Category: literary fiction

Enormous Wings by Laurie Frankel (Literary Fiction)

I wanted to like this book — Laurie Frankel is a fun and sharp writer and I loved Family, Family. She excels at writing families who are faced with every permutation of reproductive drama — unwanted pregnancies, adoptions, abortions, you name it — and who deal with them in an abundance of creative ways. This book’s discombobulating surprise? Pepper Mills — a 77-year old woman recently shunted to an old age home by her well-meaning but (in her opinion) overly controlling children — finds herself … pregnant! A bizarre situation by any standard but in this case, she also happens to live in Texas — home of some of the most “innovative” no-abortions-allowed legislation. (To be fair, we do get an explanation later in the book that does make this pregnancy more plausible than it first appears).

I loved the humor which is wry, supported by a fair amount of carefully launched sarcasm, and reminiscent of the Jewish family I always wished I lived in. I also loved the discussions, the ethical (and bizarre) questions, and every single one of the primary characters including a great set of “oldies” at the Home, and the myriad children and grandchildren who all add their personal (and multi-generational) slant to the events. I really loved the many one liners that had me laughing out loud — this woman can write! And how can you not love Pepper? Her thoughts, irritations, and love for each individual she connected with are coupled with her absolute insistence on good grammar! I’m not actually very good with grammar myself, but I really appreciate those who are.

My only complaint — and it was big enough to warrant my dropping the rating a point — is that the book was too long and spent much of that excess length on a long pro-choice / anti-Texan rant lecture. I am, and always have been, pro-choice, and I think the recent anti-abortion laws in Texas are wrong in so many ways — but I still resent the incredibly heavy handed depiction of people in Texas (including doctors) who are two-dimensionally mean and manipulative with their only goal appearing to be keeping women under control. It’s a long-standing technique in the world of fiction to make the bad guys really, obviously, Bad. It makes it easier to hate them and side with the author’s idea of the “good” people. But in our era of extreme polarization and encouraged hate, I’m pretty sick of it. I’m sure I’m overreacting here, but it really spoiled the book for me. Too much pounding of the message, even though the message was well-established from the first pages and anyone who was reading this probably already in agreement.

So — fun to read if you can ignore the stereotyped baddies and skim a bit at the end…

Thank you to Henry Holt & Co. and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 5th, 2025.

The Book Witch by Meg Shaffer (Literary / Mystery / Romance Fiction)

This is an unusual book. What starts as an adventure story that blurs the lines between reality and fiction via a coven of magic infused “Book Witches,” veers off into a more meaningful, touching, existential, and incredibly meta story about the importance of literature within our lives and the incredible love and connection between authors, characters, and readers. I laughed through most of the book, but was brought to tears (of the poignant, meaningful variety) multiple times in the last half.

Rainy March is a Book Witch — “sworn to defend works of fiction from all foes real and imaginary.” She has a magic umbrella, a feline familiar (Koshka the non-Russian, Russian Blue), and a few mysteries of her own past to consider. Her adventures are humorous and quite literary (if you’re a reader you will enjoy traipsing through many of your favorite books as Rainy works to fix breaks and prevent the “Burners” from having their incendiary way). Rainy falls for the dashing (and fictional) Duke of Chicago during one of her rescues. This goes against the rules, but does make the story more interesting (and a lot more complicated). The seven section headings of the book are genres — Romance, Mystery, Fantasy, Non-fiction, YA and Horror, Thriller, and Science Fiction — and the plot does a good job of navigating through the sections in an eponymous fashion.

Clever, funny, and often poignant writing that takes an intricate worldview and serpentine plot and makes them accessible, fun, and intriguing. Some beautiful lines which I can’t include without giving too much away — except this non-plot centric funny one: “Two more !s? Something needed to be done about this punctuation abuse.“ I’m quite guilty of this abuse myself, sadly, hence my appreciation for the line. Some interesting historical tidbits on works of literature — my favorite about Nancy Drew: Apparently Nancy Drew was rewritten in the 60s to make her less feisty, a little older and better behaved. Not only did I have no idea, but all my copies are the rewrites! Grrr. Lastly, I loved the dedication: “Dedicated to librarians book, sellers and teachers fighting the good fight to save our stories and to all the world’s bedtime story readers.”

Inspired by a spate of actual book burnings in the 70s — fun, educational, and moving.

Thank you to Ballantine Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 7th, 2025.

Wreck by Catherine Newman (Literary Fiction)

If you liked Newman’s Sandwich (I loved it), you’ll like Wreck as well. The same intense (and ultra neurotic) narrator Rocky, her amiable (but richly written) husband Nick, son Jamie (now a New York City based management consultant who sheepishly admits he likes making money), and daughter Willa (vegetarian lesbian with heavy duty anxiety issues) — with the new addition of Rocky’s 92-year old father, cohabiting in the wake of his wife’s death the year before.

As with Sandwich, this book is deftly written and laugh-out-loud funny. Some of my favorite scenes include an array of bizarre cat behavior, taking her elderly father to a juice bar for his confusing introduction to “superfoods,” the kind of items being “gifted” on Buy Nothing, and joking with the phlebotomist while waiting for potentially terrifying results. Her incisive (and insightful) wit is applied equally to social commentary, family interactions, and her own “doomsday imagination” inner spiraling. Kind of a recombinant mix of Anne Lamott and Nora Ephron.

The “plot” comprises two ongoing storylines wending their way through family scenes and discussions. Story line one weaves through Rocky’s enigmatic health condition — beginning as an innocent looking rash or two and developing into a confusing set of interrelated symptoms. Rocky navigates the utterly irrational medical system “aided” by her overactive imagination and internal doom scrolling. At the same time, an accidental train collision has claimed the life of a young man known tangentially to Rocky’s family. Rocky and her equally obsessive daughter can’t help but be tormented by the event when it appears that corporate malfeasance may have played a role. Worse still, it may be Jamie’s consulting company that did the risk assessment number crunching which could be blamed. This ethical dilemma interested me as Rocky was happy to lay the blame at the door of a faceless corporate entity, stereotypically blind to all but pure greedy profit, but when her affable and highly moral son was involved, she was willing to look further into the situation and admit to some nuance in blame and understanding.

Loved the dialog, the thickness of familial feeling, the ethical questions, and the exposed hilarity of the human condition. Newman is one of those writers who always finds the exact phrase needed to describe a hopelessly complicated set of feelings, intentions or reactions. There are only a few writers who can do that, and I love them.

Thank you to Harper and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on October 28th, 2025.

The Listeners by Maggie Stiefvater (Literary Historical Fiction)

Writing: 5/5 Characters: 5/5 Pure story: 5+/5

I loved this book — the exquisite and content rich writing, the elaborate storytelling with deep and resonant themes, the faint whisper of otherworldliness. I probably won’t do it justice in this review, but I will try.

It’s just after Pearl Harbor and the world is falling apart — recklessly, rapidly, relentlessly. The Avallon Hotel — known for Extreme Luxury — has been offered to the State Department as a holding area for hundreds of foreign Axis diplomats until they can be exchanged for similarly trapped Americans in Axis countries. The hotel is held together through sheer force of will by the new manager — June Hudson — a local mountain girl with an untamed native twang, who possesses an innate talent for “listening” to the mountain sweetwater — the mineral springs that give the Avallon its luxury reputation. But the new residents bring with them foul sentiment, angry expressions, and bitter fear and stimulate the same in others. And it threatens to turn the sweetwater into something much darker. You can read it as metaphor or as a hint of fantasy. I chose both.

The many and varied characters — from diplomats to families to hotel staff to FBI and State Department agents — were deep, real, unusual, and individual. Despite a large cast of characters, I never mixed anyone up — they were each unique. And each struggled with their own challenges — the complexities of justice, deeply held principles challenged by the realities of a world at war, threatened loyalties, the definition of bravery, the scale of protection, and the pull of love. The story wound itself into knots while the broader plot moved inexorably forward. There was no filler. I never had a moment to contemplate whether or not I might be bored. I really loved the “character” of the sweetwater, a powerful metaphor but also reified in a compelling and illuminating way. The resolution was complex, perfect, and satisfying. The (short) authors note at the end brought out some of the more dramatic events that were based on reality. The diplomat housing and eventual swap was real, as were some of the (ridiculous) tantrums, pressures, and demands of individuals.

Highly, highly, recommended.

Bug Hollow by Michelle Huneven (Literary Fiction)

A multi-generational family story told through progressing vignettes, each told from the 3rd person perspectives of different family members during precipitating events. Throughout it all, we learn about each character in some depth. I found myself advancing through various stages of a reader’s judgmental process with respect to each of them as they did things I admired, found annoying, detested, felt sorry for, etc. I’m not always aware of how judgmental I am as a reader, but this shifting perspective and focal point made me realize it. With excellent, clear, writing, the author exposes us to the many different facets of an individual’s personality and how easily we fall into judgement as measured against an idea of perfection that few people can attain.

The prose contained beautiful description of places, feelings, and interactions — I loved the author’s use of language, and I loved her portrayal of realistic family interactions — this was not a dysfunctional family, but also not an idealized one. The story moved through tragedy, adoption and birth mothers, an assignment in Saudi Arabia, death, worries, college tours and my favorite vignette: the very different love story of Mrs. Wright (the upstanding Principal of the local school) and a Jamaican immigrant.

Highly recommended.

Love by the Book by Jessica George (Literary Fiction)

Writing: 5+/5 Characters: 5+/5 Story: 5

Remy is a writer struggling to produce a second book at the same time as her ten-year, very close, friendship circle is dispersing leaving her jonesing for a new friend. For her, the love she has for her close female friends is far more important than the promise of sexual relationships with men. Simone is an introvert who loves her job as a Year 1 teacher, but also loves the lifestyle provided by her second, and rather secret, job. When the two meet in a kind of platonic “meet cute,” it’s not at all clear that a friendship could be the result, but it does in fact pave the way for an incredibly rich book about female friendship. The best descriptions come straight from the book itself: “Great food, the complexities of female friendship, and the romantic nature of platonic love” and “adult friendship, and the beauty, intimacy, and unappreciated joy of platonic love are explored through the lens of the moral ethics of storytelling.”

I love that the book fully delves into so many issues of importance to women. Real issues such as whether or not have to children; how to tease apart your own moral compass from the judgment of your community; how to define selfishness and is it necessarily a bad thing; and how to manage (which is actually required) a tight friendship group. The idea of platonic love applied to friendship without attraction was a real eye-opener for me. Something I think I’ve always longer for, but honestly could never have even described. These characters are beyond rich — they are so much more interesting and complicated than the typical stereotypes and behavior groupings we get daily from fiction and the beastly news. I found the discussions of life philosophies to be penetratingly insightful (as did the characters themselves). I was able to dive into so many topics that I simply hadn’t spent much time exploring. One of my favorite lines is when one character is exposed to another’s viewpoint and says: “I’ve never really seen life that way. The idea of taking from it as opposed to merely accepting what you receive.” Think about that from the perspective of typical expectations of women!

Jessica George is a startlingly beautiful writer. A large vocabulary precisely placed into perfectly crafted phrases depicting the intricacies of human interaction and self-reflection. I enjoyed the meta-fiction circularity detailing the intricacies of Remy’s writing process while struggling to write the very book that I believe we end up reading. Masterfully done, engaging, and surprisingly unconfusing! I loved her first book — Maame — just as much (see my review here).

Thank you to St. Martin’s Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 7th, 2026.

Five Found Dead by Sulari Gentill (Mystery)

Crime Fiction writer Joe Penvale and his sister Meredith board the famed Orient Express as both a celebration of Joe’s (barely) surviving cancer and a hope that the luxury train would stimulate his writing follicles. A whole host of diverting characters board with them — a retired French policeman, a Jamaica born Detective Inspector, a Duchess, a travel writer, a pair of octogenarian bounty hunters, a Welshman with a background in international terrorism, and a member of Scotland Yard. A pair of young podcasters — focused on the mystery genre with a strong dose of social indignance thrown in — complete the dramatis personae. Things are off to a great start but then … a mysterious illness leads to a partial quarantine and the stranger in the next cabin disappears, leaving a great quantity of blood behind. Now things get exciting.

Very good writing with lots of sentences to highlight while laughing or having my thoughts provoked. Unpredictable plot twists, including plenty of clever metafictional commentary and provocative ruminations on ones own mortality. I liked the multi-layer literary references to the Golden Age of Detective fiction, including to the notable Agatha Christie’s “Murder on the Orient Express.” Very entertaining, difficult to put down, and brilliantly executed in every respect.

Thank you to Poisoned Pen Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on August 19th, 2025.

The Hired Man by Sandra Dallas (Historical Literary Fiction)

A coming-of-age story for Martha Helen, a young woman growing up in Colorado in the 1930s amid the drought, dust bowl, and an ever increasing supply of vagrants. One day, in the middle of a huge dust storm, a vagrant (Otis Hobbs) stumbles to her family’s door with a half conscious boy he found buried in the dust. He becomes a room and board only “hired man” for the family, despite the ill will of many in the town. When a young girl is found murdered much later, the town is sure Otis is the perpetrator while Martha Helen’s family staunchly defends him.

Things don’t go the way you might expect — I won’t give anything away but I was happy that there was more to this story than the obvious. It’s a true coming-of-age, so we watch Martha Helen grow as more and more of the (not always pleasant or ethical) real world makes it into her awareness and eventually the composition of her adult self. In the process she reflects on loyalties, biases, good and evil, and understanding people as individuals. The town people really fell into “good” and “bad” categories, which normally feels shallow and manipulative to me. But in this case, you could see that those in the “good” category adhered to strongly held principles, while those in the “bad” category did not, either not having principles or literally not understanding when the crossed the line. It was particularly interesting to me to watch Martha Helen shift her understanding of individuals by watching what they actually did. Martha Helen put it well:

“For better or for worse, the drought and ill winds showed what we were made of. Some folks stole and cheated and hoarded. Others rose above the hardships and displayed strength and courage, even though it threatened to destroy them. The dust bowl changed us. Mr. Hobbs did too . During the time he lived with us, I grew up. I was barely more than a girl when he joined our family. By the time everything was over I was a woman.”

Good story, great characters, a real sense of place and time, all supported by writing that is so good and unobtrusive, you forget that you’re reading at all.

Thank you to St. Martin’s Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 31st, 2026.

The Unsinkable Greta James by Jennifer E Smith (Literary Fiction / Audio Book)

A rock star (Greta James) reluctantly takes her recently deceased (and greatly beloved) mother’s place on an Alaskan Cruise — accompanying her father and two other senior couples. On board she meets nerdy author and Jack London fanatic Ben, who recently published a surprise best seller. You might expect a cute love story or even humorous rom-com wit hin a scenic setting, but I was happily surprised to find myself engrossed in a simultaneously moving and humorous story full of evolving insight. I found it beautiful and — I never thought I would say this — it actually put me in the mood to take an Alaskan Cruise.

All aspects of the story had the kind of depth that makes me pay attention — the story a mixture of processing unexpected depths of grief, healing relationships, and evolving self-knowledge including all the messy bits of life — hopes, dreams, doubts, longings, contentment, curiosity, and confusion. I loved the dialog — both the external and the internal kind. I liked all of the individual characters — each of whom played a role — and how badly they adhered to the traditional tropes of fiction. I found the ending (just before the epilog) to be one of the most perfect I have read, and while it did not tie everything off in a happily-ever-after bow, I found it uplifting in a more genuine way. Also, none of the characters was adorably stupid and / or airheady, nor were they mean spirited or down right bad guys. This is the kind of fiction I enjoy — people who feel real to me making their way through the joys and vicissitudes of life.

That Last Carolina Summer by Karen White (Literary Fiction)

Phoebe Manigault is called home to the South Carolina Low Country when her none-too-stable sister says she can’t handle their aging mother on her own. Phoebe has moved as far away as she can (Bend, Oregon) and is none too thrilled to be drawn back to a place that holds quite a few bad memories for her, including the fact that she barely survived being struck by lightning 20 years earlier, and has “enjoyed” strange premonitions ever since. What follows is a story of finding love, dealing with your demons, charting the narrows of dementia, and the Power of Place. And discovering the dark secret that underlies most of the pain of the last decades.

What could have been a simple (and pleasant) piece of women’s fiction quickly reveals itself to be a wonderfully insightful piece of literary fiction. The characters are deeply drawn with realistic confusions, longings, protections and vulnerabilities. They make mistakes, lose their way (and sometimes their cool), and general act like people, but they also push through bad habits, fears, and habitual suspicions and make their way forward — which is critical for me. The story was dramatic without going overboard into melodrama — I was gripped from page one yet never felt manipulated, never cringed from ridiculous coincidences, and could find myself relating to situations that were alien to me. The writing was so good that I even enjoyed the descriptions of the place (which I usually skip over, not being a great visualizer). She brought it to life for me by describing the place through the narrator’s eyes (and other senses and emotions). I should add that while the book dives deep into topics that can be very painful, I found it uplifting overall as intentional resolution led to closure. Lastly, lots of fascinating bits about birds — I’m no twitcher (love the word!), but I loved the bird facts peppered about and the ornithological epigraphs at the beginning of each chapter that often related bird behavior to aspects of people — all spot on.

I’m a big fan of Karen White’s Charleston-based Tradd Street series (and her newer New Orleans-based Royal Street series), but for me this book is in a class of its own.

Thank you to Park Row and NetGalley for providing an advance copy of this book in exchange for my honest review. The book was published on July 22nd, 2025.