Tag: book review

The Girl with the Louding Voice  by Abi Dare (Multicultural Fiction)

14-year old Adunni has grown up rural Nigeria with a drive to be educated that is foiled by her family’s lack of money for school fees and a father who thinks “a girl-child is a wasted waste, a thing with no voice, no dreams, no brain.” Married off at 14 as a third wife with a cruel elder wife and later sold into domestic slavery with a cruel mistress, she somehow never gives up hope — she has dreams of being a teacher and having a real voice — a Louding voice — that people will have to listen to.

The book is easy to read — the unique pidgin english (developed specifically for our fictional protagonist) wasn’t a problem, though I expected it to be. It was consistent and I found I adapted to its rhythm very quickly. There is no faulting the main message — that girls born into cultures where they are not educated, are married off at young ages into often polygamous households, or sold into domestic slavery — are still human, important, and valuable. Who wants to argue with that?

Adunni is a special character. She has real drive and an unquenchable curiosity despite the vicissitudes to which she is subjected. I loved the way she absorbed an education wherever she could find it. She read scraps of books when dusting in the library, she asked questions of everybody (despite receiving beatings for the impudence) and was constantly updating her understanding as a result. However, I did not enjoy reading it, and I’m trying to understand why.

First of all, it’s frustrating to read about such primitive conditions in the modern world with no real path to change. Although not explicitly stated, this story must take place in the Muslim Northern regions of Nigeria. While (civil marriage) polygamy is prohibited federally in Nigeria, polygamy is allowed in the twelve northern, Muslim-majority states as Islamic or customary marriages. And while the literacy rates hover between 80-90% (boys and girls) in the Southern part of Nigeria, the Northern regions show a 20% differential between boys and girls, with the boys at only 50-60% (source statista.com). So what exactly should I be doing with this information about how rural girls in Muslim Nigeria are living? I just find it depressing. The answers in this book are fictional and rely on help for one individual girl that came from a variety outsiders. One tiny drop in a giant bucket and I wasn’t left with the feeling that this kind of help would be easy to find.

Also, despite the fact that the (negative) practices and beliefs described are still in play today, it feels like the book is feeding right into Western stereotypes of Africans — uneducated, primitive, and holding beliefs anathema to our Western ideals of equality for all. And yet, Nigeria has the largest population and strongest economy in Africa, and leads the continent in literature, music, cinema and drama — surely there are other more nuanced worlds and characters who could populate a story. I much prefer the novels of Chimamanda Ngozi Adichie where each character is painted with the depth of an individual regardless of his or her identity and background.

So … well-written with an upbeat ending and some appealing characters, but I certainly didn’t feel inspired, nor did I feel like I learned anything new.

The Perfect Passion Company by Alexander McCall Smith

A new offering from Alexander McCall Smith — possibly the beginning of a new series. Katie has taken on management of the Perfect Passion Company — a matchmaking service with the personal touch. She is aided by the knitwear-designing, gorgeous but unavailable, William next door. Together they face a number of difficult-to-place candidates and manage to find matches for all in a typical McCall Smith simplistic, but effective and empathetic, approach to every day human problems (very reminiscent of Mma Ramtoswe’s style in the Number One Ladies Detective series).

I completely enjoyed reading this book with its emphasis on kindness and making a positive difference in people’s lives, though I admit to being slightly more annoyed than usual by some of the principles that inform his characters. Some are kind and empathic but also (IMO) weak, allowing themselves to be taken advantage of and turning the other cheek (they happen to be rich which I guess helps). There is also some not-too-subtle demonizing of the Right with, for example, some (very negative) descriptions of “libertarians” that don’t map to any of the libertarians I’ve ever met. However, as always I loved his ability to see people from different viewpoints and (except for the libertarian) accept people for who they are and acknowledge that they can still find happiness and love despite some very annoying (and pretty humorous) characteristics.

Thank you to Vintage and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 13th, 2024.

The Last Word by Elly Griffiths (Mystery)

Writing: 4.5/5 Characters: 5/5 Plot: 4.5/5

A fledgling detective agency is asked to investigate the (to all appearances natural) death of a client’s mother. The client is even so kind as to provide the name of the murderer — the mother’s second husband who has inherited the lot! Another client is worried about a similar situation, and oddly enough, the obituaries of both were written by a man who predeceased each of them! Natalka — a beautiful and blunt Ukranian careworker; her partner Benedict — a philosophical ex-monk who now runs a coffee shop; and Edwin — an erudite and genteel former BBC producer of advanced age all tackle the case which quickly heads off into surprising territories. At the center of the proliferating coincidences is a writers retreat and a book club run by one of the retreat’s instructors.

I always love Griffiths’ characters. They are interesting in the way real people are interesting — not just superficial quirks but different ways of thinking, different things that give them pleasure, different ways of tackling problems. While some characters get the diversity treatment (the DI with a small role in this book is a lesbian Sikh), they get to be individuals within that identity classification and do not pretend to represent the whole or spend much time letting their identity inform the important parts of their lives. Her characters are completely believable, and I would be very happy to spend time with most of them. I also love Griffiths’ writing which has been consistently good throughout all of her many (many) books. Although I would classify her mysteries as cozies, there is never any dull filler. In this book, what “fills” the pages are questions of spirituality and ethics, literary references ranging from Shakespeare to Christie to Richard Osman, (good) writerly advice, operatic clues, and feathered barbs relating English experiences to those of a Ukranian.

I read a lot of mysteries — they are my comfort reads — but most mysteries are nothing special. Some nice closure at the end, a few historical tidbits, an engaging character. I find Griffiths’ mysteries a cut (or two) above. She is in my top three along with Louise Penny and JK Rowling (as Robert Galbraith) — satisfying at every level. I’m so happy with her prolificity!

Thank you to Mariner Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 23rd, 2024.

The Phoenix Crown by Kate Quinn and Janie Chang (Historical Fiction)

Writing: 4/5 Characters: 5/5 Plot: 4/5

Two determined women, a wealthy, charming, but deeply dangerous man, and a precipitous event come together in this propulsive novel by Kate Quinn and Janie Chang. I’ve read most of Quinn’s novels; I’m planning to read my first Chang shortly because it looks fascinating!

Gemma Garland comes to San Francisco to meet up with the Met traveling group to join the chorus when a current singer chooses to leave. Garland is a gorgeous soprano who is prevented from singing leading roles due to debilitating migraines she can’t control. Feng Suling is a (very) talented seamstress who is desperate to escape the arranged marriage her uncle is forcing on her to escape his (massive) gambling debts after her parents died. Mr. Thornton — a wealthy and ambitious patron of the arts — is in a position to help them both and yet… he is not necessarily what he seems to be. It is early April in 1906 and the infamous San Francisco earthquake is less than two weeks away.

Good writing encompassing plenty of richly detailed history. Real characters such as Enrico Caruso (famous tenor — I’m guessing most of you know this!), Martin Beck (the founder of the Orpheum theater), and Alice Eastwood (the curator of Botany at the California Academy of Sciences) are inserted into the plot without betraying their actual character or actions (at least not too much). Fascinating details about Asian art, including the Phoenix Crown (real and stunning), an exquisite Dragon Robe, and multiple object d’art are included — both in description and in terms of how they are made. A full description of Chinatown and the various laws, policies, and practices around Chinese immigrants at the time is provided with depth and nuance.

A powerful narrative with a real punch. Plenty of opportunity to perch on the edge of your seat and bite a nail or two.

Thank you to William Morrow Paperbacks and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 13th, 2024.

Tree. Table. Book. by Lois Lowry (Middle Grade Fiction)

11-year old Sophie’s best friend is another Sophie — her 88-year old neighbor Sophie Gershowitz. Older Sophie is the one with whom young Sophie has a “true and lasting friendship, a friendship of the heart.” But older Sophie is not doing well — her memory is failing and there are rumors of her being removed to a facility in a distant town. To help, young Sophie tries to prepare her for the memory tests she will be faced with. She tries to get her to remember three simple words — Tree, Table, Book — by cementing them in stories that are important to the older woman. But the stories that come out are heartbreaking, secret, and revealing to the point of translucency. Pieces of history that explain who Sophie G is and how she became that person.

Lowry is (and always has been) an incredible writer. I’ve probably read everything she has written, and she has never failed to catch me in surprise with her revelations. The 86-year old author is able to put herself into the characters of both Sophies beautifully. Young Sophie’s mind meanders like an intelligent, curious, 11-year old. Older Sophie’s mind loses details but holds on tenaciously to the important truths of life. Lowry — as usual — manages to get essence into every single sentence. I was brought to tears multiple times. The tears were not dragged out of me, though, but were natural products of the feelings at the heart of the book. I felt more reading this 200 page book aimed at 8-12 year olds than the most dramatic adult books. And I love the (almost) last line which is included in one of the quotes below.

Quotes:
“I had told Sophie Gershowitz that I always got the dates right, on history tests, always got As. That was true. But I had never really got it, never understood history, how things fit together, because I needed someone to tell me the stories not of politics and dictators, but of berries and bunnies and books. Of how things are lost, and what that means and how it hurts.”

“I prefer curved and winding roads. They make me think about Stuart Little setting off in his tiny car to look for love.”

“In order to understand how it feels to say goodbye to your dearest friend, you need to know about a flowered apron, a Jello-O mousse, an old refrigerator with ice trays, and a whistling teakettle. You need a size-small T-shirt that says Live Long and Prosper. You need a yardstick. Maybe you above all need a yardstick, because you have to measure everything so that it fits together, because you have to aim for an understandable ending.”

“It is exhausting to think about it. There is so very very much to fix. And I know, of course, that a lot of it isn’t fixable. I understand that.
But I can try. I’ll start small.”

Thank you to Clarion Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 23rd, 2024.

Chaos Terminal by Mur Lafferty (SciFi)

An entertaining sequel to Station Eternity which was one of my favorite reads last year.

In truth, while I enjoyed this book, and appreciated the twists and the personal development of some favorite characters, it was a little disappointing when compared with book number one (or Lafferty’s other offering Six Wakes). No new alien cultures to explore, new characters (all human) whom I already can’t remember, and a basic mystery that kept me reading, but didn’t have any shocking twists. It was fine and I’ll probably read the next one when (if) it comes out, but I hope Lafferty will get back to the (IMHO) really good stuff in her next release.

The Samurai’s Garden by Gail Tsukinaya (Historical Literary Fiction)

A quiet, thoughtful, and utterly absorbing book about a young man from Hong Kong sent to a small, Japanese fishing village to recover from tuberculosis on the eve of the second Sino-Japanese war (Fall, 1937). Twenty-year old Stephen is a student and a painter. The year he spends in Tarumi is told through a set of journal entries which are equal parts descriptive and reflective. There is the distant war, with the radio intoning massive Chinese casualties along side propagandist calls for the enemy to “simply surrender to the kindness of the Japanese army, and all will be well.” There is the slow unraveling of his parent’s marriage as his father’s business interests keep him in Japan. And there is the burgeoning friendship with the older Matsu — caretaker and master gardener — and Sachi — whose life was abruptly shattered when leprosy swept the village decades before. Throughout the year, Stephen — feeling deeply but never loudly or dramatically — is slowly developing his own philosophy of living based on the lessons the world is teaching him.

The writing is exquisite — shifting between culture, character, and the natural (and unnatural) world. There is a recurring theme of beauty — sometimes found in the most unlikely places — and yet, once found, inevitable rather than surprising. Throughout all — war, destruction, disease, grief, and the ever tragic profusion of human contradictions — the focus is always on how to move forward — recognizing the fragility of life and finding your own peace and contentment within it. I liked the way the author made it clear that this was not an easy task. And I loved the fact that throughout this story teeming with essential truths, there was neither a cliche nor a saccharine sentiment to be found anywhere in the pages. Some beautiful descriptions of gardens and natural landscapes along with an artist’s way of engaging with the world as well.

Highly recommended.

Quotes:
“ It’s harder than I imagined, to be alone. I suppose I might get used to it, like an empty canvas, you slowly begin to fill.”

“All over Japan they were celebrating the dead, even as more and more Chinese were being slaughtered. There would be no one left to celebrate them. I looked around at all the smiling faces, at Matsu and Fumiko who moved slowly beside me, and wished that one of them could explain to me what was going to happen.”

“Ever since I had come to Tarumi, I’d seen more deaths than in all of my life in Hong Kong. Everything before me was changing. I knew I would never be able to step back into my comfortable past, Ahead of me lurked the violent prospect of war, perhaps bringing the deaths of people I knew and loved, along with the end of my parent’s marriage. These were the terrors I’d somehow escaped until now. And as I sat among the white deutzia blossoms, I felt a strange sensation of growing pains surge through my body, the dull ache of being pulled in other directions.”

“I’ve tried to capture this ghostly beauty on canvas, but like anything too beautiful, it becomes hard to re-create its reality. There’s something about being too perfect, that, even this, which at times appears stiff, almost boring. I finally gave up after several tries.”

“She wasn’t beautiful, not in the way that Tomoko must’ve been, nor did she have the roughness of Matsu. Her attraction wasn’t in the form of perfect features, but from the deep, wrinkles, age spots, and eyes that have seen much of what life has to offer. Fumiko had a face that had been enriched through time.”

“I was old enough to understand everything he said, but as his mouth softly formed the words, I knew the sense of integrity I had long admired in him had died, and then I was already grieving for its loss.”

“He learns how to do art with the stones in her garden: it was a strange feeling, much different from working with the fluidity of brush and paint, or water and earth. The weight of the stones pulled against each stroke and left a distinct feeling of strength and permanence.”

Elon Musk by Walter Isaacson (Biography)

Isaacson does a great job of bringing odd, but clearly brilliant, characters to life. He did it for Steve Jobs, Benjamin Franklin, Leonardo Da Vinci, and now he does it for Elon Musk who makes a great subject for Isaacson’s style of biography — one full of relevant detail along with well-rounded, attributed commentary every step of the way. From childhood to the creation of one industry disrupting business after another (eg Tesla, SpaceX, StarLink) all the way through to the (hostile, messy, and yet full of interesting disclosures) acquisition of Twitter, we get the full story as synthesized from interviews, public records, and the occasional clearly labeled author opinions. The coverage continues through December 2022. What comes through clearly is Musk’s passion, drive, and brilliance, as well as what he is like as a human being. My overall takeaway aligns with this Bill Gates comment: “You can feel whatever you want about Elon’s behavior, but there is no one in our time who has done more to push the bounds of science and innovation than he has.” After reading the book, I am a fan, albeit a fan who has no interest in either befriending (not a likely scenario in any case!) or working for the man

I love that Musk is motivated by pushing humanity forward on the grandest scale: making humans multiplanetary; leveraging renewable energy sources to fight climate change; ensuring that human consciousness survives; and enabling freedom of information through networks and speech platforms. I like that he has the courage to stand by the need for a strict meritocracy in his companies, not subscribing to what he calls the “woke-mind virus.” (I understand that this is a contentious issue but I fall on his side, at least in terms of optimizing for competence when hiring). His “simple” test for the people he hires (or keeps) is that they are “excellent, trustworthy, and driven.” Here excellent means actually excellent as in qualitatively MUCH better than average — not the inflated excellent that is designed to make everyone feel good. Also, his version of driven is intense — he keeps things moving with a “maniacal sense of urgency.” While I’m well beyond the energy levels required to work in such an environment, how exciting would it be to be a part of actually changing the world in such a direct, uncluttered, way? Anyone who has ever worked in a (larger) tech company knows the frustration of trying to get anything done with all of the bureaucracy and frankly mediocre gatekeepers along the way. The issues surrounding Twitter are a completely different kettle of fish. Isaacson says, “He thought of it as a technology company, when in fact it was an advertising medium based on human emotions and relationships.” There is extensive coverage and I’ll let you make up your own mind about it.

The book is full of detailed engineering information (made surprisingly accessible and interesting to readers with varying degrees of background and experience) ranging from the behavior of materials to principles of process design. We’re also treated to Musk’s ongoing verbal annotations at each step as to what he was doing, why he was doing it, how he made it happen, and what he would have done differently (not much, really, but some). I found it all pretty engaging.

So was it a good book? I thought so — it was superbly organized and curated so that topics were introduced at the appropriate time. The book proceeds in date order so you get a real sense as to the number of (giant and complex) balls Musk was keeping in the air at once — each with its own urgencies, engineering issues, political aspects, funding problems, etc. He didn’t take a lot of vacations. Isaacson had access to — and extensively interviewed — almost everyone who had any large part to play in the pages. This included family, friends, colleagues, past employees (both disgruntled and appreciative), reporters, industry luminaries, and, of course, Musk himself. Isaacson’s biographies are never dry reading and his style is blessedly clear and concise (we’re still talking 700+ pages — imagine what the length would have been had it been written by a lover of tangents!).

Well worth reading.

The Diamond Eye by Kate Quinn (Historical Fiction — audio book)

Writing: 5 /5 Characters: 5/5 Plot: 5/5
    Kate Quinn can write! This is the third book of hers that I’ve read (in this case, listened to — excellent reader.) Every one grips you completely from beginning to end. This is the story of Mila Pavlichenko — the history student who becomes Russia’s deadliest sniper when the Germans invade Ukraine in 1937. Based on the real person’s memoir, it takes us through her war: from enlistment, to finally getting a weapon, to becoming a sniper (with 309 certified kills), to her participation in the American goodwill tour (where she is befriended by Eleanor Roosevelt) designed to get the US into the war on a second front.
    The primary characters — Mila, her sniper partner Kostya, her should be ex-husband Alexei, and her lover Lionya — were incredible. Full of depth and reflection and firmly placed in the context of their time and place. I loved the depiction of relationships during wartime — the development, the tightness, and sometimes the loss — which often brought tears to my eyes. I also loved Mila’s sense of droll humor — not a characteristic much valued in the Soviet Komsomol. Perhaps this is part of why I felt connected almost instantly, even though Mila’s life was about as far as you could get from my own.
   There is plenty of action and drama in this story, but nothing is “over dramatized.” There is plenty to feel from the factual story itself without needing the embellishment of extra heartstring tugging prose. And the action — which typically bores me — is so personal that is interesting. There are strong feminist themes throughout the book. The Soviets were the only army at the time that allowed women to fight, and yet women were still subjected to expectations of sexual favors, lack of promotion, and plenty of ill will from their male comrades-in-arms. On the US goodwill tour, Mila was subjected to absurd questions such as her skin care regime and lipstick choices on the front as well as the color of her preferred underwear. Her answers were worth the entire price of admission. I particularly appreciated what felt like genuine attitudes toward the Soviet Union from the woman who lived there — there was no smacking of modern or US based sensibilities sneaking into the text.
    As always, Quinn is meticulous in documenting which parts of the novel are fiction and which are based on documented fact. I am quite impressed with both the integration of the two and the clean lines between them, making it easy to enjoy and yet distinguish between, a documentation of a real life and an electrifying story layered on top without disturbing the base.
    Highly recommended (and now I need to go read the rest of her books — my TBR pile is long past the toppling stage…)

Murder in Rose Hill by Victoria Thompson (Historical Mystery)

I like this late 19th/early 20th century series by Victoria Thompson starring midwife Sarah Malloy (nee Brandt) and her private detective husband Frank. The characters have continued developing at the rate of approximately one book per year since 1999 beginning with the initial meeting of the young widow and the rare, incorruptible Sergeant Frank Malloy. Thompson does an excellent job with historical detail — inserting each story in pieces of history with deftly integrated details that do not sound like a regurgitation of Wikipedia articles.

In this installment, Louise, a young woman determined to follow in muckraker Ida Tarbell’s footsteps, is digging up information to bring down the patent medicine industry which she is sure harms more people than it could possibly help. (She is clearly correct given that most potions are mixtures of alcohol, heroin, and cocaine!) When Louisa is found dead shortly after interviewing Sarah, her father comes to the Malloys asking for help in finding her killer. The story brings in the new technology of the time (electric motors! the telephone!) along with the mechanics of the police force, the (widely varying) attitudes towards women who choose education and working lives over lives as wives and mothers, and of course, the ubiquitousness and impact of patent medicines. Did you know that the word “flashlight” comes from the fact that the originals gave out only short bursts of light because batteries were weak and bulbs primitive? Pretty fascinating stuff!

The writing is fairly simple, the characters are likable, though not terribly introspective, I never do figure out whodunnit in advance, and the history illuminates the every day details of life in a completely foreign time period.

Thank you to Berkley and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 23rd, 2024.