Romantic Comedy by Curtis Sittenfeld (Literary Fiction)

Writing: 5.5/5 Plot: 4/5 Characters: 5/5

Loved, loved, loved this book! It’s clever, witty, full of intra- and inter-personal insights and … it simply made me happy. Our narrator is a 26-year old writer for The Night Owls (TNO — think Saturday Night Live) whose goal is to one day write “non-condescending, ragingly feminist screenplays for romantic comedies.” The book opens with a grumpy and well depicted annoyance that her office mate — middle aged schlub writer Danny Horst — is engaged to a gorgeous and popular celebrity. Her curmudgeonly point? This could never happen if the genders were reversed. And this sets the stage for this laugh-out-loud and deeply satisfying examination of love, romance, gender stereotyping, and personal insight with plenty of grammar jokes, neuroses, soul baring and an extremely funny and yet poignant story of how she got her hamster tattoo.

It is a self-referential, Covid fueled, Romantic Comedy for our times. I always love Sittenfeld’s writing — it is clean, pointed, and intelligent (and allows her audience to engage intelligently) while never belaboring an obvious point and always remaining simultaneously funny and meaningful. I would love to see some of the SNL style skits her characters propose and the whole thing would make a great movie that would easily bear multiple rewatches. Great cast of characters.

Some great quotes — out of context and just a drop in the bucket:
“Did he realize I wasn’t yet wearing earbuds or did he not care? I suspected the latter; every day, things were said at TNO, often on camera, that would have constituted sexual harassment in any other workplace except the current White House.”

“Even with the baked-in sexism, even when I’ve barely slept. I just can’t imagine a job where I laugh more, or the people are more talented and hard-working. And to get paid to make fun of stuff that deserves to be made fun of and have this huge platform — what more could a misanthrope from Missouri wish for?”

“Another of my pet peeves is that the female characters used to all be sort of cutesy, like having flour on their nose after they baked cookies and not knowing it. And now they’re all a mess, like waking up really hungover and getting fired. I want to create characters who aren’t flawless but also aren’t ridiculous or incompetent at life.”

“Just to be clear, I do lead a life of quiet desperation. I wouldn’t want to be friends with anyone who doesn’t, or anyone who isn’t filled with ambivalence, because I assume they’d be incredibly shallow. But I’m sure I’d be ten times more quietly desperate if I were living in the suburbs with a two-car garage.”

“Aren’t we all just looking for someone to talk about everything with? Someone worth the effort of telling our stories and opinions to, whose stories and opinions we actually want to hear?”

“All of which was to say that the sketches I’d written over the years about the absurdity and arbitrariness of beauty standards for women had arisen not from my clear-eyed renunciation of them, but from my resentment at their hold on me.”

“I thought, not for the first time, that plainly expressing what you thought about fraught topics was significantly harder than writing banter between imaginary characters.”

Thank you to Random House and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 11th, 2023

The Bullet that Missed by Richard Osman (Mystery)

The continuation (third book) of the adventures of the Thursday Morning Murder Club hosted at Coopers Chase Retirement Village.

A reminder on the characters from my first review: Elizabeth, with the mysterious (MI5? MI6?) background and friends in high and low places who all seem to owe her favors; Ibrahim, the retired psychiatrist, who pores over the cases he failed; Ron, the former trade union leader who loves a chance to get back on the stage; and Joyce, the newest addition, who has the often underappreciated skill of bringing everyone together while remaining invisible herself. Additionally, a (relatively) new character was introduced: Viktor, the retired KGB general with a knack for getting confessions and an interesting “history” with Elizabeth.

In this case, the group tries to track down the murderer of a young journalist who was hot on a case of massive fraud — and are hampered by the lack of a body.

The book was entertaining but not quite as much as the previous two. Some of the character quirks have become stale and while the whole series requires a certain willingness to suspend massive disbelief, this one didn’t blend well enough to make me forget I was doing that.

Still — it was a page turner, and I’m sure I’ll read the next one but I’ll probably get the next one from the library, rather than shelling out the $$ (or in this case the ££ as I was in London)

Amy Among the Serial Killers by Jincy Willett (Audio Book / Mystery)

Writing: 5/5 Characters: 4/5 Plot: 4/5 Enjoyment: 5/5

Great title, right?

The titular “Amy” is a 70-something author and ex-writing coach — a bit of a hermit but with a soft spot for some of the members of her last workshops. Carla — an ex-child star is now the owner of “The Point” — a writer’s retreat in La Jolla. Carla is quite possibly Amy’s favorite ex-student (possibly because she saved Amy’s life in the first book — I won’t spoil any more of that as I haven’t read it yet either!). When one of the Point’s writers turns up dead, the cops wonder if the murder is connected with a spate of other local killings — hence the serial killers (note the plural!) in the title.

This is not your typical mystery. It is funny in an insightfully wry style. It is a book by and about writers and writing and is FULL of back stories, stories in progress, story planning, random story thoughts, etc. — creating a kind of fractal story universe that is somehow never confusing. I put this down to some high quality writing — excellent pacing and structure and a truly delightful use of vocabulary and phrasing. Because the characters (who are writers) are often thinking or talking about writing, there are even some lovely and humorous discussions of words themselves which I enjoyed thoroughly. The mystery aspect is good — I did figure it out a little before the characters did, but it was certainly a surprise. The story was nice and twisty and kept me well entertained. Some interesting character reflections as well, not usually present in genre books.

Audio books take more time (for me) than reading the print would, and often that means I get a little bored in parts because I can’t skim. This did not happen at all during this 13 hour audiobook which is saying quite a lot.

So what didn’t I like? While the narrator does a fabulous job with all of the different voices and her pacing and speech clarity were perfect, I did not love her natural voice — or at least the one she uses as the narrator in addition to slightly modified versions for most of the younger characters. It’s what I call a Millennial version of the old Valley Girl speak: lots of mid word tonal shifts and a slightly whiny feel. I think I’m just showing my age here because this does seem to be a popular speech pattern for younger people in some TV shows. I got over it because it was just so entertaining, but it did irritate me for a bit.

Thank you to Dreamscape Media and NetGalley for providing an advance copy of this audio book in exchange for my honest review. The audio book will be published on August 23rd, 2022 — the print book is out already!

The Catch by Alison Fairbrother (Fiction)

Writing: 5/5 Plot: 4/5 Characters: 4/5

A humorous, well-written, millennial coming-of-age story (to be clear, the coming of age to “real” adulthood in your twenties, rather than the rocky road through puberty). Ellie is 24 when her father dies suddenly. As the eldest of his four children from three different wives, she has always felt she was his favorite, but when she is left an insulting object in his will while the “lucky baseball” she craved went to a complete stranger, she began trying to track down the truth about her father. In the meantime, she is a budding journalist trying to write something meaningful while employed at a D.C. media start-up focused solely on clickbait measures and is seeing a deeply nerdy (and deeply married) man who is (surprise) not always available when she needs him. Somehow this all comes together with a story on the local Osprey cam as a leading indicator of ecological disaster in a way that is both comical and deeply insightful. Very good writing.

I really did love the writing — so many good quotes!

“Exclamation points had become little signposts announcing, I mean well! and had become so normalized that in their absence I felt a deep sense of foreboding. But every now and then you found yourself up against someone who refused to give in to exclamation points, who typed what they meant with zero reassurances, making the rest of us look like overzealous clowns.” (My favorite quote as I am one of those clowns!)

“D.C. was like that. You were always one step away from a cockroach.”

“It was like my mother always said: ‘If you’d just lose some weight, you could enjoy your young body.’”

“It was true that I was proud of the life I’d started to make, getting on my bicycle in the morning, dismounting lightly at a glowing little start-up, then returning home to my ad hoc salon of housemates, whose drive and purpose and hopefulness about the world, I hoped, might spur me on too.”

“The earth had been diagnosed with end-stage cancer, and every morning I learned that diagnosis anew.”

“That was another thing I was learning — I had to read how much people could handle; I had to tuck in my sadness when too much of it showed. I picked the orange peel from my glass and sucked the bitter alcohol from its flesh.”

“If only Katherine hadn’t seen us on the stoop at that exact moment, with her kale body and her hornet’s nest judgement.”

“Talking to him was like getting tapped repeatedly on the shoulder by an octopus with one wet tentacle.”

“Stories could have such unsatisfying and unlikely outcomes. More and more, I felt we willingly built entire worlds on very little information. Like sandcastles, if you poked them anywhere, the whole structure would revert to its components. It was our nature to do that, to fill in the details and become convinced they were true and not our own fantasies and imaginations bumping up against someone else’s reality.”

“At points all over the earth, people were advancing toward each other and away from each other, and this was just one instance in the vast history of these of these moments. I thought that the collection of all such trajectories must make up the most complex atlas in existence.”

Thank you to Random House and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 21st, 2022.

Bad Vibes Only by Nora McInerney (Memoir)

McInerney’s memoir-in-essays takes us from her largely technology-free childhood through to the reality-TV and social media reshares infused present. A cross between Anne Lamott, Florence King, and Nora Ephron, the book is both insightful and hysterically laugh-out-loud funny. Or is it? This woman is self professedly neurotic and an incredibly intuitive writer. What I found both instructive and a little depressing is how closely some of my own neuroses match hers — reading her descriptions made me realize how incredibly neurotic (in just these TINY little ways) I really am — and maybe those aren’t quite as funny as the rest. Still, I totally laughed my way through.

McInerney is the creator / host of the podcast “Terrible, Thanks for Asking.” I haven’t listened to it (because podcasts don’t unreel as fast as I can read) but I bet it’s great.

Some great quotes:

“Memory loss was a problem for future me, and I trusted she’d be able to deal with the consequences of my actions. That trust was entirely misplaced, because I’m not even forty yet and on a good day I’ll walk into a room and ask Matthew, ‘What was I about to say?’ as if he’s a searchable database with a Bluetooth connection to my brain.”

“ ‘Good Vibes Only’ makes a cute saying for a mug, but a pretty ominous interpersonal standard.”

“It doesn’t take a psychology degree to understand that some things are just more pleasant than others, and that as comfort-seeking mammals with disposable income we are attracted to the pleasant, the easy. And yes, we know that ‘life is hard’, but we also really want it to be hard in ways that are manageable and more inconvenient than difficult.”

“Because no, this is not what happens on my version of the internet, where opinions are either inconsequential (what does your coffee mug really say about you?) or authoritative, loud and devoid of all nuance.”

“I hate to describe critical thinking as a privilege, but take a look around: life is hard, and people are tired, and the small doses of camaraderie and dopamine we get from clicking “reshare” on a hot take will always be easier and more satisfying than reading a well-researched piece of reporting and thinking aloud to yourself, ‘Well, it certainly seems like a complex issue.’ “

“Our children — God willing — will grow up and move out, will establish their own lives shrinking and shifting so that we are no longer the sun but some outer planet that upon further inspection actually may just be a defunct satellite stuck in their orbit.”

“At nine she had realized that our memories are the only things keeping us here; a weak Velcro preventing us from being ripped from the history of time. We want to remember because we too fear existential obliteration, shudder at the thought of being lost to an endless sea of unforgettable moments long forgotten.”

Thank you to Atria Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 11th, 2022.

A Walk in the Woods by Bill Bryson (Creative non-fiction)

Writing: 4/5 Coverage: ?? My enjoyment: 2/5

Bryson’s second book. This is the story of his hike on the Appalachian Trail.

This was my first and very probably last Bryson book. I love humor and had heard his books were hysterically funny. However, I found his humor to be quite mean spirited. Whether he was gratuitously making fun of well-known individuals (“the inestimably priggish and tiresome Thoreau” or Daniel Boone who “wrestled bears and tried to date their sisters”) or lambasting entire populations (every human in the South was portrayed as a variation of absurdly stupid and / or outlandishly obnoxious) — he rarely had a nice thing to say about anybody.

His writing is top-notch and I definitely laughed out loud at several of his lines, but after a while you get tired of listening to someone rant about how stupid, incompetent, and ridiculous everyone else is. Each chapter has some bit of history or doom like predictions about the climate, species deaths, or endlessly burning coal fires, and much of it was actually interesting. However, I got the feeling that his “research” consisted of browsing through some pamphlets and newspaper headlines (in 1996 the Internet was weak and puny) because he never delved into a subject, just dropped a few facts (all depressing) without ever going into the complexities of what is behind each and every problem.

He was paid to write this book and I don’t think his heart was in it. Spoiler alert, he doesn’t even come close to finishing the trail!

The Man Who Died Twice by Richard Osman (Fiction / Mystery / Humor)

Writing: 4.5/5 Characters 4.5/5 Plot: 4/5

Another fun title (the second) from Osman’s Thursday Murder Club series. In this episode, our four retirement village oldies take on the local drug lord, the useless baddie who attacked their most timid member, and a tangle of spies spying on spies — one of whom happens to be Elizabeth’s very-ex-husband.

A reminder on the characters from my first review: Elizabeth, with the mysterious background and friends in high and low places who all seem to owe her favors; Ibrahim, the retired psychiatrist, who pores over the cases he failed; Ron, the former trade union leader who loves a chance to get back on the stage; and Joyce, the newest addition, who has the often underappreciated skill of bringing everyone together while remaining invisible herself.

As an American, I had not heard of Richard Osman before reading the first book, but I gather he is well-known in Britain as “an English comedian, producer, television presenter, writer, and the creator and co-presenter of the BBC One television quiz show Pointless.” I like his writing a great deal — funny, wry, with characters who could appear dull on the outside but are actually intriguing on the inside (as so many people are if you take a deeper peek). His spare style distills what you need to know without muddying the waters with a lot of extraneous fluff. I gulped it in a single sitting.

BY the way, I feel like I just reviewed Osman’s first book — The Thursday Murder Club (link) but apparently that was about a year ago. Time flies when … everything is closed and you’re stuck in the house? In any case, one benefit of Covid is that every single one of my favorite authors appears to have tripled their productivity. My “to read” pile is overflowing.

Thank you to Penguin Group Viking and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on September 28th, 2021.

Early Morning Riser by Katherine Heiny (Literary Fiction)

Jane is a second grade school teacher in Boyne City, Michigan. In chapter one she falls in love with Duncan — the town playboy — and spends the rest of the book following an unexpected path through her own life. Each chapter (carefully labeled with the year — thank you!) is a mini-story that captures the essence of Jane’s personal story in that time frame. Story and personal evolution proceed apace with humor, insight, and poignancy as she becomes deeply involved with a set of characters she might not have voluntarily sought out: Jimmy, Duncan’s sweet and intellectually slow colleague; Aggie, Duncan’s bossy ex-wife; and Aggie’s flat out strange husband Gary.

I love Heiny’s writing style — her precise language perfectly captures internal thoughts and external behaviors. Jane possesses a biting interior commentary and the descriptions of second grade classroom life are pointed and hysterical. The characters are real — some times you love them and sometimes they irritate you completely. Good for fans of Anne Lamott.

Some random quotes:

“In fact, she had not only stopped being the maid of honor, she nearly stopped being human and became just a help desk in a giant green dress. She had to tell the caterers to start serving, and direct the florist on where to put the arrangements and the staff which table to designate for gifts.”

“It all reminded Jane that having a baby was not that miraculous. Any two fools could do it.”

“Worst of all were the mood swings. Although, actually, could it be considered a mood swing if it only swung one direction? Maybe it was more like a mood acceleration. Like the needle on a speedometer that whipped straight from ZERO to ANNOYED and stayed there. Because it seemed like the world was in an unkindly conspiracy to irritate Jane.”

“Endless rolling nausea without vomiting, nausea that spun out before Jane like a curving country lane meandering through a hilly green landscape, the end always just out of sight.”

“Jimmy was always there. He lived with them, and sometimes Jane thought that spontaneous adult conversation had fled her life forever.”

“Little insights into the murky liquid that sloshed around in the fishbowl of Gary’s mind.”

“She felt a sort of cellular-level sorrow and wondered if she loved more deeply than other people. Or was everyone else just more mature, more rational? More realistic?”

Thank you to Knopf Doubleday and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 13th, 2021.

Toil and Trouble by Augusten Burroughs (Memoir/Humor)

Thank you to St. Martin’s Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 1st, 2019.

It’s hard to believe but this is my first Augusten Burroughs book! I’ve heard of Running With Scissors of course but somehow never managed to get to it. My loss. Burroughs is funny, clever, and writes in a wickedly delicious, entre-nous style. In this segment of his ongoing memoirs, he and husband Christopher make the move out of Manhattan. This includes convincing Christopher that he wants to move, searching for houses, and engaging with the “perfect” home once purchased. The heavy thread running over, under, and through it all (as you might have guessed from the title) are his “magick” and witchcraft skills. Regardless of your opinion on witchcraft, this is a compelling and comprehensive story, comprising personal experience, historical references, an analysis of what witchcraft really is, and lots of lots of laugh-inducing stories. I tossed skepticism aside and just ate it all up.

Reading this book (and probably all of the others), it’s hard not to want to want to befriend the guy (whether he’d want to befriend us back is another story). He manages to turn his (self-reported) “spectrum directed mind” and anxiety (his “default emotion”) into pure entertainment for his readers. I’d really like to have him over for dinner.

Pretty much every line is a quotable quote, but here are a few of my favs:

“Once we pull into the driveway, I know right away: this house is a vampire. It will want all our neck blood and then the blood of our unborn parallel universe children.”

“I’ve always been incredibly socially awkward. Autism runs in the family like detached earlobes. I obviously got sprinkled with enough of it to make me come across as a horrible snob. I wish there were more opportunities to turn this to my advantage, but so far, no luck.”

“I feel off atrocious news stores the way most people today consume kale. Nutrition comes from abductions, electrocutions, capsized boats, and freeway pileups.”

“Every sound of dropping signals water penetration. I wish I could be injected with ape tranquilizers.”

“Being plunged into the colonial era is informative. I learn that my mental health and stability is directly proportionate to the mount of charge on my phone.”

“Back in 1990, the internet was made of paper and it wasn’t called the internet, it was called the Village Voice.”

“It is moving day and we are already an episode of Hoarders.”

On the Clock by Emily Guendelsberger (Non Fiction)

A fascinating and thought provoking read. Guendelsberger — an unemployed journalist and previous editor of The Onion — goes “under cover” in three low-paying, highly monitored positions — all designed to handle massive amounts of personnel churn. She tries an Amazon fulfillment center at “Peak” (December), a Convergys call center, and a McDonald’s (located at the corner of Tourist and Homeless in downtown San Francisco).

This is part investigative journalism and part humorous memoir — Emily is FUNNY. I particularly valued the actual description of each job — the processes, the training, the working environment were fascinating — and her personal reflections on how each job made her feel and what coping strategies she personally had to put in place to last as long as she did. Each section included some background context (Frederick Winslow Taylor and the birth of management consultants, Henry Ford and the birth of the assembly line, the effects of long term stress on the human body, etc.) and a few interviews with co-workers.

I was less enamored of her conclusions on the “future of work” — jobs like these that are dehumanizing and “suck.” Techno-Taylorism — she may have coined this phrase — refers to applying technology to increase industrial efficiency — usually by monitoring employees’ every movement and issuing warnings, alarms, and omnipresent progress widgets to spur faster, more efficient work (and massively stressful and draining for the employee). According to Guendelsberger, the stress resulting from this externally sourced drive to suppress our humanity is the thing that is causing the American masses to spiral into depression, anger, and drug abuse. I was hoping for more of an “expose and propose” approach to the issues, but instead I got a “complain and throw up our hands” approach — suggesting that everyone simply go home and think about how to make this world a better place. I did find a lot to think about from reading this book, but I think the issues run a lot deeper than corporate greed and the stress of constant technological surveillance.

Overall a fast and completely absorbing read. Guendelsberger is an excellent writer and made the material easy to absorb. The writing was unapologetically personal. She was quite up front about knowing that she could (and would) quit any time, not having a family to support as many of her colleagues did, and admitting how personally unsuited she was for many of these tasks. There were times when I found myself thinking “ugh — another whining Millenial,” but I’m sure I would have been whining even more loudly, and although I wish there had been a few more interviews with colleagues, those that she included did present a broader and sometimes contradictory perspective to her own.

Her writing is my favorite part — I can hear The Onion in it. Some quotes:

“Right now though, exhaustion has shrunk my circle of empathy to the point that it’s barely big enough for myself. I didn’t know that could happen, and it’s not pleasant.”

“As a culture, we put far too much blind trust in data and technology. Math and logic are beautiful languages. But it’s so pretentious to pretend that they have adequate vocabulary to accurately describe a human, much less whether a human is happy or miserable. Our brains are the most complicated things in the known universe, with a hundred billion neurons making connections in a mind-bogglingly complex web that constantly changes. Our levels of technology aren’t remotely close to being able to accurately describe that mess, and they won’t be for a very long time. Numbers and statistics just aren’t up to communicating how something feels, even though that’s often extremely important information.”

“The constant monitoring I found so stressful doesn’t bother these women. I felt like someone was always watching in case I screwed up; they feel like someone’s taking note of the good work they do. All three have had to pick up slack from deadbeat coworkers at other jobs; when it’s obvious who’s working and who isn’t, you never end up doing someone else’s job on top of your own…”

“Why is the country ready to riot over jobs — immigrants taking them, trade deals killing them, Wall Street destroying them? Because these jobs suck donkey balls.”

“I frequently fantasize about MBAs from the F. Kafka School of Management cackling as they designed this system for maximum alienation, frustration and existential anxiety. I’m sure the reality is mundane, though — I’m guessing some rep figures out how to use Telegence to steal customer information, so upper management isn’t willing to risk letting any reps officially use it despite the lack of a functional replacements.”

“I often picture Crowley as the original designer of modern scheduling software, because it frequently feels like we’ve been understaffed at the precise levels that will maximize human misery on both sides of the counter.” (referring to the demon from Good Omens)

“I’ve been developing a sort of callus over the earnest part of myself that genuinely cares about the customers and wants to do a good job for them. It thickens every time someone says something terrible to me. As it gets tougher, I’ve become increasingly numb to my customer interactions, good and bad. It’s harder for angry people to upset me, but I get much less pleasure from making people happy. This dead muted feeling reminds me a lot of depression, and it worries me.”

“But at this moment, techno-Taylorism, the decline of organized labor, automation, and the ongoing destruction of the shark-cage worker protections have tipped the balance of power in the workplace way, way in favor of employers. It’s gotten so out of balance that even many workers seem to truly believe that the things that make them less efficient than sharks or robots are weaknesses — moral failings, like original sin.”

“Bezos then brainstormed a list of traits that make the public think of a company as “cool” or “uncool”. Uncool things: defeating tiny guys, rudeness, conquerors, hypocrisy, mercenaries, pandering. Cool things: the young, explorers, inventing, being polite, taking risks, empowering others, thinking big, authenticity, and winning — especially when you’re defeating bigger, unsympathetic guys.”