Old Lovegood Girls by Gail Godwin

Writing: 3/5 Plot: 3/5 Characters: 4/5

Thank you to Bloomsbury Publishing and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 5th, 2020.

The story of a lifelong friendship between two women who first meet at Lovegood College in 1958. Feron comes from a terrible, dark, background and has trouble connecting with people in any meaningful way; complacent and composed, Merry comes from a happy background and yet suffers a tragedy that forces her to withdraw from school after only one semester. Both develop literary interests and talents which feature in the story.

It’s an odd (to me) friendship and an odder narrative. After bonding immediately as freshman roommates, their next contact isn’t for ten years and remains sporadic after that. The narrative plays off this strange relationship by leaping from contact to contact and filling in the (event rich) intervening years via memories and asides. Thus whole marriages are relegated to a sad memory summarized in a couple of lines.

In some ways the book is written well — the language is good, the characters interesting, the dialog decent. However, it was difficult to get invested in the characters and this central relationship when there was so little to it. The author does convey the closeness each feels to the other, in spite of the fact that neither seems to make much effort to connect more often. It’s possible that these are just not people or modes of interaction that would work for me — I didn’t particularly like either of the main characters. I could not manage to find empathy for Feron, despite knowing her background and being privy to her inner thoughts. Merry was less well developed and while likable, she was far too passive for my taste. I feel like a real friendship would have brought out more in the other — the fact that these two felt close, despite rarely seeing or talking to each other, wasn’t much of a story.

While there was a lot in the book I liked — the (very different) literary aspirations, motivations, and processes for the two; the full depictions of Merry’s tobacco farm, Feron’s New York City life, Lovegood college, and the other characters — overall I found it rather depressing. Nobody in the book has a particularly happy life, and while the tone is not overly dramatic (the action is removed since it’s all in history), I felt dragged into an emotional pall. While each character seemed to have found some happiness or sense of accomplishment in their life, we don’t get to experience that directly. Overall I found the book mildly interesting from an intellectual perspective and mildly depressing from the emotional.

This I Know by Eldonna Edwards (Literary Fiction)

Writing: 5 Plot: 5 Characters: 5

I absolutely loved this book — just as I loved her latest book, Clover Blue. The author has such a luminous voice, and Grace — the 11-year old center of the story — completely captured my heart from the first page. There is something compelling about a young voice trying to make sense of the world. I think it must be the start from innocence — it feels fresher and unsullied.

Grace is born with a gift she calls “The Knowing.” She sometimes knows when something is going to happen, she can sense illness and sometimes heal, and she can always talk to her twin brother Isaac — who she remembers from the womb but who never made it into the world alive. Her father is a preacher who worries that Grace’s talents are the work of the devil, while Grace (and Isaac) believe it is a gift from God. And therein lies the context of this delicate and unique coming-of-age story set in rural Michigan in the 60s.

Gorgeous, exquisite, writing; perfect pacing; an array of characters that pull at your heartstrings; and a beautiful, beautiful, ending.

Some great quotes:
“My teachers call me a day-dreamer, but I’m not dreaming. The me who goes places in my head is a lot more awake than the bored me sitting at my desk.”

“I love the soft flesh of Mama’s warm palm against my own even though sometimes I feel a deep sorrow through her skin. Mama usually does a good job of hiding behind her preacher’s wife smile, but sometimes her crinkled forehead gives her away.”

“Daddy tends to leave a dent in soft things. Not just because he’s big, but because he means to. Everything about him is heavy, from his voice to the way his food lands on the floor. Sometimes just in the way he looks at you.”

“Not having Mama as part of our family is like having the thread slip from the needle. She pulled us all into this world and we need her to keep us sewn together.”

“It’s not what I was expecting. And no, I didn’t know that. Lately I feel like a chipped plate at a table set for company.”

“But I can feel him. I feel his loneliness and his sadness as if they were my own. Maybe they are mine. Maybe the reason we get along so well is because we know exactly how the other feels”

“Everyone is offered this gift, but most people turn away from it at a very young age. Truth frightens people. You’re one of the brave ones.”

The Tenth Muse by Catherine Chung

Writing: 4.5/5 Plot: 4/5 Characters: 4/5 Special Credit for beautiful math concepts: 5/5

A thoughtful and unusual memoir-style novel describing the personal journey of a female mathematician as she simultaneously navigates a male dominated field and slowly uncovers the truth of her family history. Katherine is a young, bi-racial Asian American growing up in New Umbria, Michigan in the early 1950s where her prodigious mathematical talent housed in a female body is not encouraged by early academic institutions (like 3rd grade!)

The novel merges her love affair with mathematics with the difficulties of pursuing an academic career in a male-dominated field and her personal quest for the roots of her family whose tangled branches reach into both Nazi Germany and the Japanese invasion of China. Told from the perspective of our first-person narrator speaking from the end of her career, the book is a combination of articulate description and mature reflection that adds great insight to every step without detracting from the innocence of the experience.

My favorite parts of the book are the descriptions of math from her perspective. They are beautifully written accounts of both the concepts themselves and the personal process of discovery, determination, and excitement that Katherine feels. I’ve included some of my favorite lines below. The author manages to take complex mathematical subjects and both reduces them to simple concepts and makes them beautiful, even to a non-mathematician. This is spectacularly done (IMHO).

Little biographical vignettes of female mathematicians throughout history are sprinkled liberally through the text. These include Hypatia (~350 – 415), Emily Noether (1882 – 1935), Maria Meyer (she of “San Diego Housewife Wins Nobel Prize” fame), Sofia Kovalevskaya (1850 – 1891), and Sophie Germain (1776 – 1831) in a kind of “sister companion” to Bell’s Men of Mathematics. I loved the way the author discussed both the historical and present (late 60s) barriers to entry women faced without ranting or complaining —simply noting the contributions and the kinds of determination the women had to have.

The themes of guilt, culpability, and oppression are explored throughout the book. What is the culpability of the German mathematicians in Goettingen (formerly the “Mecca of Mathematics”) who thrived during the war years by keeping their heads down as their more distinguished colleagues were conscripted, deported to camps, or escaped the country? What guilt should adhere to a man who allowed misattributed credit for an achievement to stand because those who knew better were gone? What fault attaches to the oblivious man who genuinely wants to “support” a young, female, protege by a means which ends up completely undermining her main claim to esteem? With no heavy-handed agenda or obvious answers, these thoughtful questions percolate throughout the book.

I loved the mathematics and personal process portions of this book. Katherine is an older, professionally successful mathematician as she recounts her experiences making it full of reflection and insight. While she professes no regrets, she freely admits that she could have handled things differently — rather than put all the blame on the barriers and mistakes of others, she understands that she bears responsibility for the outcome as well. I personally didn’t enjoy the parts of the book devoted to her family discovery — they were more in a Joy Luck Club style that recounted the stories as the narrator might hear of them from others but without the reflection and insightful commentary that the narrator was able to apply to her own experiences. While I think these stories and the slow unraveling of the mystery of her origins will appeal to many, for me they were secondary to her personal quest for a meaningful life.

Some great lines:
The very first line of the book: “There is nothing as intriguing as a locked door. Which is why in 1900 when David Hilbert presented the first of his twenty-three unsolved mathematics problems in his address to the Second International Congress of Mathematicians in Paris, he changed the course of scientific inquiry, and thereby the course of the world.”

“As we all know, the closest distance between two points is a straight line, but sometimes the closest distance between two ideas is a long and winding path.”

A key insight that Katherine tells her students: “It isn’t always the dazzling talent who ends up doing the great work. Sometimes people grow into their work, sometimes people burn out, and you never know who will stumble on the right problem at the right time.”

“How it was possible to fall into the space that someone left behind, and be crushed inside, like air falling back into itself with in a clap of thunder.”

“I found the promise of transcendent purity, a deeper order that never failed, I would believe in that, and let go of everything that couldn’t be counted on. Like my mother. Like family. Like home. By the time fall came around and it was time to go to university, in my mind, I was already gone.”

“They were lovely, I thought, in what they suggested — a visual representation of an idea, an ordering of a thought.”

“Analysis is considered the study of limits, but before it was called that, it was called the study of the infinite. I felt for the first time that I was looking at mathematics as it was meant to be done: here was a book that wasn’t meant just to instruct, but to open a door.”

“What I found most exhilarating was figuring out how to make the mathematical tools that explained the logic underpinning natural phenomena.”

Thank you to Ecco and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 18th, 2019.