All Together Now by Matthew Norman (Fiction)

Writing: 4/5 Plot: 3/5 Characters: 4.5/5

In a kind of modern-day Big Chill, four far-flung high school friends are brought together for one last blow out weekend. Billionaire Robbie Malcolm is dying of cancer and asks his oldest friends to come for one last get together. Cat Miller — Hollywood producer — has just quit her job and ended her lesbian relationship with the married star of her show; Wade Stephens — “inexplicably good at useless things” — is flat broke as he watches his second novel go through a long string of rejections; and Blaire McKenzie Harden — married with children — is wondering how on earth she ended up owning a minivan. For each, it becomes a time of reflection about friendships, parenthood, relationships, and the inevitable effects of time marching on without consent.

As an aside, l Iearned about an interesting financial scheme called viatical settlement — where someone buys the insurance policy from someone who is dying for less than its value. I honestly didn’t understand what was so despicable about it — it allows someone access to money before their death and they pay for the privilege. There was some discussion about rich people, how they got their wealth, whether or not they could be good people, etc. but not at the depth it deserved. That was one aspect of the book that fell into stereotyped treads and wasn’t really developed on either side.

I liked Norman’s last book — The Last Couple Standing. He is good at writing realistic relationships and presenting multiple character viewpoints well and that comes out here as well. For this book, I didn’t really love the “billionaire facilitation” aspect of this story, though it served its purpose and didn’t sink into too much Lifestyles of the Rich and Famous. Overall an easy and enjoyable read.

Thank you to Ballantine Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 15th, 2021.

Old Lovegood Girls by Gail Godwin

Writing: 3/5 Plot: 3/5 Characters: 4/5

Thank you to Bloomsbury Publishing and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 5th, 2020.

The story of a lifelong friendship between two women who first meet at Lovegood College in 1958. Feron comes from a terrible, dark, background and has trouble connecting with people in any meaningful way; complacent and composed, Merry comes from a happy background and yet suffers a tragedy that forces her to withdraw from school after only one semester. Both develop literary interests and talents which feature in the story.

It’s an odd (to me) friendship and an odder narrative. After bonding immediately as freshman roommates, their next contact isn’t for ten years and remains sporadic after that. The narrative plays off this strange relationship by leaping from contact to contact and filling in the (event rich) intervening years via memories and asides. Thus whole marriages are relegated to a sad memory summarized in a couple of lines.

In some ways the book is written well — the language is good, the characters interesting, the dialog decent. However, it was difficult to get invested in the characters and this central relationship when there was so little to it. The author does convey the closeness each feels to the other, in spite of the fact that neither seems to make much effort to connect more often. It’s possible that these are just not people or modes of interaction that would work for me — I didn’t particularly like either of the main characters. I could not manage to find empathy for Feron, despite knowing her background and being privy to her inner thoughts. Merry was less well developed and while likable, she was far too passive for my taste. I feel like a real friendship would have brought out more in the other — the fact that these two felt close, despite rarely seeing or talking to each other, wasn’t much of a story.

While there was a lot in the book I liked — the (very different) literary aspirations, motivations, and processes for the two; the full depictions of Merry’s tobacco farm, Feron’s New York City life, Lovegood college, and the other characters — overall I found it rather depressing. Nobody in the book has a particularly happy life, and while the tone is not overly dramatic (the action is removed since it’s all in history), I felt dragged into an emotional pall. While each character seemed to have found some happiness or sense of accomplishment in their life, we don’t get to experience that directly. Overall I found the book mildly interesting from an intellectual perspective and mildly depressing from the emotional.