Characters: 4.5/5 Writing: 4/5 Plot: 4/5
A dramatic and fiercely feminist bit of historical fiction. Sue Monk Kidd inserts a remarkable character into the life of Jesus Christ — a wife named Ana. This is Ana’s story, however, not his. From childhood, the secret longing of this determined and deeply intelligent girl has been to have a Voice. Beginning with writing the stories of the matriarchs of the bible, she continues throughout her life to document the stories of forgotten and neglected women everywhere.
I was completely pulled in to the story. The historical context is rich with detail and insight into both the lives of individuals and the social and political currents of the time. Full sensory descriptions of Ana’s writing — the scrolls, inks and pens; the libraries and codices; the requisite hiding places; and the rare and tenuous gift that she had been allowed, as a woman, to learn to read and write at all. As we go through her life, we experience the inspiration for her writings and read samples as well. I was fascinated to learn that one such sample — Thunder: Perfect Mind — was an actual text unearthed from the 1942 Nag Hammadi excavation and dated to the time of the story.
There is plenty of drama — Ana’s father Matthias is the chief scribe and advisor to Herod Antipas; her adopted brother is Judas; and she meets and marries Jesus — but the actual story was far more political than spiritual … and I appreciated the historical depiction unencumbered by later religious trappings. As an aside, I loved the description of life in Therapeutae — an actual community of Jewish philosophers in Alexandria.
While Sue Monk Kidd’s style is often a little too emotional for me, I was completely drawn into this story of a strong woman insisting on her own voice — in some ways relegating the “greatest story ever told” to a mere influence. This book managed to completely shift my perspective on a period of time I knew little about.
Thank you to Penguin Group Viking and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 21st, 2020.
A compelling story combining a fictionalized history of Sarah Grimke — one the first female abolition agents and among the earliest major American feminist thinkers — and a “thickly imagined” story about Hetty — the slave girl given to Sarah on her 11th birthday.
The interwoven stories are told in alternating chapters by the two first person narrators. The time period: 1804 – 1838. Sarah’s story takes us from the North Carolina plantation to Quaker country to public abolition speaking tours around the country. She and her sister, Nina, were the authors (along with Nina’s husband, the famous abolitionist Theodore Weld) of the pamphlet American Slavery as It Is which influenced Harriet Beecher Stowe’s Uncle Tom’s Cabin.
Hetty’s story — created from the barest of historical documents — tells a story full of the horrors of slavery, including a potential slave revolt (and harsh retribution) populated by figures drawn from historical rumor. Woven through the stories are the interactions between the two women. I loved this summary from Hetty when the two were around 18 and had a kind of friendship:
“People say love gets fouled by a difference big as ours. I didn’t know for sure whether Miss Sarah’s feelings came from love or guilt. I didn’t know whether mine came from love or a need to be safe. She loved me and pitied me. And I loved her and used her. It never was a simple thing. That day, our hearts were pure as they ever would get.”
In all honesty, I didn’t love this book. The writing is good and the story compelling, but I didn’t find any new insights. Hetty’s story smacked of modern sensibilities applied to a horrible situation that has already been described (and often better) many, many times. The Grimke story was more interesting as it was new to me — and the emotional tone was probably pretty accurate given the times and the lack of opportunity for women — but it took a long time and a lot of hand-wringing before anything could really happen.
I want to read books that have new insights or teach me about a period of history or new (to me) cultures. I’d like to move away from noxious concepts such as slavery and the idea that women are incapable of contributing outside the domestic sphere — these concepts are old (and well-documented) news.