Category: literary fiction

Hello Beautiful by Ann Napolitano (Literary Fiction)

Writing: 4.5/5 Characters: 5/5 Plot: 4.5/5

This is a portrait of a dynamically happy, multigenerational family with some serious dysfunctional fractures. As the four incredibly close Padavano sisters grow from childhood to late middle age, we are privy to the interactions, traumas, and healing experienced by everyone in the extended family. Napolitano allows her characters to learn and take risks in relationships and not be stuck doing the wrong thing out of fear or miscommunication. Themes of mental health as well as finding and being true to one’s self permeate the story which explores the impact of death, divorce, and disappointment along with success, love, and belonging on family structures and health. There is a fair amount of drama — it wouldn’t be an Oprah book selection without that — but I was happy to find this was a book about people with problems who actively try to address their own responsibilities in terms of their problems; they are not life long victims or people who continually keep making the same mistakes.

The writing is rich and full of reflection, interaction, and experience. It contains a well structured narrative arc that allows readers to enjoy their intimate time with the family while progressing steadily towards a denouement that works perfectly (although it was both upsetting and surprising to me). I loved the fact that the men in the story had such close friendships and such concern for kindness — nice to see that in male as well as female characters. I really enjoyed the small point made by one character who forgave someone immediately for doing something that was somewhat cruel because she wanted to be able to love that person and couldn’t do so if she felt angry and vindictive. The story includes a nice positive view of therapy and mental health and some great articulation of each individual’s personal discoveries and progress. I found myself thinking that some “solutions” were overly simplistic, but then I really couldn’t defend my own premise. Perhaps they really were core truths rather than sound bites. It was a good feeling.

The Sweet Spot by Amy Poeppel (Literary Fiction)

Writing: 5/5 Characters: 5/5 Plot: 4/5

I enjoyed every minute reading this book. It’s one of those books that you’d turn to rather than most other activities on offer. On the surface (ie the cover) it just looks like a light hearted romantic comedy — which it sort of is — but largely due to the stellar writing it is also a set of lovable and realistic characters, great dialog, and a variety of relationship styles that bear further study.

The stated plot focuses on a baby who lands in the laps of three women — Lauren, a ceramic artist who just got her big break; Melinda, recently dumped after 30 years of marriage and raging for revenge — unfortunately applying said revenge in all the wrong places; and Olivia, the daughter of the bar owner who rents the basement of Lauren’s Greenwich Village brownstone for a song. It’s funny, full of characters who are deeply interesting rather than quirky on the surface, and steeped in New York city culture and habitats. Lots of fun — I can’t remember where I heard about it, but I’ll certainly go back and read some of her other books.

The Garden of Small Beginnings by Abbi Waxman (Audio Book)

Writing: 4.5/5 Characters: 5/5 Plot: 4/5

Four years later, Lily is just barely getting her life together and keeping the grief to a simmer after her husband is killed in a car accident mere feet from the family home. But this is honestly not a sad book (although the author does a good job of exploring how Lily does claw her way back up out of the grief trough). Instead it’s uplifting, humorous, and meaningful all at once.

An illustrator for children’s textbooks, Lily is sent off to a gardening class at the L.A. Botanical Garden to become one with the vegetables she will need to illustrate for a brand new client. She takes her two children (5 and 7) and her sister Rachael with her, and to say the class is populated with some wonderful characters is an huge understatement. The book is clever, literary, and linguistic — I love that Waxman is both a fantastic writer and chooses to write a world where bad things happen, but the individuals involved can make good things happen too. Her characters have agency. I also like the way she works with stereotypes and diversity issues — tackling the assumptions people make about each other and the surprise and follow up understanding when their assumptions are challenged. Very skillfully done.

I listened to this on audio book and the reader was fantastic. I probably would have preferred to read it in book form, though, because I like to savor Waxman’s writing and that is hard to do when you’re listening (and driving, hiking, or otherwise too busy to stop and do some kind of audio underlining). I did manage to capture a couple of lines though: “Just turn the handbag of your soul inside out, and shake it“ and “She has people skills like lions have gazelle skills.” As a bonus, there was a lot of actively good gardening instructions, given in small, digestible, pockets. Take note!

They May Not Mean To, But They Do by Cathleen Schine (Audio Book – Literary Fiction)

Writing: 5+/5 Story: 4.5/5 Characters: 5/5

I love Schine’s books. She is better able to get into the head of wildly different people than almost anyone I can think of. This book is a story about aging and the multiple familial pressures and experiences that are inextricably linked to the process. Joy is the octagenarian matriarch of a New York Jewish family whose husband is ever more rapidly sinking into dementia. When he dies about half way through the book, her children are anxious to solve her loneliness and despair but she is equally anxious to mourn in the way she chooses and to maintain her own life, rather than be absorbed into one of theirs (or, God forbid, be stuffed into an assisted living facility).

I loved so much about this book which was brought to life magnificently by the narrator who has the NY Jewish grandma voice down cold. The ongoing reflection about her own aging; her deep mourning for her far-less-than-perfect husband who she had nevertheless loved completely; her equally deep love for her children coupled with an outrageously growing irritation at their increasing need to boss her around and intrude on her own life plans; the search for belonging when a long term spouse dies — it’s all there and wrapped beautifully in the every day experiences of herself, her children, and her grandchildren. Joy has a wicked sense of humor, a realistic handle on what is happening, and an old flame perking up the picture, so this is by no means a depressing book. Just completely insightful. While the other characters — her two children, her daughter’s wife, all three grandchildren — were fleshed out fully, it was clearly Joy that I resonated with (despite her annoying lack of organizational skills and the fact that I am almost 30 years younger!)

I listened to this on audio so I don’t have captured quotes, but here are some of the concepts I just loved reading about: Joy thinks of her own mother and how she (Joy) could not understand her (the mother) the way she had needed to be understood when she (the mother) was aging. Joy begins to feel there is another person in the apartment and it was she. She had to constantly watch “it” to make sure it took its pills and didn’t fall etc. She doesn’t want to be a burden, but if she is one, she wishes others could carry her with more grace.

One more note — the title comes from the Philip Larkin poem “This Be The Verse.” It’s quite apt.

August Blue by Deborah Levy (Literary Fiction – Audio Book)

Writing: 5/5 Characters: 4.5/5 Plot: 4/5

A beautiful book about self-discovery, identity (in the classic sense), and a search for “home” amidst the angst and displacement of Covid. The music and musical themes that lay at the absolute center of the story had wonderful depth and were enlightening, inspiring, and real. I listened to this as an audio book. It was narrated by Alix Dunmore who was so good that I’m seeking out her other narrations because she put a voice to the prose so very well.

Elsa M. Anderson — a former child prodigy — was at the height of her career as a pianist when she walked off the stage in Vienna in the middle of a performance of Rachmaninoff’s second piano concerto. Now there is a pandemic on, her teacher (who adopted her at age six) is dying far away in Sardinia, and Elsa is roaming Europe, teaching a few lessons, playing very little, and allowing herself to go wherever currents take her. She sees a woman in Athens who she feels is her double, and sees her repeatedly throughout the story, serving as a kind of foil that both drives Elsa and causes her to reflect.

The writing is beautiful — poetic, but not to the point of losing content. I would have many quotes if I weren’t listening to it without an opportunity to write them down. I loved the other characters and the interactions that allowed Elsa to learn more about herself with every engagement. I loved the role of music and how it informed the very way she thought. I loved the way she taught music sensitivity to a young and brilliant student with an overbearing parent. I love the interplay between music, life, and emotions that comprises the mind of a true musician. I loved the fact that the ending didn’t really tell you what would happen in the future, but I was left with a sense of where she was going simply from “living her life” with her. In case you can’t tell, I loved this book!

Lastly, while I don’t have an exact quote, I very much liked Elsa’s answer when her friend mocked her (Elsa’s) interest in Isadora Duncan, who he said was “ridiculous.” Elsa retorted that she (Isadora) had to be ridiculous because she was making something new. That made me think.

Thank you to Macmillan Audio and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 6th, 2023

Orchid Child by Victoria Costello (Literary Fiction)

Writing: 3/5 plot: 4.5/5 characters 3.5/5

Kate is a neuroscientist, on her way to a new position in Ballymore, Ireland having been fired from her prestigious New York City based position after an ill-advised affair with her married boss. Ballymore has an historically high rate of schizophrenia, and she has been hired to work on a new followup study on the descendants of the original 1970 work. She brings along her newly adopted nephew, Teague, who is suffering from schizophrenic symptoms and whose therapeutic care is part of the new job package.

What ensues is a tangled, multi generational story (the narrative follows two timelines — Kate’s story in 2002 and the history of her family from 1920 through 1974). Between the two, we are exposed to Irish folklore, long term feuds based in the Irish “Troubles,” druids, and (most interesting to me) multiple approaches to treating and supporting schizophrenics. These approaches include support from therapists following real (I checked) research results, recommendations from “Mad Pride” activists who avoid medical intervention for mental illness, and the consideration that those who claim to hear the voices of their dead ancestors, really can.

There were enough interesting (and new to me) concepts to keep me reading to the end — I really wanted to know what happened. I thought the writing could use some editing — it was messy with a lot of rambling details and I found the dialog a bit stilted. I liked some of the characters more than others and definitely found the different attitudes towards schizophrenia fascinating. I didn’t personally like the main character, although I know I’m supposed to! Of course, I’ve never walked in her shoes (and the author’s bio suggests that she has), so I can’t really judge. My favorite part was reading about treatment modalities based on new (around the 2002 timeframe) research in neuro-epigenetics and the Orchid Child hypothesis (google it). The focus was primarily on the help people need and mostly avoided any discussion of the very real danger some mentally ill people could be to others when not adequately supervised / managed — I always wish reports and stories could be more balanced in this regard.

Some quotes, which reflect more of the plot than the writing style:

Quotes:
“In the parlance of researchers, they were the orchids, prone to dysfunction. When faced with the stressful choice of which lever to push to get their next drink of syrupy water, orchids sat and trembled with indecision. Their luckier peers, her control group, born with a longer form of the same gene, were hardy like dandelions — a group with which she wholly identified.”

“The Celts called it second sight. In our profession, we throw it all under the label of psychosis. Or we assigned patients different positions on a spectrum of abnormality.”

“You all suffer from the same wound, which festers as each generation fails to face it head on.”

“Let’s say you re-enter your body with the intention of telling the story of what happened to you today in whatever medium you choose. You can be sure that one of your ancestors is seeing and feeling that story in his on time as a powerful premonition.”

Thank you to Between the Lines Publishing and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be publlished on June 13th, 2023

Dreams of Arcadia by Brian Porter (Literary Fiction)

Writing: 4/4 Characters: 5/5 Plot: 4/4

A gentle book about an East Texas veterinarian who leaves Houston (and the end of a disappointing marriage) for the rural lands of his father’s youth. The main character is very human and very relatable — he is supported by a whole array of well depicted and quite real people from the individuals in the small town to his many relatives, most of whom he hasn’t seen in years (or has never actually met). There is quite a bit of description of the landscape, the real (and brand new to me) day to day big (and small) animal vet cases and procedures, and his own internal thought processes. As he works to solve the little (but critical) every day mysteries that populate his profession and interpersonal engagements, he is able to find a place for himself that feels (finally) like home. I particularly liked the solution to the issue of one family’s ailing cows when no diagnostic test could turn up any problems. I won’t give it away here!

Thank you to Legacy Book Press LLC and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 27th, 2023

Harold by Steven Wright (Literary Fiction?)

Writing: 5/5 Plot: 3/5 Characters : 2/5
A deeply interior book with constantly catchy and cerebral writing. The narrative purports to be the thoughts of an obviously gifted and unusual seven-year old boy, primarily while he is sitting in a classroom absolutely not paying attention to the woman in charge. Harold has “tangent festivals in his head” — what a great way to put it! While I’ve read other interior novels, they often seem to focus on neuroses and over thinking, while this one is focussed purely on imagination.

I very much enjoyed the writing and the constant stream of bizarre and connected thoughts — my own brain works that way and it was fun experiencing someone else’s stream. Every thought in Harold’s head presents itself as a well-depicted bird flying through a rectangle in his head. I liked the imagery. However, to be honest, I did get a little bored with the book about half way through — the novelty wore off and I began to notice that Harold’s thoughts were more bitter, superior, and snide than comical (yes, I realize that that is the very definition of comedy for some people, but not me). I also started realizing that there was a fair amount of misogyny — his thoughts on his mother, the young, pretty girl he is obsessed with (Elizabeth), and his teacher are all pretty negative in stereotypical ways. For example, on Elizabeth: “Said the pretty very very smart, blonde girl who years later would send several men to their emotional deaths.”

A couple of good quotes:
“Harold loved living in the circus in his head. He saw his mind as a soup made up of a mixture of what was on the inside of his head and what was on the outside of his head. He considered himself a brain chef.”

“Harold thought that an echo was audio plagiarism.”

Thank you to Simon & Schuster and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 16th, 2023

The Bookbinder by Pip Williams (Historical Fiction)

Writing: 4/5 Plot: 4/5 Characters: 5/5

Another book by Pip Williams — author of The Dictionary of Lost Words — about an element of The Oxford University Press (aka Clarendon Press) during the early 1900s. While Dictionary focused on those working to compile the OED, Bookbinder focuses on those working in the physical production of the books.

The eponymous bookbinder is Peggy Jones — a young woman who is working in the “Bindery” — the all-female component of the Press, which focussed on folding and preparing the pages of books. There is an absolutely fascinating 1925 silent video titled “Oxford University Press and the Making of a Book” which really helped me visualize Peggy’s work.

Peggy has been working at the Press with her neurodivergent (my term, not the way it is described in the book) twin sister since the age of 12 (they are now ~22). She has always wanted more — she longs for an education, longs to read and have opinions on the books she is folding — but feels that is impossible for someone of her background. She reads bits as she folds (watch the video — you’ll see how difficult that is), and the canal boat they live in is literally papered with scraps of books that did not meet quality requirements, but certainly meet hers.

The time period covered spans WWI — from 1914 to 1918 — with Peggy’s quest for “more” tied in with opportunities at the Press, the fight for women’s suffrage, and her volunteering with recuperating soldiers and Belgian refugees — all arisising from the upheaval of everyday life. Williams did an excellent job of bringing this time period to life, I was able to feel all the complex emotions of that insane time in a manner that felt very time appropriate.

I found the beginning a little muddy and confusing, but once I got into it, I very much enjoyed the story — particularly the vibrant and believable characters: the twin sister, some of the refugees, the canal community, and various suffragists, librarians, and female students. Every one was drawn deeply and was a person I would want to know. I also loved the details of how the Press was run, women’s colleges (which at the time were not allowed to confer degrees), access to libraries, and classical study. And of course, the ultimately successful effort of a woman from the “wrong side of the tracks” to attain an education and make more of herself.

Two interesting quotes:
“When we bound these books, I thought, they were identical. But I realised they couldn’t stay that way. As soon as someone cracks the spine, a book develops a character all its own. What impresses or concerns one reader is never the same as what impresses or concerns all others. So, each book, once read, will fall open at a different place.”

“The words used to describe us define our value to society and determine our capacity to contribute. They also … tell others how to feel about us, how to judge us.”

Thank you to Ballantine Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on August 1st, 2023

About People by Juli Zeh (Literary Fiction)

Writing: 5/5 Characters: 5/5 Plot: 4.5/5

Dora — a 36-year old advertising creative — thinks a lot. It doesn’t necessarily make her happy, but the stubborn core inside her makes her bristle at any hint of absolute truth, absolute authority, or socially enforced groupthink. Her long-term boyfriend, Robert, has become obsessed with climate change, steadily ramping up his insistence on (her) behavior modification to meet his right-thinking absolutes. When Covid hits, he retargets his laser focus on lockdown adherence and becomes unbearable in close quarters. Dora escapes to a dilapidated house in a small village for a breath of fresh air and finds herself in an AfD (right-wing German populist party) hotbed with the self-proclaimed Village Nazi as a neighbor. Thus begins an unasked for opportunity for a deeply introspective and stubbornly think-for-yourselfer to contemplate existence, humanity, and the nature of moral certitude while the world goes nuts around her.

Had I known anything about the author when I picked this book up, I wouldn’t have been as surprised as I was by how good it was — Zeh is an award winning German author and former judge. I realize that I haven’t kept up with European authors at all in the last decades. The writing / translation is excellent. Through a widely variable set of characters — her rigid climate activist boyfriend, the neo-Nazi next door, her highly confident (veering on the arrogant) neurosurgeon father, advertising colleagues, and a slew of village denizens — Zeh is able to cover a wide range of viewpoints on both specific hot topics (e.g. climate change, covid) as well as general socio-political attitudes towards life.

I loved this mildly satirical look at the way we humans cope with life — “mildly” satirical because it didn’t feel unkind to me. We all have our weaknesses, biases, rationalizations, and expectations and figuring out how to accept that ourselves and others seem like one of the more important problems to tackle. I appreciated Dora’s stubborn insistence on doing her own thinking and doing a lot of it. I loved the way explanation and depth was present in every argument, regardless of the character spouting it. It helped me to (surprisingly) be able to empathize with all of the characters, not just the ones I liked.

There were a lot of great quotes — here are a few:

“She follows the rules and regulations. But her thoughts remain free. Nobody can force her to view the beer drinkers outside the Spatis as treasonous public enemies.”

“What happened to the old certainty that there are no absolute certainties, which is why everything needs to be doubted, debated, and thought about? Dora couldn’t understand how Robert could feel so completely certain his lifestyle was so superior. She just didn’t follow.“

“The era of endless self-pity and constant complaining, JoJo will say. When everyone is always offended, afraid, and feels like they’re in the right. What a combination.”

“Take away the possibility of escape, and every refuge turns into a prison.“

“That sense of superiority is a long-acting poison that devours all humanity from the inside. “

“Then life prescribed her a neighbor. A nazi behind a wall. He was ugly and he stank. If he had been a product, he would’ve gotten only one star in the customer reviews on Amazon.”

“She’s often wondered what, exactly, lies behind this racism-triggered stiffness. Maybe a quandary. A series of impossible either-or decisions: Be a moralizer, or be a coward. Follow your convictions, or society’s expectations — or go for a third option and follow your aversion to conflict.”

“Everyone’s busy being interesting and important. And successful, of course, in both their professional and their personal lives. It’s a rat race of conformists outcompeting one another to come across as something special, someone different.”

“Of course there’s no law stating that neo-Nazis can’t appreciate hydrangeas. But it’s a jarring notion nevertheless. It poses a threat to the life-affirming yet mistaken idea that good and evil can easily be distinguished from one another.”

Thank you to World Editions and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 3rd, 2023