What Cannot Be Said by C.S. Harris (Historical Mystery — audio book)

The latest (number 19!) of the early 19th century series centered around Sebastian St. Cyr, Viscount Devlin, who has a calling to help Bow Street untangle tricky murder cases, particularly when the upper classes are involved.

This episode takes place in July, 1815 — just as Napoleon is captured for the second time, his fate left to the British to determine (exile was chosen because nobody wanted to create a precedent for murdering heads of state, regardless of their crimes). Sebastian is brought in to investigate the brutal murder of a Baronet’s wife and her 16 year old daughter, their bodies posed in the exact same positions as those in a prior crime fourteen years earlier. Through an investigation tangled with possibilities, we are led to a dark conclusion that I admit I never would have suspected (though all the clues were there).

Harris excels at the successive unfolding of layer after layer of intrigue, suspects, and background stories. From lunatic asylums to the work houses to neglectful baby fostering to Dickensian apprenticeships and cruel taskmasters for the unfortunate orphans to soldiers returning from war along with the ever present sniping, posturing, and opportunities for outrage of the upper classes, the story gets richer and richer as it progresses.

The audio book reader was new for me — the first 16 books were narrated by Davina Porter who is one of my absolute favorites. I have no complaints at all about Amy Scanlon but I do miss Ms Porter’s voice.

Murder at the White Palace by Allison Montclair (Mystery)

Writing: 3/5 Plot: 4/5 Characters: 4/5

Book six of the Sparks and Bainbridge historical mystery series. These books are just fun — a combination of novel, historical interest, and always an interesting body or two that unravel into quirks and twists and plenty of opportunity for the two women to evolve personally. Set in post-WWII London, the two have started the Right Sort Marriage Bureau. Iris Sparks, with a mysterious past in British Intelligence, and Gwendolyn Bainbridge, a genteel war widow who has recently been pronounced “sane” after an extensive engagement with the lunacy courts. I’ve only read book five so I’ll have to go back and start from the beginning to get all the details, but the author does a decent job of giving you enough background to make sense of the present.
In this episode, Gwen has fun with some bad boys and turns out to be a snooker shark (I’m afraid I skimmed over the snooker scenes — all I got was that it is played on a table with some balls) and has the uncanny ability to tell when someone is lying. Iris is dating a charming man whom we love instantly along with her, though he has ties to the underworld that should be unattractive. A body is found that ties back to history and an old bank robbery, and both women take some pretty interesting twists in their love life. They don’t actually match anyone in this story so (as a fellow reviewer pointed out) we have to hope that they manage to stay in business and nobody is paying them to solve mysteries!

Very entertaining and just the right amount of “cozy” for me.

Thank you to Minotaur Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 30th, 2024.

The Hungry Season by Lisa M. Hamilton (Biography)

This is the biography of a Hmong woman — Ai — born in Laos in 1964. It covers her life journey from Laotian hill dweller through years of war to a Thai refugee camp to a (more or less) successful rice farmer in Fresno. Told in a memoir style, Hamilton does a decent job of telling the story the way she hears it from Ai (through an interpreter as Ai cannot read or write in any language, or speak any English). There is no novel-like narrative arc that makes sense of the various pieces, and the reader is left with many questions about basic aspects of her life — like what happened to her eleven children?? But this is what makes it more interesting — this really is Ai’s story the way she thinks about it — not the way Hamilton might have framed it. Therefore there is no agenda, no political commentary, and no call to action. On the one hand, I was left with the question of “What am I supposed to do with this information?” But, on the other hand, I realized I’m not supposed to do anything with it: It’s a recollection of a specific woman’s life as she told it. Specifically, the memoir of an illiterate woman who would not be penning one of her own. It’s rare to be able to encounter that kind of verisimilitu

I learned a lot about the huge impact of the Vietnam War on Laos, quite a bit about the Hmong — their culture, sense of identity and belonging and utter disassociation with the countries they live in — and quite a bit about rice farming. In Ai’s personal story is plenty of matter-of-fact detail about what it is like for a girl to grow up in what I would call a primitive and truly patriarchal society as well as the personal and confusing experience of immigration bureaucracy. I have no idea how similar Ai’s story is to stories from other Hmong refugees, but Ai was driven and the various ways she seized opportunities when others did not was very telling. I was fascinated by the way she viewed the different people in her life. Both alien and intriguing.

I found it surprisingly easy to read, even though it didn’t appear at first to be something that would hold my interest. The style was a bit dry, but utterly authentic.

Lucky by Jane Smiley (Literary Fiction — Audio Book)

Ostensibly the story of a Jodie Rattler — from childhood until her 80s — who achieved moderate fame as a folk/rock singer/composer and, due to some clever investing of the money she had, was able to live her life and create her music without having to make herself a slave of the music industry. I never get the impression that she has any particular plans or goals. Instead she does what she wants to at the time, gathering (and enjoying) experiences that she often embeds into her music. This takes us from her birthplace in St. Louis to England, to recording studios, to tropical beaches, to New York City, and often back home to St. Louis. It takes us through her 25 lovers and their stories. The book is highly reflective with Jodie clearly describing her experiences, her feelings at the time and upon later reflection, and her thoughtful musings on life as a result. It’s really a personal voyage of self-discovery and ongoing development but without the cataclysmic events that often send people into these states. While it sometimes felt a bit slow moving (especially as the audio book reader spoke at a measured pace) I found myself consistently interested. By the end I felt like I knew what it was like to be Jodie. At the same time, I didn’t resonate with her — we are very different kinds of people — which made it even more interesting to be her for the duration.

There is a theme throughout the book where she reflects on how lucky she is every step of the way — chance meetings, being seen by a promoter etc. Hence the title. There is a lot of interesting detail on how she writes her songs, where her ideas come from, how she develops them, and what kind of experimentation she does to get a particular sound — all of which was completely accessible to me as a non-musician. Because the book spans about 80 years (from 1955 – 2030), we also get to watch (through her eyes) the evolution of the music industry, the political scene, and the planet. The worries about climate change and political instability float about the book, settling into something more solid by the end of the book as Jodi ages.

Now — I very much enjoyed listening to this book and thought the end was reasonable. But. I hated the epilog and I would honestly suggest you just don’t read it. It’s short and has a very interesting twist to it (and a tie in to the name of the book), but it has a complete downer of a future prediction that honestly has nothing at all to do with the story and just left me in the worst mood for no good reason! I don’t want to include a spoiler so I’ll say no more except that I really found it both emotionally draining and literarily gratuitous.

How to Age Disgracefully by Clare Pooley (Fiction)

I loved this book. It was hysterically funny and I found myself laughing out loud on almost every page, multiple times on some. I definitely got some looks on the subway.

A community center housing a senior citizens social club and a daycare is threatened with closure when the board gets greedy for development money rather than making the effort to fundraise for repairs. But the senior citizens (and one desperate teen father) will do anything to keep that from happening and come up with some pretty interesting long shot ideas. FYI these are not senior citizens living up to society’s (pallid) expectations! We’ve got the larger than life Daphne whose future is bleak but whose past was “extraordinarily colorful;” Art, the actor who specializes in playing dead bodies while managing a small kleptomania problem; Ruby, the Banksy of knitting; Anna, the ex-trucker with quite a number of dead husbands to her credit; and William, the retired Paparazzo who puts his (IMHO sleazy) skills into useful practice. All supposedly organized by the 50 something Lydia, whose life has been drained of purpose but filled by an utter a*hole of a hubby. There is something very appealing about old cranky people getting a new lease on life, and this intensely uplifting book has that in spades.

I loved the characters (a teen father? how often does that happen?), loved the humor and excellent writing, and loved the random thoughts on aging — like how to take advantage of the apparent invisibility of the aged for your personal aging benefit. I loved the author’s note where she claimed she still did not feel like a “grown up” despite her “advanced” age — I so relate to that! Lastly, I loved the reference to the Dylan Thomas poem “Do not go gently into that good night.” How many times have I heard of that poem without ever bothering to actually read it and think about what it means? Here are the first lines:

Do not go gentle into that good night 
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

There is more — it is good — go read it if you haven’t …

Some great quotes — only a tiny fraction!
“She appeared to have jumped out of the frying pan of sexism and into the fire of ageism. The final frontier of isms.“

“There was nothing better than listening to someone else’s guilty conscience being offloaded.”

“Her comfort zone was exceedingly spacious, but this experience lay well outside of it.”

“She needed to turn over a new leaf. Become an entirely new plant, even.”

“Despite her age, Daphne seemed to have the hearing of an adolescent bat.”

“Why on earth, when there were so many more important things they could be teaching their children, would parents waste their time reading stories about an insect with a dysfunctional relationship with food?” (about the Hungry Caterpillar)

“Daphne wrote texts, he’d discovered, just the way she spoke in proper full sentences and with perfect grammar and an under current of condescension.”

“She leaned forward and gave the man she was with a peck on the cheek, an incidental comma nestling up to a bold exclamation mark.”

“Art had tried to call his new pet Maggie, as instructed by Lydia, but her surname lurked in the ensuing pause like toxic waste.” (pet’s full name was Margaret Thatcher)

Thank you to Pamela Dorman Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 11th, 2024.

City of Secrets by P. J. Tracy (Mystery / Crime)

Book four of Tracy’s Los Angeles based, Detective Margaret Nolan crime series. I wait for these books — for me they are a perfect combination of pacing, surprises, and just the right amount of tension (i.e. not too much because I don’t enjoy being anxious, but just enough that I’m not bored reading about tea parties while someone is murdered offstage).

In this episode, what appears to be “just” another fatal car jacking, turns out to be a far more complex crime involving big business, cartels, and some pretty crazy people. I love Margaret Nolan as a detective. She has the same qualities you would appreciate in a male detective — strong, competent, honest, determined — and manages to be simultaneously female without having to introduce any “traditionally feminine” traits. No shopping scenes! No whining with girlfriends about men! No struggling with single motherhood while trying to have a career! She’s just a consummate cop who happens to be a woman. Thank goodness. She’s a great character and I’m happy to read more about her. Other strong characters populate the series — her cynical and somewhat world-weary partner Al Crawford, Sam Easton — a friend recovering from Afghanistan induced PTSD, and Remy Boudreau, fellow homicide detective and a more serious than planned lover.

One of my favorite mystery / crime writers. I really like her writing — a few quotes:

“They were victims of a rotting culture of violence — domestic terrorism, really, — that wouldn’t go away, no matter how many gangsters the LAPD locked up.”

“He was wearing a foul weather windbreaker and his frowny, pissed-off face. Maybe it was because his tiny umbrella had unicorns on it.”

“From a young age, her mother had always told her that her rare combination of strawberry-blonde hair and pale skin made her a genetic tinderbox and her temper should be managed early.”

“Consorting with evil to exterminate greater evil was an existential conflict of the job — hell, of the world — but it was getting more difficult to justify.”

“Interviewing witnesses was like slowly unwrapping a gift, hoping there was a gold nugget inside instead of a lump of coal.”

“Nolan was always amazed by the sullen indifference of criminals, like they were ordinary citizens who’d just gotten a bogus speeding ticket.”

“The job was slowly corroding him from the inside, like poison that didn’t kill you right away. So was Los Angeles. It had a shrill, dangerous hum that hadn’t existed five years ago, and it scared him.”

Thank you to Minotaur Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on August 20th, 2024.

Shy Creatures by Clare Chambers

Writing: 4/5 Characters: 5/5 Plot: 3.5/5

1964. When William — a mute and (very) shaggy man — is found in decrepit conditions in a London suburb, he is taken to a psychiatric clinic for evaluation.  He apparently had not left the house for over ten years.  When William turns out to have a real artistic talent, Helen, the clinic art therapist, feels drawn to the “Hidden Man” and makes him into a special project.  The narrative branches off in two directions.  The first follows Helen as she tries to unravel the mystery of the Hidden Man’s origins while also coming to terms with her increasingly disastrous relationship with the appealing, but definitely married, psychiatrist treating William.  Alternating sections follow William’s story backwards through time — eventually providing the answers in events taking place in 1938.

The story was compelling, and I liked the backwards progression through William’s life slowly explaining how he developed into the man he became.  All of the characters were deftly drawn, and I enjoyed the reflection and details that helped me understand (though not necessarily empathize with!) their various personalities.  I found the psychological tools and thinking of the era fascinating and wished there had been slightly more of that and less day-to-day descriptions.  I found the book a little long winded, but with a little judicious skimming (sorry!) I enjoyed it from beginning to end and appreciated the relatively upbeat ending (will say no more about this!)

I found the writing at the sentence level to be excellent.  Here are a few quotes:

“Helen started to feel the intestinal cramping and queasiness that often accompanied the contemplation of her moral failings.”

“As usual, thoughts of her mother prompted a wave of guilt, swiftly followed by a cancelling backwash of resentment.”

 “The fact that his ire was aimed not at them, but at some nearby object that confounded him didn’t make it any easier to ignore; for quiet people, raised voices are experienced as a kind of aggression even when directed elsewhere.”

Thank you toMariner Books and NetGalley for providing an advance copy of this book in exchange for my honest review.The book will be published on November 12th, 2024.

Within Arm’s Reach by Ann Napolitano (Literary Fiction)

I can’t fault the writing of this book and I’m guessing that it will be very popular because people today seem to like melodramas about unhappy people and this book has that in spades. It’s a giant soap opera about the generally dysfunctional relationships within a large, ethnically Irish, Catholic family and all the ways the individuals seem bent on making themselves and their loved ones even more miserable. It is told from six viewpoints — Catherine, the matriarch; her eldest daughter Kelly; Kelly’s husband Louis; their two children Gracie and Lila; and the nurse who attends Catherine after a fall (who has other unexpected connections to the family). I was hoping the end would either be uplifting or teach me something but I got … nada. There was also a pattern of emotional women being “saved” by decent, well-grounded, men. While there is honestly nothing wrong with that, it doesn’t seem like something to aim for.

I really loved Napolitano’s “Hello Beautiful”, and heard wonderful things about “Dear Edward” (I could not bring myself to read that book because it sounded so depressing), but while the writing was good and the characters well-drawn, the only characters I liked at all were the ones that had tied themselves voluntarily to this troubled family and I honestly couldn’t figure out why they ever would have done that…

Some quotes that I think illustrate my point:

“… there’s little point in drawing all of my brothers and sisters and their families together. What you get when we are all in the same room is not love. It is a potent combination of our childhood, my father‘s anger, and my mother’s deliberate silence and pointless, barbed comments. It is the long, thin, thorny end of the rose.”

“Why would I be working hard? And for what? For Gram? That isn’t enough of a reason. Life isn’t supposed to be hard. F*** that. Gram is wrong. I’ll end up like uncle Pat, sitting like a popsicle on the edge of a folding chair, feeling nothing. And Gram wouldn’t want that. I picture Weber’s face, bright with happiness.”

“She has the ability to make a decision and then inflate her emotions like a bicycle tire until they back up the decision with no wiggle room.”

Thank you to Dial Press Trade Paperback and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 30th, 2024.

How to Read a Book by Monica Wood (Literary Fiction)

Writing: 4/5 Plot: 4.5 / 5 Characters: 5+/5

Violet, a young woman released from jail after serving 22 months for manslaughter for driving while intoxicated and killing an elementary school teacher; Harriet, a retired librarian who runs the best book group in the world (IMHO) at the local prison where Violet has been incarcerated; and Frank, the retired tool & die guy whose wife was the one killed. A chance meeting in the local bookstore brings these three together in a pretty wonderful way.

This book was well-written, hits the sweet spot between humorous and deep, and is overall uplifting. I love uplifting! Especially when it isn’t stupid (honestly what isn’t better when it’s not stupid?). With broad themes of forgiveness and regret along with kindness (the genuine kind, not the saccharine type which is far more focused on the person being kind than the person in need of kindness), the book is full of dynamic dialog, slowly gained self-understanding, and relationships — the good, the bad, and the ugly types. Also some capital F fun-to-read sections that aren’t essential to the plot but are engrossing and plot-supporting. For example, Violet ends up with a job supporting a crazy / crotchety professor studying the higher cognitive abilities of African Parrots (based on the real life research of Dr. Irene Pepperberg (www.alexfoundation.com). Absolutely fascinating. I also LOVED every scene concerning the book club at the prison. From Harriet’s planning and selection process to the questions she asked and the way the (female) inmates responded to the emerging personality of the club itself. Some questions she asks: If you were God, would you alter the facts for these characters? Do books change, depending on when and where we read them? Why do people tell stories? Or more specifically, if Gatsby had a brother like Ethan Frome, would he have made the same mistakes?

While probably not the primary purpose of the book, it did make me consider the (always muddied) purpose of our justice system. I wish we had a better understanding of the goals of prison: Punishment? Deterrence? Rehabilitation? Safety (in case of recidivism) of the public? Sometimes sentences just don’t seem to make sense. I’ll leave you to draw your own conclusions after reading.

Lastly, though there is little in common in terms of messaging or plot, the style and tone reminded me of Lessons in Chemistry. Really enjoyed this book.

Quotes:
“From her years in the classroom, Harriet understood that any group, no matter how diverse, eventually acquired a personality; Book Club had decided they were misunderstood souls born to the wrong era, and William Butler Yeats was their proof.”

“… the days when the place feels not like a dementia unit on Mars, but like an animal shelter filled with calm dogs. I can almost see them, our Reasons, small smoky thicknesses in the air. Like guardian angels, in a way. Guarding our memory of them. They float among us, quiet and uncomplaining, and they refuse to disappear.”

“Lorraine fell for Frank the defensive lineman, but he was a team chaplain at heart. He’d given her love, patience, stability, and her only child. These gifts had turned out to be the wrong gifts.”

“But these kids, who had acres of poetry committed to memory and the mechanical skills of an aardvark, they needed him.”

“Was Baker shucking the chains of patriarchy, or emulating a pop singer? Harriet genuinely wanted to know.”

“The youngster had a cuddly laugh; if hamsters could laugh, they would sound this way.”

“She’d begun their marriage as lead, soft and pliable, elastic and forgiving, but over the years she’d transformed herself into a high-carbon steel, strong and hard and resistant to wear.”

“They remained in this magical silence for a little while, as their separate pasts floated harmlessly between them”

“Retired people were often thought to be lonely, but it wasn’t that. It was the feeling of uselessness, of being done with it all.”

Thank you to Mariner Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 7th, 2024.

Behind You Is the Sea by Susan Muaddi Darraj (Literary Fiction)

Writing: 5/5 Characters: 5/5 Plot: 4.5/5

This is a beautifully written novel composed of interlinking stories about characters in a Palestinian-American community in Baltimore. Most are members of three families: the Baladis, Salamehs, and Ammars. The stories move linearly forward in time, while bouncing between different individuals and their points of view. This means that the narrative slowly moves from first generation immigrants to younger family members born in the U.S. Influences from their ethnic heritage and the American culture surrounding them drift downward through the generations, melding uniquely in each individual making for nuanced, discrete characters. This creates a kind of narrative arc through the stories so that it did feel novelistic despite the clear boundaries of the stories.

I enjoyed the diversity of the characters — more akin to the everyday “diversity” of different human beings than to the diversity of skin color or ethnicity since (almost) all the characters were Christian Palestinian-Americans. Some wealthier, some poorer, some professionals, some working class, from real estate moguls to housekeepers. Many stories dealt with some aspect of being a woman within this culture, ranging from pregnancies to divorce to education — basically different ways that women might make decisions that did not align as well with family expectations as some families might expect. However, family reactions were not all the same — sometimes the father would be unhappy (to various extents), sometimes the mother (or the aunt, siblings, etc). Sometimes things escalated badly, and in others acceptance and adaptation was the name of the game. Real people — all in the same “place,” all with different stories. Topics run the gamut include generation conflicts, teenage afflictions, racism (in multiple directions), domestic abuse, cultural misrepresentation, etc. From minor issues to major. Some sweet and uplifting, and some not, but all moving towards understanding and growth.

Beautifully written, wonderful characters, little or no political statements — see some quotes below.

Quotes:
“The day he dies, Baba looks skinny and surprised. When he sucks in the last breath, his mouth opens in an O, like America has shocked him at last, and freezes there. It’s like he finally understood he was never meant to win here.”

“Americans like to talk about everything, I know. They like to share their feelings, like purging old clothing, or dumping clutter. But when you’re like us, you purge nothing. You recycle or repurpose every damn thing. Nothing is clutter.”

“Arabs are ridiculous; even if they live a dream life, they want to star in some tragedy. If there is no tragedy, they imagine one.”

”Sometimes I think that is why I like science. Science doesn’t mind when you make a mistake. Instead, science gets kind of excited.”

“No, with the baby, with Baba fading, with ever-present work stress, now is a time to lie in the weak surface of water, to trust that its fragility could nevertheless keep her afloat. It could even, despite its transparency, carry her great distances.”

“Marcus realized then that, while some people talked about growing up poor, his parents had been a whole different level of poor. Barefoot poor. Starving poor. Babies dying from diarrhea poor, like Mama’s little sister, Amal, who had died before she was a year old. Sleep on rooftops in the summer poor. Go to mass at two different times so your siblings can share the good shoes poor. Boil weeds to make tea poor.”

“Americans like to talk about everything, I know. They like to share their feelings, like purging old clothing, or dumping clutter. But when you’re like us, you purge nothing. You recycle or repurpose every damn thing. Nothing is clutter.”

“Arabs are ridiculous; even if they live a dream life, they want to star in some tragedy. If there is no tragedy, they imagine one.”

”Sometimes I think that is why I like science. Science doesn’t mind when you make a mistake. Instead, science gets kind of excited.”

“No, with the baby, with Baba fading, with ever-present work stress, now is a time to lie in the weak surface of water, to trust that its fragility could nevertheless keep her afloat. It could even, despite its transparency, carry her great distances.”

“Marcus realized then that, while some people talked about growing up poor, his parents had been a whole different level of poor. Barefoot poor. Starving poor. Babies dying from diarrhea poor, like Mama’s little sister, Amal, who had died before she was a year old. Sleep on rooftops in the summer poor. Go to mass at two different times so your siblings can share the good shoes poor. Boil weeds to make tea poor.”