I wanted to like this book — Laurie Frankel is a fun and sharp writer and I loved Family, Family. She excels at writing families who are faced with every permutation of reproductive drama — unwanted pregnancies, adoptions, abortions, you name it — and who deal with them in an abundance of creative ways. This book’s discombobulating surprise? Pepper Mills — a 77-year old woman recently shunted to an old age home by her well-meaning but (in her opinion) overly controlling children — finds herself … pregnant! A bizarre situation by any standard but in this case, she also happens to live in Texas — home of some of the most “innovative” no-abortions-allowed legislation. (To be fair, we do get an explanation later in the book that does make this pregnancy more plausible than it first appears).
I loved the humor which is wry, supported by a fair amount of carefully launched sarcasm, and reminiscent of the Jewish family I always wished I lived in. I also loved the discussions, the ethical (and bizarre) questions, and every single one of the primary characters including a great set of “oldies” at the Home, and the myriad children and grandchildren who all add their personal (and multi-generational) slant to the events. I really loved the many one liners that had me laughing out loud — this woman can write! And how can you not love Pepper? Her thoughts, irritations, and love for each individual she connected with are coupled with her absolute insistence on good grammar! I’m not actually very good with grammar myself, but I really appreciate those who are.
My only complaint — and it was big enough to warrant my dropping the rating a point — is that the book was too long and spent much of that excess length on a long pro-choice / anti-Texan rant lecture. I am, and always have been, pro-choice, and I think the recent anti-abortion laws in Texas are wrong in so many ways — but I still resent the incredibly heavy handed depiction of people in Texas (including doctors) who are two-dimensionally mean and manipulative with their only goal appearing to be keeping women under control. It’s a long-standing technique in the world of fiction to make the bad guys really, obviously, Bad. It makes it easier to hate them and side with the author’s idea of the “good” people. But in our era of extreme polarization and encouraged hate, I’m pretty sick of it. I’m sure I’m overreacting here, but it really spoiled the book for me. Too much pounding of the message, even though the message was well-established from the first pages and anyone who was reading this probably already in agreement.
So — fun to read if you can ignore the stereotyped baddies and skim a bit at the end…
Thank you to Henry Holt & Co. and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 5th, 2025.
