The Vanishing of Margaret Small by Neil Alexander (Historical Fiction)

Writing: 4/5 Plot: 3.5/5 Characters: 4/5
Margaret Small is not your typical protagonist. Seven year-old Margaret was “Vanished” (her words) in 1947 — left at St. Mary’s Hospital in Canterbury by her grandmother who never saw her again. St. Mary’s was an institution for people who were unwanted — those with disabilities such as Down’s Syndrome, polio, or “moral imbecility.” Though we never get a stated diagnosis for Margaret, she appears to have been “slow” or “simple minded.” When we meet her in 2015 at the age of 75, she is (still) unable to read or write.

In a dual timeline, the 75-year old Margaret recalls her past in a set of chunks: the sudden drop off at seven — scared, and confused; a confusing sexual experience when she is 22; sudden (scary) freedom at 32 when she is told she can leave the hospital and live in a small group home with the help of a Social worker / carer. As her social worker helps her come to terms with her life, he draws an analogy between people with disabilities and people who are gay 50 years before when that was illegal. There are several long lectures about how people with disabilities were seen as having illnesses (like being gay) and how they were put away for that reason.

While the end is ultimately uplifting, I found the (longish) story somewhat depressing and a little simplistic in terms of how her life could have easily been much better. The story did highlight how people were shunted to these institutions with no hope of “release” and no effort made to help them overcome whatever difficulties they had. While the story is not new to me, it was particularly upsetting to lump in people who literally could not care for themselves (severe mental retardation or extreme physical disabilities) with people who simply did not confirm to social norms at the time (usually due to some kind of sexual preference or action that upset someone else).

Thank you to Embla Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on Nov 16th, 2022

The White Lady by Jacqueline Winspear (Historical Fiction)

Writing: 3/5 Plot: 4/5 Characters: 4/5
Elinor White has been trained to be a predator rather than prey which served her well during WWI when her home in Brussels was occupied by Nazis. It also served her well during WWII as she worked to protect her adopted country (England). But exercising those skills left their mark, and she finds herself torn between protecting those who can’t protect themselves and letting go of the violence that continues to haunt her.

A standalone (or possible new series beginning?) from the author of the Maisie Dobbs series, this book is kind of a mix between an historical novel and a mystery, with an emphasis on the former. It had a bit of a slow start but I was drawn in and found myself caring very much about the characters. I’m a big Winspear / Maisie Dobbs fan. I wouldn’t mind finding out more about Elinor White if this turns into a series…

Thank you to Harper and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 21st, 2023

Holmes Coming by Kenneth Johnson (Audio book)

Writing: 4/5 Characters: 4/5 Plot: 3.5/5

Pretty entertaining audio book with a fantastic radio-style cast of readers (including the author) who make it a very entertaining background for driving or long, solo walks. Part speculative fiction, part crime novel, and part literary novel, the premise is that Hubert Holmes (the real man behind Sherlock) put himself into a cryogenic hibernation and woke up a few years early in 2022 in a Marin based manor home maintained faithfully through the years by successive generations of Hudsons. With the help of Dr. Winslow (a female pediatrician who happened to be visiting the house when Holmes “woke up”), Holmes discovers not only a fresh but a world with decidedly different moral tenets, attitudes towards women, and delightful sources of data (think — Internet).

Nicely convoluted plot, some very good characters, fantastic readers (loved all of the accents), and some fun and thought tweaking contrasts between the world of 1899 and 2022 as seen through the eyes of someone who “popped” quickly from one to the other. Personally, I had a little trouble with the superior attitude of Dr. Winslow who continually pointed out Holmes’ inferior empathy / emotional engagement attributes (but oddly enough I had no problems with his superior attitude towards … everything else. Go figure!). She was actually my least favorite character but perhaps that says more about me than the book. I happen to love know-it-alls (men or women) who actually do know-it-all and don’t always like others putting them in their place for not “playing well with others.” As I said … more about me than the book!

The Bohemians by Jazmin Darznik (Historical Fiction)

Writing: 4/5 Characters: 4/5 Plot: 4/5
This is ostensibly a fictionalized history of Dorothea Lange — world renowned photographer known for her Depression era work (see photo below). It primarily focuses on her early years in San Francisco from from her penniless arrival in 1918 through to her success as a photographer. It incorporates much of the interesting cultural history of the time — immigration policies and fears, polio, the 1918 flu, the aftermath and impact of the San Francisco earthquake, Orientalist fever, human trafficking, the Mission home for girls, and the group of Bohemian artists living inexpensively in the Monkey Block (an iconic SF building on Montgomery). Except for Lange’s feelings during the events in the story, everything described is documented history (and vividly portrayed).

The real story in the book has only a tenuous link to reality. It is the colorful fiction built around Lange’s Chinese assistant known in history as “Ah Yee” or “the Chinese Girl.” Nothing but these thin labels has been documented, but in Darznik’s book, Caroline Lee (the real name of Ah Yee) is fully fleshed out in a way that takes an historical footnote and blossoms it into a full, vibrant, and essential human being. Lee’s backstory, her talent for fashion and design, and the intolerance she faces (from minimal snubs to outright violence) is the real story here. Oddly enough, the elements of Lange’s story — her volatile marriage to artist Maynard Dixon, the photographic topics she eventually took on, and her backstory (replete with childhood difficulties such as polio) is nowhere near as fleshed out as the story of her relationship with Caroline Lee, allowing the book to make a larger social justice statement.

Excellent descriptions of San Francisco as it was — both physically and culturally — with plenty of small details to remind us of elemental differences (such as having to take the ferry to Oakland because there was no bridge!). Solid Historical Fiction.

Romantic Comedy by Curtis Sittenfeld (Literary Fiction)

Writing: 5.5/5 Plot: 4/5 Characters: 5/5

Loved, loved, loved this book! It’s clever, witty, full of intra- and inter-personal insights and … it simply made me happy. Our narrator is a 26-year old writer for The Night Owls (TNO — think Saturday Night Live) whose goal is to one day write “non-condescending, ragingly feminist screenplays for romantic comedies.” The book opens with a grumpy and well depicted annoyance that her office mate — middle aged schlub writer Danny Horst — is engaged to a gorgeous and popular celebrity. Her curmudgeonly point? This could never happen if the genders were reversed. And this sets the stage for this laugh-out-loud and deeply satisfying examination of love, romance, gender stereotyping, and personal insight with plenty of grammar jokes, neuroses, soul baring and an extremely funny and yet poignant story of how she got her hamster tattoo.

It is a self-referential, Covid fueled, Romantic Comedy for our times. I always love Sittenfeld’s writing — it is clean, pointed, and intelligent (and allows her audience to engage intelligently) while never belaboring an obvious point and always remaining simultaneously funny and meaningful. I would love to see some of the SNL style skits her characters propose and the whole thing would make a great movie that would easily bear multiple rewatches. Great cast of characters.

Some great quotes — out of context and just a drop in the bucket:
“Did he realize I wasn’t yet wearing earbuds or did he not care? I suspected the latter; every day, things were said at TNO, often on camera, that would have constituted sexual harassment in any other workplace except the current White House.”

“Even with the baked-in sexism, even when I’ve barely slept. I just can’t imagine a job where I laugh more, or the people are more talented and hard-working. And to get paid to make fun of stuff that deserves to be made fun of and have this huge platform — what more could a misanthrope from Missouri wish for?”

“Another of my pet peeves is that the female characters used to all be sort of cutesy, like having flour on their nose after they baked cookies and not knowing it. And now they’re all a mess, like waking up really hungover and getting fired. I want to create characters who aren’t flawless but also aren’t ridiculous or incompetent at life.”

“Just to be clear, I do lead a life of quiet desperation. I wouldn’t want to be friends with anyone who doesn’t, or anyone who isn’t filled with ambivalence, because I assume they’d be incredibly shallow. But I’m sure I’d be ten times more quietly desperate if I were living in the suburbs with a two-car garage.”

“Aren’t we all just looking for someone to talk about everything with? Someone worth the effort of telling our stories and opinions to, whose stories and opinions we actually want to hear?”

“All of which was to say that the sketches I’d written over the years about the absurdity and arbitrariness of beauty standards for women had arisen not from my clear-eyed renunciation of them, but from my resentment at their hold on me.”

“I thought, not for the first time, that plainly expressing what you thought about fraught topics was significantly harder than writing banter between imaginary characters.”

Thank you to Random House and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 11th, 2023

The Daydreams by Laura Hankin (Fiction)

Writing: 4/5 Plot: 4.5/5 Characters: 4/5

Four somewhat innocent (at the time) stars of a wildly popular teen show in the early 2000s had their dreams of stardom snuffed quickly after a disastrous live finale at the end of season two. Going their separate ways — one a Washington lawyer, one the wife of a famous athlete, one a star in his own right, and one a complete disaster in and out of rehab — they somehow end up agreeing to a reunion … and then things really fly.

Good writing, a convoluted plot full of surprises (where I wasn’t expecting surprises) that unwound at a good pace. The machinations of the entertainment machine, with its inherent bias toward men and white girls and its double standards for men and women was well portrayed without overplaying the drama (I am so over drama these days). Good interactions and self assessment with real depth and a somewhat unusual but gratifying ending. Quite enjoyable!

Thank you to Berkley Publishing Group and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 2nd, 2023

Homecoming by Kate Morton (Literary Fiction)

Writing: 4/5 Characters: 5/5 Plot: 5/5

A dual timeline story in the Adelaide Hills (Australian Outback). In 1959 an inexplicable tragedy occurs with a nasty, but generally accepted explanation which is never actually proved. In 2018 Jessica Turner-Bridges races back to Sydney when the grandmother who raised her suddenly takes ill. A free lance journalist, Jessica gets obsessed with the 1959 story which she has stumbled on and which — it turns out — is closely related to her family.

Vivid writing bringing to life the surroundings and individual, interconnected stories. Good pacing continually introduces new stories and sources that shift your understanding at the same pace as it does for Jessica. I kept thinking I knew what had happened but was continually surprised. There was a little more scenic description than I like (I’m not a visual person) but I was able to skim those sections if they got too long. Plenty of drama (but not melodrama — the events were dramatic but the characters got on with doing their best and didn’t descend into wailing and teeth gnashing). It was difficult at time knowing in advance what happened (and that is is awful) and watching the narrative slowly unfold to explain the details. On the other hand, in a weird way it is less stressful knowing the end as there is no way to avoid it.

Some beautiful commentary on books and reading and a nice array of literary and cinematic references. Some genuine and insightful reflection on loneliness, community, motherhood, purpose, identity, and the impact of events on a wider assemblage of persons than might be suggested by the event itself.

Thank you to Mariner Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 4th, 2023.

The Terraformers by Annalee Newitz (Speculative Fiction)

A new world with only 1,000 more years of terraforming left before becoming a human paradise;  a set of (remarkably long lived) “rangers” whose job is to terraform and protect the fragile environment; a money hungry (is there any other kind?) mega-corporation intent on capitalizing their investment a little early; and some “people” who were created to survive in the original (non human breathable) environment but shunted aside once the world could support “standard” human life.  This is the setting in which Newitz can explore just about every PC hot button that exists:  rich vs poor, a**hole right wingers vs right thinking lefties, eco sustainability, and the (more interesting)  sapient beings of all forms who have been decanted (created) in richly formatted  types — full sensory remote beings, flying moose who can text but not speak, and humanoid beings who can live in harsh (ie no breathable atmosphere) climates without technical support.  Plenty of gender/sexual preference diversity as well.

It’s well imagined, with lengthy descriptions of the world and diverse cultures that I really enjoyed.  Quite a lot of action and a little heavy on the (obviously) good guys vs (more obviously) bad guys front, and a little long winded on the battle / intrigue / angst for my taste, but overall some very interesting commentary and exploration of what it means to be human — especially when you have been “created” for specific (and not your own) purposes…

Thank you to Tor Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on January 31st, 2023.

Cantoras by Carolina De Robertis (Literary / Historical Fiction)

Writing: 3.5/5 Characters: 4.5/5 Plot: 4.5/5
Five women find each other amidst the oppressive dictatorship in Uruguay in the 1970s. Together they manage to find and buy a small shack in a lonely coastal town where they can be themselves without fear, where they can blossom into themselves. They are “cantoras” or “women who sing” — a euphemism in this case for women who prefer women. Flaca, a relatively masculine butcher’s daughter; Romina, a Jewish refugee from Ukraine; Anita, renamed “La Venus,” a housewife who can no longer bear the standard life she is expected to lead; Malena, a schoolteacher with a hidden past; and Paz, the youngest at 16.


Following the individual and collective stories of these women through the long dictatorship and through the first years of recovery was far more captivating that I had expected. Based (I believe) on many interviews with people who had lived through this time period, the author really captured the experiences, feelings, and reactions of individuals without going overboard on the drama. I’m always appreciative of an author who recognizes that the subject can speak for itself when properly depicted without resorting to melodramatic finger pointing. Woven together in the narrative is the general persecution of people during an oppressive regime as well as the more generic persecution of homosexuals (in truth this persecution seemed to be more cultural and not actually related to the dictatorship, though the book jacket links the two together). The writing was full and descriptive, doing an excellent job of depicting the sensuality of the lesbian relationships and the pervasive tumult of feelings — fear, joy, worry, exultation — resulting from living through the period. I liked the reflection of each character as she considered her life and the larger situation into which she had been born. And her decision as to how she would participate — enjoy what she has? Take chances by working with those willing to rebel? Hide — either physically or culturally?


I learned a lot about Uruguay — I’m probably not alone in simply being unaware of this aspect of Uruguayan history. While not mentioned in the story, the all-knowing Wikipedia claims the 1973 coup that brought in the military was backed by the U.S. (I’m guessing to stop the perceived Community insurgency). Separately, the gradual opening of the culture to homosexuality, culminating in the 2013 right to same-sex marriage (the third country to do so in the Americas after Canada and Argentina), was also depicted through the stories of these women. The narrative brought together these two concurrent themes well — the book felt quite real.

A few good quotes:
“Histories tend to grow richer with time, gathering details as they pour down generations.”
“That the silence of dictatorship, the silence of the closet, as we call it now—all of that is layered and layered like blankets that muffle you until you cannot breathe. For many people it is too much. In Paraguay we have seen it. And so, here, none of you should carry the blame.”
“Furniture gave slow birth to itself: a table started as a plank on four stacks of bricks, then became a slab of swirled driftwood, found on the beach and dragged back home, cut, placed over the bricks at first until the attempt began to hammer on legs and to sand the knots and whorls on the top into a more even surface.”

A Death in Denmark by Amulya Malladi (Mystery / Thriller)

Writing: 3/3 Characters: 3/3 Plot: 3/3

I believe this is Malladi’s first detective novel (I’m far more familiar with her literary novels which I’ve liked very much). Gabriel Praest — her Danish detective — is a dapper ex-cop, part-time blues musician, and avid quoter of existentialists. An ex-girlfriend (the one who got away), asks him to clear her Muslim client of the brutal murder for which he has been convicted. The racism that has helped lead to his conviction is paralleled in the link to the Nazi murder of a particular group of Danish farmers and the Jews they were hiding during WWII.

This book may work for some people — plenty of interesting (though disappointing in that I thought the Danes were one of the few countries that valued and helped their Jews) Danish history, a look into modern Danish life (which is new for me), and a main character who has all the hallmarks of the brash, tenacious, undauntable PI with some modern trappings such as a flair for dressing, tight connections with both the under and over world, and (of course) relationship problems. He didn’t work for me — too many cliches and nothing particularly deep or insightful. The writing is decent but a lot of time is spent on political agendas and maneuverings while the rest is spent on describing clothing, interior design, and details of every day Danish living that don’t particularly interest me. Lastly, a lot of the writing was of the “tell, don’t show” variety, so long explanations of what happened when, but with no action and somewhat stilted dialog. To be fair, there was a lot of action in other parts.

I really loved her book “The Sound of Language” which I remember giving a genuine feel to the story of an Afghan refugee settling in Denmark. Obviously, this book is a detective novel which tends to be written differently, but I miss the good characterization and pacing of her previous works. This book didn’t work for me as either a literary novel or as a detective story, but it may work for others who like thrillers and more canonical hero types.

Thank you to William Morrow Paperbacks and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 28th, 2023.