The Disinvited Guest by Carol Goodman (Mystery / Thriller)

Writing: 4/5 Plot: 4/5 Characters: 4/5
Don’t read this book before bedtime!

Reed and Lucy Harper — along with Reed’s sister Liz and her lover Niko, and Lucy’s best friend Ada and husband Crosby, and Mac, the caretaker — all head to a remote island off the coast of Maine in the year 2030 to wait out what appears to be an even more deadly pandemic. The island, now owned by Reed and his sister, was once a quarantine hospital for (mostly Irish) immigrants with Typhus back in the mid 1800s. It is a creepy place, with three generations of deathly illness — the Harper parents died there of Covid in the previous pandemic, and numerous Typhoid patients met their end there the century before.

From the tense start until the surprising finish, the plot twists and turns in a Lord of the Flies meets locked-room Agatha Christie meets part Hitchcock’s Rebecca unfurling. When bad things start happening and the brutality of the island’s history starts bleeding through to the present, Lucy feels her sense of reality slipping.

This is a mystery / thriller with a huge amount of character development. The interpersonal dynamics are nuanced and ever evolving with the threats of unknown origin inserting suspicion and fear where there was once cameraderie and friendship. Very difficult to put down or to get out of your head.

The last thing I wanted to read was a dystopian books about pandemics, so let me reassure you that pandemics really didn’t feature except as an impetus to get them on the island in a quarantine state.

Thank you to William Morrow Paperbacks and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 12th, 2022.

The Stranger Behind You by Carol Goodman (Mystery / Thriller)

Plot: 5/5 Characters: 4/5 Writing: 4/5

Carol Goodman writes the most intriguing, convoluted, surprising novels. She is a master of setting the mood (in this case — creepy, mysterious, righteous, and fearful). The Stranger Behind You is a woman-centric, Gothic-style, mystery-thriller whose plot lines and main characters keep twisting together in unexpected ways. It all comes together beautifully but with constant surprises and a real sense of not ever feeling like you know the characters all the way. The theme might be — you never know who you can trust. Parallel stories weave together police corruption, mobsters from the past, and #metoo style manipulation of women. I’m not generally a reader of books that induce anxiety or stress, and I did have to limit myself to daytime reading for the first third of the book — but it was not the kind of thriller that induces too much anxiety (for me). I’m not a fan of heavy-handed books where all the men are horrible and the women manage to thrive regardless, so let me hasten to say that this is not one of those books. There are some pretty nasty men, and a few nasty women — but there are also plenty good men and women and possibly even a delightfully drawn and mysterious guiding spirit. Enjoy trying to figure out which is which in advance!

Great writing, great storytelling.

Thank you to William Morrow and Custom House and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 6th, 2021.

The Night Visitors by Carol Goodman (Fiction)

Plot: 5 Characters: 4.5 Writing: 4

A taut thriller and (ultimately heart warming) family drama all in one.

Alice and 10-year old Oren are running away from an abusive man. A call to a hotline sends them to Delphi, NY where they are taken in by Mattie. Mattie is a spinster living in a decaying mansion who puts all of her time, energy, and money into The Sanctuary. Alice is highly suspicious of all do-gooders; Oren is a boy who seems to always know things he shouldn’t.

I’d forgotten how much I like Carol Goodman — she is a fantastic writer. The story is paced perfectly, with completely unpredictable twists and turns. No cliches or stereotypes (with one exception — see below)! The story of domestic abuse, the social structures and people who try to help, and the attitudes and interactions of the participants have depth and variety. I liked the balanced views — not all abusive relationships are the same, not all the male characters are scumbags, and not all the social workers are competent or effective.

Big themes are woven throughout — Justice; Vengeance; Forgiveness. Goodman has a Classics background and that figures in as well — Greek mythology keeps popping up, and I particularly liked the story of Orestes, Athena, and the Furies as the introduction of the concept of Justice replacing Vengeance in the scheme of human affairs. Lastly, the feeling of a ghostly presence lends an otherworldly quality to the story.

The only part of the book that didn’t quite work for me were the two nasty, abusive men. They are the only two characters whose behavior and dialogue felt like stereotypes rather than real people. I guess Ms. Goodman really didn’t want to be in their heads any longer than necessary. However, this was an issue in only a tiny fraction of the pages. This was one of those books that is almost impossible to put down (although due to the tense nature of the story I didn’t let myself read it too close to bedtime!)

Highly recommended!

Some quotes:
“I’m a woman on the wrong side of fifty, back where she started, with no way out but one.”

“Some people look up at the night sky and see random scatter, others read stories in the chaos. That’s what I do when I adjudicate a case. I make sense out of chaos.”

“She looks up when she reaches the shelter of the porch, and there’s so much anger and resentment in her eyes that I flinch, I’ve seen that look in abused women, that look that doesn’t just expect the next blow but says, I know I deserve it. But I’ve never gotten used to it, or liked how it made me feel, that little split-second flicker of Maybe you do.”

“But at some point I catch a satisfied smile on Oren’s face and realize that here is a child who takes on the weight of the emotions around him by playing the peacemaker.”