank you to William Morrow and NetGalley for providing an advance copy of this book in exchange for my honest review. The book was published on March 4th, 2025.

Typewriter Beach by Meg Waite Clayton (Historical Fiction)

I really warmed up to this book — it started off a little slowly and then became more and more intriguing with every chapter, ending with a lovely last line to cap it all off.

Dual timelines — an isolated set of cottages on the beach at Carmel in 1957. During the darkest times of McCarthy’s blacklists and the slow strangulation of Hollywood, a young starlet on the verge of being the next Grace Kelly is sent to wait in one of these cottages by the studio manager and all around fixer. Told to stay indoors and not be seen, she nevertheless meets her neighbor, the enigmatic Leo — a black listed scriptwriter with a haunted past. In 2018 we follow Gemma, whose beloved grandfather has just died and left her his cottage.

The story slowly unfolds, past to present, and while I often thought I knew what was happening, I was often quite wrong. The writing style is rich with thought provoking commentary and reflections. Hollywood — the deals, the norms, the restrictions, the cheats — is on display with all of the detail that I love — not just a description of events, but a description of the people living through those events and how they are changed, what they do to survive, what decisions they make (and sometimes regret, and often don’t). It’s the full experience and incredibly well-researched. I learned a lot about the different ways people dealt with the blacklist and (of course) the very different ways men and women had to deal with opportunities, threats, and restrictions.

Along with this spectacular depiction of the times and contexts is a lovely and often surprising story of love, family, parenthood, and friendship. I don’t want to give anything away, but there are multiple lovely stories of people finding love and family in a world not inclined to make it easy for them. Plenty of stories of people living in an environment not of their choosing and not in their control — and yet … finding their happiness.

Lots of intriguing details on Carmel and Hollywood — late credits for blacklisted screenwriters, a form of “me too” throughout the ages, morals clauses (for women only). I enjoyed every minute of it.

Thank you to Harper and NetGalley for providing an advance copy of this book in exchange for my honest review. The book was published on July 1st, 2025.

Rental House by Weike Wang (Literary Fiction)

Two vacations five years apart. A married couple from (very) different backgrounds invite their parents to join them for vacation number one.. Keru’s Chinese immigrant parents are post-Covid germaphobes with a suffering-suffused view of life, while Nate’s are outwardly friendly xenophobes from rural Appalachia. On vacation number two, nobody is invited … but some interesting people show up anyway. The whole thing is an incredibly perceptive description of what happens when people of multiple (and often conflicting) worldviews come together.

I read this shortly after reading Tamim Ansary’s “The Invention of Yesterday,” a book blaming most of history on the clashing of misunderstood worldviews (he’s not wrong). Rental House looks at this same problem at the personal level — clashing individual worldviews and the resulting problems and miscommunications. Keru’s observations and incisive analysis gets to the root of how we understand (or don’t) each other — what each person values, perceives, prioritizes and feels entitled to — things people often don’t take the time to understand even about themselves.

I found this to be a remarkably non judgmental book. The clashes developed across the board — political affiliations, race, socioeconomic class, choice of profession, and family expectations — but each person had both different opinions and different levels of investment in those opinions. Did the clash cause mild irritation or offend deeply held principles? Did one person try to understand another, or just get upset at how stubborn the other person was? Keru applied her analytic blade to herself just as often, noting when she may have overreacted to perceived slights, as an example. I appreciated the analytic vs emotional drive for understanding. Reading through someone’s pain allows an empathetic connection for the reader, but doesn’t teach anything about understanding why that someone is in pain, or how he or she (or the reader) might prevent similar pain in the future.

I like Wang’s writing style — clear, insightful, wry, and thought provoking. I also appreciate how thoroughly drawn her characters are — I feel I understand these people in ways that would take years in real life.

Just a few quotes — don’t want to give too many away :
“… An exercise that was like, shoving a square peg into a round hole, but with enough force, and with every neuron dedicated to the problem, he could smash the square peg through.”

“and this led to a heated discussion that characterized the early years of their dating – the aggressive comparison of their worldviews, which ultimately led to clarifications in their basic English vocabularies. Expats left wealthy nations to humble themselves at the altar of the world, immigrants escaped poorer nations to be the workforce of the rich. “

“…because suffering is required. To suffer is to strive and to set a bar so high that one never becomes an obstacle a a complacent. to become complacent is to become lazy and to lose one’s spirit to fight, and to lose one’s spirit to fight is to die. So, to suffer is to live. “

“Then his father chirped back a safe retort, next his mother, and Keru wondered if all white families in public acted like a set of affable birds.”

Thank you to Riverhead Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book was published on December 3rd, 2024.

Misophonia by Dana Vowinckel (Literary Fiction)

Part coming-of-age story and part family dynamics, this is the story of an unusual family. Avi is an Israeli born and bred Cantor in Berlin living with his 15-year old daughter Margarita. Her American, linguist mother, Marsha, lives in the U.S. and has little involvement with Margarita to this point. The action takes place in Germany, Israel, and Chicago, where Margarita spends time every summer with her maternal grandparents. While there, Margarita is heavily pressured to go to Israel to stay with her mother who has a summer Fellowship to study Yiddish and Arabic as “oppressed minority languages.”

This is a translation from German, and the prose feels very German to me — methodical depictions of action, thoughts, individual insights, and development — very organized. The opposite of stream-of-consciousness and relaxing for my structured brain. What wasn’t particularly relaxing was the extreme depth of the exposure to the inner turmoil of troubled characters. Margarita’s story becomes cringeworthy in the way that only a particularly astute description of a teenaged girl’s inner struggles can be. The pressures — both internal and external — of being Jewish in multiple contexts (e.g. in Israel, Germany, or America) is thoroughly explored to the point where the reader is completely immersed in the religion from multiple viewpoints, and the impact of Jewish people dwelling within these contexts — much of which is exposed as the revelations different characters have as they develop through the story. I found all this extremely eye-opening, despite the fact that these are topics I’ve read a lot about. There are some absolutely beautiful comments about faith and ritual and Jewish Philosophy. Some very interesting thoughts about how context shapes children as much as their parents do, and how this can cause friction and non-understanding between them.

In the acknowledgements, the author explains that she worked on the novel the year before the events of Oct 2023 so the huge impact that the Hamas massacre had on Israel and the rest of the world is not a part of the story, though I noticed that you can see some hints in a few of the attitudes of some characters. I can’t say that I enjoyed reading this book — the characters are dysfunctional — not in a hopeless or upsetting way, as they are all working to figure things out and improve themselves and their lives, but in a painful way to read. However, I am very glad I read the book and feel like I gained some fresh understanding of the lives of people very different than myself (which is big part of what I look for in my reading).

Thank you to HarperVia and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 6th, 2025.

Looking for You by Alexander McCall Smith (Literary Fiction)

I’m loving this new McCall Smith series about the Perfect Passion Company — an old fashioned matchmaking service based in Edinburgh. This is book number two. On the surface, it is a story about a variety of characters and how the matchmaker — Katie — works to find the perfect match for them. But as with all McCall Smith books, it’s teeming with hidden depth as it explores life, love, and the pursuit of happiness (liberty isn’t really an issue here).

The writing is lovely — McCall Smith never condescends and he can make the most exquisite sentence out of utter mundanity. I couldn’t exactly explain why, but he is the only male writer whose female characters I absolutely love. He explores individuals, relationships, and various social and cultural milieus with a process that seems to incorporate detailed observation, in-depth reflection, multi-faceted synthesis with an output of clear and tender explanatory prose. He has written over 40 books and still manages to include “musings” that either teach me more or brings me fresh insight. What appear to most to be light and accessible novels, are for me books of rich meaning.

In this episode, the relationships barriers explored include missed opportunities, poor timing, external expectations, and reevaluation of one’s own criteria. So many different forms of love, so many different people trying to understand their own relationship to happiness. As always, we are treated to many interesting asides on poetry, music, art, and other intellectually spicy aspects of life.

Some Quotes:

“She cherished this too, the place in which she lived and worked, and the land beyond its bounds, because love spilled over from one person, one object, to embrace so much else. Love spread.”

“This is an achingly, beautiful city, he thought, and I fall more in love with it every single day. I still love, Melbourne, of course, but the heart is large enough, has enough chambers, to allow for more than one love. Not everybody knew that, he said to himself, but he did.”

“What a strange, frustrating, mysterious thing was love. In a world in which there would never be enough of everything, in which not all desires could be met, love was rationed, just as happiness was. Some were perfectly happy with the share they were allocated; others felt they got too little And then there were some who failed to grasp a fundamental truth about the way love worked, which was that you got back roughly the amount you put in. That was so basic that you would think that everybody would understand it, But they did not, for some reason, and had to learn the lesson — if they ever learned it — the hard way.”

Thank you to Vintage and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 11th, 2025.

Help Wanted by Adelle Waldman (Literary Fiction)

Writing: 5/5 Plot: 3.5/5 Characters: 5/5

A surprisingly engaging book about a set of bottom of the ladder retail workers and their hopes for more hours and some hope of upward mobility. They have a lot working against them — their hours are minimized to avoid having to pay benefits; each character faces his or her own limitations — a learning disability; a thick accent; trying to go straight when drug dealing is SO much more lucrative; false arrests; mental illness; single parenthood; transportation issues; and even lack of generational wealth. The characters have a lot of depth — none of the above is dealt with in any kind of stereotyped way.

But the book doesn’t take the easy way out — there is no blaming of corporate policies or resentment of management. Instead we get a pretty in-depth view of the situation through the eyes of different workers — each with his or her own thoughts, skills, goals, regrets, and fears. And — again through the voice of individual characters — some pretty interesting (and varied) analyses of the how things got to be the way they are.

The book description calls it “incisive and very funny” — I agree with the incisive part but although the story resisted the slide into depressing territory, I wouldn’t exactly call it funny. However, it is very well written and boasts excellent characterization, and after an initial irritation at what promised to be a stupid (IMHO) plot (but then wasn’t), I ended up enjoying it a lot.

Back After This by Linda Holmes (Rom-com)

Writing: 5/5 Characters: 4/5 Story: 5/5

I really enjoyed this (very) funny, well-written, and actually insightful rom-com written by the author of Evvie Drake Starts Over. I like rom-coms when they are clever, witty, and most of all — NOT STUPID. I can’t stress that last quality enough. This was a perfect, read-in-one-sitting exemplar of exactly what I love in a rom-com and perfect for this stressful season.

Cecily is a podcast producer who agrees (think forced, bribed, coerced) to star in a podcast about modern dating with the help of a dating guru / popular Influencer. An introverted audio nerd by nature, this takes her so far out of her comfort zone that she feels impending implosion looming everywhere. Plenty of (well-paced, well-written) comedy follows, but I was impressed that she gained some real insight into aspects of her own personality that were getting in the way of her getting more of what she wanted from life. While I can’t bear to read about physical makeovers, psychological makeovers — are fascinating.

As an aside, I learned interesting components of podcast production (and marketing) which were new to me and described with a depth that showed true understanding on the part of the author (pet peeve: I hate when characters have a huge passion for something but then never do or think about it in any meaningful way).

A cross between Lori Gottlieb and Curtis Sittenfeld — the best of them both!

Some great quotes:
“I wondered exactly where that research had been done. Presumably the University of Unsupported Hunches, where I was guessing she was a tenured professor.”

“He took me to an ax-throwing bar on our first date, and he was very good at ax-throwing, which I suppose impressed me, because you never know when you might need a guy who can kill a monster in a cartoon dungeon.”

“But we finally agreed on a loose top that fell off one of my shoulders and a pair of pants that had just enough stretch to accommodate my newly emphasized hips without making me look and feel like a vacuum-sealed pork shoulder, ready for a sous vide bath.”

“He had the facial symmetry and the perfectly shaped dark hair of a Lego prince.”

“I tried to dig my smile out of the recesses of my personality.”

“It made for a long dinner, learning quite that much about Andrew’s gym routine.”

Thank you to Ballantine Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 25th, 2025.

Death of the Author by Nnedi Okorafor (Literary / spectulative fiction)

A captivating book about Zelu — a disabled Nigerian American author (unpublished) and teacher who gets cancelled (and fired) due to her insensitivity (really deeply provoked impatience!) with her more irritating students. It’s also about the new book she writes — Rusted Robots — which becomes an overnight sensation. A post-apocalyptic story where robots and AI are at war over the tattered remains of human civilization, Rusted Robots brings her fame, fortune, some wild, tech-based opportunities, and a whole lot of people who suddenly feel entitled to tell her exactly what to do.

There are so many intellectually interesting and intersecting threads in this story — AI and automation, family, gender roles, African culture, authorial creativity and control, fame, freedom vs safety, disabilities, and the balance between individual and society — but the overarching theme is one of my favorites: the place of narrative and story in human culture. After all, I read fiction because I seek understanding, not just information.

Okorafor manages to blend multiple genres brilliantly, and since I am a fan of both literary and speculative fiction, I was riveted from start to finish. The characters were drawn so deeply — like all of my favorite people, they seemed to be compelling, annoying, loud, supportive, controlling, and caring all at once. I appreciated the fact that while most of the characters were Black (with the exception of the “wealthy white dudes” who keep finding her), there was no antipathy towards white people, just more of a lack of interest.

The big twist at the end absolutely blew me away. And a last little make-me-happy tidbit? She included a call out to one of my favorite (and fairly obscure for the U.S.) books — So Long A Letter by Mariamba Ba.

In my Top Reads of the Year list.

Quotes:
“The rusted robots in the story were a metaphor for wisdom, patina, acceptance, embracing that which was you, scars, pain, malfunctions, needed replacements, mistakes. What you were given. The finite. Rusted robots did not die in the way that humans did, but they celebrated mortality. Oh, she loved this story and how true it felt.”

“The capitalism machine had used her book, her attempt at shouting into the void, to make visual comfort food for drowsy minds.”

“She thought about Rusted Robots and the main character, who understood deep in her circuits that true power was in the harnessing of it, not the possessing of it. And when you were aware of the moment you harnessed power, that was when it was most difficult to navigate.“

“Narrative is one of the key ways automation defines the world. We Humes have always been clear about this fact. Stories are what holds all things together. They make things matter, they make all things be, exist. Our codes are written in a linear fashion. Our protocols are meant to be carried out with beginnings, middles, ends. Look at how I have been built. My operating system is Ankara themed, my body etched with geometric Ankara designs. I’m the embodiment of a human story. But true storytelling has always been one of the few great things humanity could produce that no automation could. Stories were prizes to be collected, shared, protected, and experienced”

Thank you to William Morrow and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on January 14th, 2025.