To Night Owl from Dogfish by Holly Goldberg Sloan and Meg Wolitzer (Middle Grade)

I’ve been reading a lot of depressing (but very good – stay tuned) books lately and decided I needed a happy break — enter To Night Owl from Dogfish. An impressive, fully epistolary (email style) novel, following the grudging friendship developing between two 12-year old girls who have been sent to summer camp by their romantically involved, single, gay dads in order to get to know each other. What follows is a touching and simultaneously funny (and convoluted) story reminiscent of The Parent Trap.

Californian Bett Devlin is afraid of nothing, loves animals, sports, and a lack of rules. New Yorker Avery Bloom is afraid of everything, likes the indoors, and loves for things to be under control and absolutely safe. As their dads head off for a motorcycle trip across China, they communicate via iPad having already decided that they will under no circumstances be friends or even speak to each other at camp! Things head off in unexpected directions (I really didn’t see *any* of the plot developments coming) and include Avery’s previously unknown biological mother and Bett’s (somewhat loony) grandmother from Texas.

A fun read!

The Sentence is Death by Anthony Horowitz (Mystery)

The second installment of Horowitz’ self-referential detective series starring himself as the semi-bumbling, self-deprecating sidekick to the enigmatic Detective Daniel Hawthorne. Horowitz writes fantastic mysteries — they are convoluted in the most delightful ways, are full of interesting characters, and progress at the perfect pace (also — I never do figure it out early!) One of the benefits of this particular series is also gaining some insight into other aspects of Horowitz’ writing life — the production issues for Foyles War, the interactions with agents and booksellers, and parts of the Writer’s Process (as experienced by Mr. Horowitz).

I don’t want to give away *anything* in the plot, but it covers a wide range of places, people, time, and professions — divorce lawyers, (very) expensive wine, literary snobs, interior decorators, spelunkers, forensic accountants, muscular dystrophy, and the NHS. Horowitz does an impressive job of applying diversity to characters with no regard to stereotypical expectations. I did find myself struggling to constantly sift out the fact from the fiction, which told me more about myself and my own neuroses than about the book — it doesn’t matter a bit! A fun read.

Great for fans of Robert Galbraith.

Thank you to Harper Collins and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 28th, 2019.

Old Baggage by Lissa Evans (Historical Fiction)

The best thing about this novel is the way it brings the UK Women’s suffrage movement of the early 1900s to life. Historical fiction at its best. Having grown up in the 60s in a family that wouldn’t dream of not encouraging their daughters, I sometimes forget how difficult it was for women to gain something as simple as the vote (as an aside, check out https://www.infoplease.com/us/gender-sexuality/womens-suffrage to see the order in which women got the vote across the globe).

Mattie Simpkin is the larger-than-life, brash heroine who has spent most of her life fighting for Women’s Equality. She was a leader of the Militant Suffragette Movement, and a fair portion of the book covers those experiences along with “where are they now” reunions of those women in the current time (1928, on the cusp of the Act that gave women electoral equality with men). Now Mattie has turned her attention to the young girls who don’t seem to appreciate their newly won rights or understand that the fight for equality isn’t anywhere near complete. She founds a Girls Club with the stated aim of training young girls for lives as “20th Century Women.”

The writing is exquisite — equal skill applied to descriptions of the environment, individuals and their opinions and motivations, and some spectacularly articulate and insightful arguments for women’s equality.  I loved the depth painted in each character — a panoply of realistic people of the time. Although the story is not a comedy, several lines had me laughing out loud (see samples below).

There was an additional plot line overlaid on the broader story that I frankly didn’t care for as much. This focused more on Mattie’s personal development with respect to her feelings towards friends and family and her inability to see clearly into a particular character because of her own history.  However, the bulk of the book is both enjoyable and informative so I am happy to recommend it.

Some great lines:
“People always stared. If one didn’t creep around, if one said what one thought, if one shouted for joy or roared with anger, if one tried to get things done, then seemingly there was no choice but to be noticeable”

“Moodiness had always baffled her — the way that it placed the onus on the other person to gauge which breeze of circumstance was the cause of this particular weathercock twirl. If one were cross about something, then one should simply say so; conversation should not be a guessing game”

“Whereas listening to Mr and Mrs Wimbourne on the topic of their grandchildren is akin to being chlorformed. And servants — do you have any idea of how much the average middle-class woman has to say on the subject of servants? Mrs Wimbourne, Mrs Holyroyd, Mrs Lumb — all ululating on the difficulty of keeping a housemaid.”

“A banshee chorus swelled monstrously and then died away and, for a moment, only the barking of every dog in Hampstead was audible.”

“Churchill had been giving a speech about the miners, his staccato delivery a gift to the astute heckler:”

“It seemed that people like him, people with easy lives, were always assuming things about her: she was stupid because she was a char; she was interesting because she was pretty; she’d be loyal because she was grateful. Nobody except Miss Lee asked her what she really thought.”

“There was a pause, presumably for Mr Wilkes to ensure that any remaining trace of anticipation had been sluiced from the room.”

“If she were a horse, one would advise blinkers”

“Mattie felt as if she were trying to sharpen an India rubber pencil”

“As a method of teaching it lacked variety, but it pummelled my intellect and meant that I dreamed no more during lessons.”

Thank you to Harper Collins and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 16th, 2019.

All For Nothing by Walter Kempowski (Historical / Foreign Fiction)

<New word (to me) stichomancy: divination by opening a book at random >

As explained in the prologue, Kemposwki’s mission in life was to ensure that the detailed history of this time and place did not get lost. He compiled an immense archive of the diaries, photos, letters, and other memorabilia from East Prussia during WWII and its aftermath and used it to inform the characters and plot in the novel.

The book centers on an aristocratic family that has retreated to their country villa to wait out the war. The time is January, 1945 (remember that the war in Europe ended in May 1945); the place a small town in East Prussia. Eberhard von Globig is an officer in the German military — stationed in Italy he is assigned to manage supply (he is currently “busily confiscating wine and olive oil from the Italians” for use by German troops; in the past he has been responsible for requisitioning topsoil from the Ukraine for use in Bavaria!). His wife, Katharina, is a seemingly vacuous beauty from Berlin, an unwilling and incapable mistress of the estate. 12-year old Peter, Auntie, the family spinster, and workers Vladimir the Pole and the Ukrainian girls, Vera and Sonia, complete the household.

The Russians are heading their way and there is a constant stream of visitors heading from East to West. The visitors bring news and their own stories, which they often feel compelled to keep repeating as if otherwise they would be lost completely. While multiple people urge the family to leave soon, there seems to be a lassitude with regards to any real action — or perhaps they don’t feel they have agency in this regard. Everything is carefully controlled by the authorities — nothing is allowed without a permit.

The story is meticulously, yet concisely, detailed. There are no long streams of names and dates and actions, but instead the intimate particulars of lives disrupted by war and imminent invasion. Each character has their own perspective — some pepper their commentary with “Heil Hitlers” and mean it, others warn the family to hide any evidence of Naziism before the Russians arrive; some are appalled at seeing books by Jewish writers displayed, others whisper about the strange prisoners in striped shirts at the local brickworks. There is constant refrain — “Where did these things come from? Where would they end up? Who knows what may happen?”

Things don’t end well — it is inconceivable that they would — but the slow unwinding of events, the minutiae of survival, the confusion of authority, and the unremitting examination of life and attitudes in a failing Germany is incomparable. I found it darkly interesting that while everyone is afraid of the Russians coming (and with good reason), most of the bad things that happen are a result of the Germans and their system — there appear to be just as many authorities ensuring obedience and punishing “bad behavior” as there are those out fighting the enemy.

It is told in an unemotional style — while a character might be thinking “I am terrified,” the reader is not exposed to any of the literary tricks that would evoke a sympathetic emotion within them. I’m grateful for that — those are not emotions I want to feel, even briefly.

Greenglass House by Kate Milford (Age 10+)

A perfect kids book! Had it been around when I was young I would have read it a hundred times by now (like my other favorites: Charlie and the Chocolate Factory, A Wrinkle in Time, and Charlotte’s Web). It’s an adventure story complete with rambling houses, hidden treasures, eccentric characters, ghosts, and Mystery with a capital M.

12-year old Milo Pine lives with his adoptive parents in Greenglass House — a rambling old Inn whose “regulars” are the smugglers who need a little “shore time.” Greenglass House is perched above a deep gorge — accessible only via a creaky cable car named the Whilforber Whirlwind or a 310 step stairway.

As Christmas vacation commences, and Milo prepares to snuggle in for some serious R&R in the empty Inn, the cable car bell keeps ringing and the number of guests (and emergency helpers) grow until Milo finds himself amidst a sea of eccentric characters who all seem to be on delightfully connected personal quests that center on the house itself.

Weaving together folk tales and local legend with a little paranormal thrown in, Milo uncovers the mysteries of Greenglass House and the odd set of characters who are so fixated on it. Milo — prone to anxiety and panic attacks — also develops delightfully through the twin instruments of literature and role playing games.

Good writing — the story is complex enough to engage adults and yet completely accessible to the target kid audience.

Behold the Dreamers by Imbolo Mbue

Writing: 4/5 Plot: 4/5 Characters: 5/5

A captivating book weaving together themes of family, opportunity, and morality as a Cameroonian immigrant family tries to find their American Dream in New York City.

Jende Jonga has just landed a plum job as chauffer to Clark Edwards, a senior exec at Lehman Brothers. His wife Neni helps Clark’s wife Cindy at home while pursuing her dream of becoming a pharmacist by taking classes at the local college. All appears to be going well, but it is 2008 and Lehman Brothers is heading for a fall. At the same time, the Jonga’s immigration tangle is becoming ever more labyrinthian.

Told in alternating chapters from Jende and Neni’s perspective, the author paints a thorough picture of an immigrant family and their motivations and interactions with a new world. The interplay between the Jongas and the Edwardses is a fascinating combination of the meeting of cultures and of specific individuals within the culture. Lots of reflection and insight into behavior which is what I look for. I love the way this book brings to light how ethical behavior is defined by individuals depending on their situation and personal priorities.

I don’t want to give away the ending — suffice it to say there is a lot of potential discussion topics for any good book club! The American Dream — the importance of family — the role of women — the morality of a given situation.

Great for fans of Exit, West.

The Tenth Muse by Catherine Chung

Writing: 4.5/5 Plot: 4/5 Characters: 4/5 Special Credit for beautiful math concepts: 5/5

A thoughtful and unusual memoir-style novel describing the personal journey of a female mathematician as she simultaneously navigates a male dominated field and slowly uncovers the truth of her family history. Katherine is a young, bi-racial Asian American growing up in New Umbria, Michigan in the early 1950s where her prodigious mathematical talent housed in a female body is not encouraged by early academic institutions (like 3rd grade!)

The novel merges her love affair with mathematics with the difficulties of pursuing an academic career in a male-dominated field and her personal quest for the roots of her family whose tangled branches reach into both Nazi Germany and the Japanese invasion of China. Told from the perspective of our first-person narrator speaking from the end of her career, the book is a combination of articulate description and mature reflection that adds great insight to every step without detracting from the innocence of the experience.

My favorite parts of the book are the descriptions of math from her perspective. They are beautifully written accounts of both the concepts themselves and the personal process of discovery, determination, and excitement that Katherine feels. I’ve included some of my favorite lines below. The author manages to take complex mathematical subjects and both reduces them to simple concepts and makes them beautiful, even to a non-mathematician. This is spectacularly done (IMHO).

Little biographical vignettes of female mathematicians throughout history are sprinkled liberally through the text. These include Hypatia (~350 – 415), Emily Noether (1882 – 1935), Maria Meyer (she of “San Diego Housewife Wins Nobel Prize” fame), Sofia Kovalevskaya (1850 – 1891), and Sophie Germain (1776 – 1831) in a kind of “sister companion” to Bell’s Men of Mathematics. I loved the way the author discussed both the historical and present (late 60s) barriers to entry women faced without ranting or complaining —simply noting the contributions and the kinds of determination the women had to have.

The themes of guilt, culpability, and oppression are explored throughout the book. What is the culpability of the German mathematicians in Goettingen (formerly the “Mecca of Mathematics”) who thrived during the war years by keeping their heads down as their more distinguished colleagues were conscripted, deported to camps, or escaped the country? What guilt should adhere to a man who allowed misattributed credit for an achievement to stand because those who knew better were gone? What fault attaches to the oblivious man who genuinely wants to “support” a young, female, protege by a means which ends up completely undermining her main claim to esteem? With no heavy-handed agenda or obvious answers, these thoughtful questions percolate throughout the book.

I loved the mathematics and personal process portions of this book. Katherine is an older, professionally successful mathematician as she recounts her experiences making it full of reflection and insight. While she professes no regrets, she freely admits that she could have handled things differently — rather than put all the blame on the barriers and mistakes of others, she understands that she bears responsibility for the outcome as well. I personally didn’t enjoy the parts of the book devoted to her family discovery — they were more in a Joy Luck Club style that recounted the stories as the narrator might hear of them from others but without the reflection and insightful commentary that the narrator was able to apply to her own experiences. While I think these stories and the slow unraveling of the mystery of her origins will appeal to many, for me they were secondary to her personal quest for a meaningful life.

Some great lines:
The very first line of the book: “There is nothing as intriguing as a locked door. Which is why in 1900 when David Hilbert presented the first of his twenty-three unsolved mathematics problems in his address to the Second International Congress of Mathematicians in Paris, he changed the course of scientific inquiry, and thereby the course of the world.”

“As we all know, the closest distance between two points is a straight line, but sometimes the closest distance between two ideas is a long and winding path.”

A key insight that Katherine tells her students: “It isn’t always the dazzling talent who ends up doing the great work. Sometimes people grow into their work, sometimes people burn out, and you never know who will stumble on the right problem at the right time.”

“How it was possible to fall into the space that someone left behind, and be crushed inside, like air falling back into itself with in a clap of thunder.”

“I found the promise of transcendent purity, a deeper order that never failed, I would believe in that, and let go of everything that couldn’t be counted on. Like my mother. Like family. Like home. By the time fall came around and it was time to go to university, in my mind, I was already gone.”

“They were lovely, I thought, in what they suggested — a visual representation of an idea, an ordering of a thought.”

“Analysis is considered the study of limits, but before it was called that, it was called the study of the infinite. I felt for the first time that I was looking at mathematics as it was meant to be done: here was a book that wasn’t meant just to instruct, but to open a door.”

“What I found most exhilarating was figuring out how to make the mathematical tools that explained the logic underpinning natural phenomena.”

Thank you to Ecco and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 18th, 2019.

The Weight of a Piano by Chris Cander

Writing: 4.5/5 Plot: 4.5/5 Characters: 4.5/5

Captivating novel about the lifespan of an antique (circa 1905) upright Blüthner piano and the two women whose lives are inextricably bound to it across place, time, and culture. Katya grows up in Leningrad. She inherits the piano at a young age from the blind pianist in the building with the note: “Even a blind man could see the music beating in your heart.” She devotes her life to music and the Blüthner until she is ripped from everything that she loves by her husband’s unilateral decision to leave Russia for a better life in the U.S. (~1980). Life is not easy for Soviet Jews in that time period (well, any time period in Russia, really).

Clara is a mechanic. Born to academic parents in Santa Monica, she loses everything in a fire when she is twelve. Only the Blüthner piano that her father gave her a week before he died is saved, having been in the shop for repairs at the time. She is insistently self-reliant, having learned long ago the heartbreaking loss when someone you depended on disappears abruptly. She grows up with an Aunt and Uncle in Bakersfield, and while she never develops any musical skills, the Blüthner is her prized possession. When a professional photographer offers to rent her piano for a series of desert shots in Death Valley, she is reluctant, but persuaded by the large sum on offer. She impulsively follows the piano on its journey and ends up discovering more than she ever imagined about her own history and approach to living.

Told through alternating narratives, the story is intricate and riveting. I loved the descriptions of music and the myriad ways it affected different people. Katya’s favorite piece, and one which threads through both narratives, is Scriabin’s Prelude #14 in E flat minor. Clara’s father’s attempt at characterization: “It’s poetry and color and imagination. In any of the languages I know, I can’t find the right words for it.” The depictions of Death Valley and the piano-centered photographic essay process make for both an inspiring travelogue and a photography primer for the uninformed (that would be me) — worth the price of admission all on its own.

As one narrative proceeds from bittersweet to utterly heartbreaking, the other narrative flows towards understanding, growth, and release. A full and satisfying read full of characters with depth for whom we cannot help but have great empathy.

The Care and Feeding of Ravenously Hungry Girls by Anissa Gray

Writing: 3.5/5 Plot: 4/5 Characters: 5/5

This book has all the makings of an Oprah book club selection — it’s a well-written, family oriented drama, full of people with serious personal issues but who are striving to deal with them (and succeeding). The triple narrative switches between the first-person viewpoints of the three Butler sisters: Althea (48), convicted of government fraud and in prison; Viola (40), recently separated from her partner and subject to long-term eating disorders; and Lillian (36), in the old family homestead struggling to take care of Althea’s teenaged twin daughters and her 88-year old ex-mother-in-law (who is one of my favorite characters).

Insightful character studies that elicit empathy in the reader without being overly dramatic (though gut-wrenching in places) — I was surprised that the author actually got me to understand and empathize with Althea, who after all had stolen charity money from people who could ill afford it. The characters bring to life the impact and genesis of several issues: IED — Intermittent Explosive Disorder, eating disorders, the stigma of jailed parents in a small community, and childhood abuse. Sometimes painful to read, but generally uplifting in the way the characters draw together for healing and never give up on themselves or each other.
Thank you to Berkley Publishing Group and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on Feb. 19th, 2019.

The Undoing Project by Michael Lewis (Non Fiction)

Fascinating book about the birth of the field now known as Behavioral Economics. Part biography, part history, part research summary, this is the story both of the evolution of a friendship and collaboration as well as the melding of two previously disconnected fields: Economics and Psychology.

After their first meeting around 1968, Amos Tversky and Daniel Kahneman were rarely apart. The decades long tight collaboration that resulted produced a stunning number of key insights and seminal papers on the psychology of Judgement and Decision Making. The primary idea: there is systematic bias in the way people make decisions. Their work was responsible for the fall of the concept of the “rational man.”

They studied the cognitive basis for common human errors and elaborated on a set of heuristics (simple rules) and cognitive biases that subconsciously influenced the way people formed judgements or made decisions. Many of the resulting concepts — such as Anchoring, Framing, Hindsight, and the Halo Effect — have become household terms. Their “Prospect Theory,” created in 1979 and developed in 1992, was a “psychologically more accurate” description of how people made decisions, replacing the previously accepted Utility Theory which claimed that people made decisions by rationally calculating the utility (or value) of all potential outcomes. Applications of this work are widespread, ranging across medicine (evidence based medicine), sports, finance, and military uses.

Some of the heuristics:
• Representativeness heuristic: the decision making shortcut that determines probability based on how well the subject is representative of a stereotype.
• Availability heuristic: the mental shortcut that makes decisions based on examples that come immediately to mind.
• Anchoring and adjustment heuristic: the influence of a previously suggested reference point (the anchor) on a person’s assessment of probability.
• Simulation heuristic: the shortcut for determining an event based on how easy it is to imagine – or “the power of unrealized possibilities to contaminate people’s minds.”

Some of the biases
• Recency bias: Decision making based on the relative ease of remembering something that happened recently rather than long ago.
• Vividness bias: bias based on the ease with which an option can be recalled.
• Hindsight bias: the tendency of people to overestimate their ability to have predicted an outcome that they could not have possibly predicted.
• Present bias: The tendency of people to undervalue future with respect to present.

The structure of the book follows the story of the two men. Though the closest of friends and collaborators until the last few years of Tversky’s life, their personalities and background were quite different. While both Israeli, Amos came from an aggressive Zionist family, while Danny and his family escaped from Nazi Europe; Danny was an appeaser, Amos a bully; Amos loved theory while Danny liked practical application of psychology, “Amos was built to fight, Danny was built to survive.” The book includes captivating detail about their backgrounds and interactions, and the process by which the work took flight and captured the interest of researchers and practitioners around the world.

The journalistic style of the story makes the personal bits easy to remember, with the research results a little harder to grasp in its entirety. The narrative jumps around a bit and the down side of watching a theory evolve (and not necessarily in a linear order) is that it can be harder to comprehend the whole. I found reading the Wikipedia articles on Kahneman and Tversky helped supplement my understanding of the actual work.

Some great quotes:
Asked if their work was related to AI, Amos said: “We study natural stupidity instead of Artificial Intelligence.”

In response to evolutionary psychology proponents Amos said, “The mind was more like a coping mechanism than it was a perfectly designed tool.”

On “Creeping determinism,” Amos says: “He who sees the past as surprise-free is bound to have a future full of surprises.”

“Economics was meant to be the study of an aspect of human nature, but it had ceased to pay attention to human nature.”

“Theories for Amos were like mental pockets or briefcases, places to put the ideas you wanted to keep.”