Writing: 3 Plot: 4 Characters: 3.5
The latest in Winspear’s Maisie Dobbs series (#15) finds Maisie investigating the murder of Catherine Saxon — the irrepressible American journalist from a wealthy, politically connected, and a defiantly isolationist family.
This series never feels stale — each volume moves forward in time (the first took place in 1929 and we’re up to 1940 now) and is based on a factual piece of British History. In this case, the Blitz and the effort to get the U.S. to enter the war. Woven into the plot is Joseph Kennedy, the anti-Semitic and somewhat pro-Hitler, then American ambassador to England and the U.S. Organization America First. I’m sure it’s not an accident that she chose this particular topic for this year’s entry.
Always fun to read these — very little “filler,” a twisted plot, and Maisie’s character progresses as well.
I’m a big McCall Smith fan — I like the ethical foundations of and philosophical ruminations in all of his books. This book marks the beginning of a new series which differs from his other three in two primary ways: the action takes place in Sweden (as opposed to Botswana and Scotland) and features a male protagonist.
In general, I don’t like the result when a writer chooses to write a main character of a gender opposite the writer’s own — it’s a personal thing — but for some reason I love McCall Smith’s female leads. Isabelle Dalhousie and Mma Ramotswe are the kind of women I like — perhaps because they blend an emotional sensitivity with a strong rational thought process that resonates strongly with me. Ulf Varg — the senior policeman of the titular Sensitive Crimes Department of the Malmö Criminal Investigation Authority — has a very similar personality, albeit clothed in a man’s body.
Ostensibly about “sensitive” crimes (a knife attack on the back of a victim’s knee, the disappearance of an imaginary boyfriend, a spa owner subject to apparent werewolf fits…) the stories primarily revolve around the ethical dilemmas we all face in everyday life. The characters have arcane interests (such as Nordic Art) which in typical McCall Smith style are presented in ways that spark an interest where none was present before, and the action is propelled forward by the intriguing and detailed flow between their rich interior worlds and the physical world around them.
A good read — I don’t know that the Swedish environment has been presented with the same depth as the Botswana and Scotland environments had previously, but then this is only book one. On the other hand, nice to read a Swedish mystery that isn’t steeped in horrifying scenes (e.g. the Dragon Tattoo books — yuck!)
Writing: 4/5 Plot: 4/5 Characters: 4/5
There are some book series that you keep reading simply because you have already invested so much time in them you just feel you have to keep going — this is NOT one of those series. Every single one of Marshall Karp’s Lomax & Biggs mysteries fall in the standalone, great entertainment category. Half-comedy (laugh-out-louds on every page), half-mystery (complete curve balls every couple of chapters), and half-character driven novel (yes, I’m aware my math skills look sketchy here but just go with it), these are my go-to “let me have an entertaining and engaging read” books.
Opening with an hysterical scene where Mike Lomax dressed (sort of) in a hospital gown gaping open at the back while he chases a shooter in a medical complex, this fifth installment of Lomax & Biggs tackles Big Pharma. Someone is recruiting terminally ill patients to knock off specific Big Pharma execs as their final act and it’s up to Lomax & Biggs to figure out the why.
In addition to the regular cast of wise-cracking characters (all of whom I’d be happy to have in my life), we have a couple of new additions. My favorite: Eli Hand, recovering rabbi who chose the medical field least likely to have complaining patients (pathology) — after his experience at the synagogue he referred to as “Temple Beth Oy, Do I Have a Problem.” I almost fell out of my chair laughing.
You can start this series anywhere, but I’d start with number one — The Rabbit Factory.
Writing: 4/5 Plot: 3/5 Characters: 4/5
An unusual crime drama — Atkinson’s fifth about Jackson Brodie, former policeman and soldier turned Private Investigator in Yorkshire. Brodie has your typical gruff exterior, and his personal life is in a perpetual, confusing, shambles, but he is a self-appointed White Knight. He has an eye for the predators in the world (and his world is full of them), and he feels a responsibility to potential victims everywhere. He will not rest — paid or not — until he is sure that everyone is safe.
The story is dark — as are all of Atkinson’s stories. This one revolves around human trafficking in myriad forms. The style is interesting — while Jackson is a familiar (to us) character, he is not the center of a single investigation. Instead, he is a player in a tangled web that includes various past and present strands of a set of ongoing and horrific crimes that eventually come together and are resolved (in a very satisfying way). While not in any sense a cozy, neither is it a nail-biter (important to me as I don’t like to purposely stress myself). The writing style is interesting. It appears muddy — with constant tangents and sardonic asides — but really is just a true-to-life depiction of the way people think. Each chapter is told from a different character’s perspective (all third person omniscient) so we are treated to an inside, tangled, look at what they are thinking, obsessing over, worrying about, hoping for, leering at, and feeling guilty about, simultaneous with what is actually happening in the scene. We get real insight to so many of the characters in this fashion. Oddly enough, my favorite character is Crystal, the clean eating, “trophy wife” of a husband she really doesn’t know that well, with a hefty (secret) past of her own.
Lots of plot lines that tie together (perhaps a little too neatly) at the end. What appears chaotic and confusing at the beginning comes together in just the way it would if you were dropped in to the story with an apparently small job on the periphery (as Jackson himself was). It did feel like the rapid closure of the many wiggling parts was a tad too hasty. This was an early access copy so perhaps that will be evened out before publication.
Thank you to Little, brown and Company and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on June 25th, 2019.
Writing: 5 Plot: 5 Characters: 5
A completely absorbing book. The kind of great writing that lets you forget that you’re reading at all as you become completely immersed in the world described. Part mystery — part family drama, all playing out in a landscape that is real, but unlike any that most of us know — the remote Australian Outback.
Cameron Bright has been found dead of exposure and dehydration a mere nine km from his car packed (as usual) with enough survival gear to carry him through any outback mishap. Cameron runs Burley Downs — the largest station in the region at 3500 sq km. His older brother Nathan runs the adjacent homestead — a three hour drive away. As Nathan and the rest of the family struggle to find out what happened to Cameron, they also must contend with the difficult environment and with all the broken spaces between them — none of which is ever discussed in this culture where extreme quiet is the norm.
With vivid characters, deft pacing, tight prose, and breathtaking descriptions of the landscape and way of life it represents, you won’t be able to put this one down. I carried the hardcover in my carry-on simply because I couldn’t bear not to finish the last 40 pages… My first Jane Harper, but definitely not the last.
A few of the great lines…
“He hugged her back. The movement had the rusty edge of underuse.”
“The kid lived in a city. He couldn’t cope with quiet like the rest of them.”
“It was funny how high and bright the red flags flew in hindsight.”
The second installment of Horowitz’ self-referential detective series starring himself as the semi-bumbling, self-deprecating sidekick to the enigmatic Detective Daniel Hawthorne. Horowitz writes fantastic mysteries — they are convoluted in the most delightful ways, are full of interesting characters, and progress at the perfect pace (also — I never do figure it out early!) One of the benefits of this particular series is also gaining some insight into other aspects of Horowitz’ writing life — the production issues for Foyles War, the interactions with agents and booksellers, and parts of the Writer’s Process (as experienced by Mr. Horowitz).
I don’t want to give away *anything* in the plot, but it covers a wide range of places, people, time, and professions — divorce lawyers, (very) expensive wine, literary snobs, interior decorators, spelunkers, forensic accountants, muscular dystrophy, and the NHS. Horowitz does an impressive job of applying diversity to characters with no regard to stereotypical expectations. I did find myself struggling to constantly sift out the fact from the fiction, which told me more about myself and my own neuroses than about the book — it doesn’t matter a bit! A fun read.
Great for fans of Robert Galbraith.
Thank you to Harper Collins and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 28th, 2019.
A perfect kids book! Had it been around when I was young I would have read it a hundred times by now (like my other favorites: Charlie and the Chocolate Factory, A Wrinkle in Time, and Charlotte’s Web). It’s an adventure story complete with rambling houses, hidden treasures, eccentric characters, ghosts, and Mystery with a capital M.
12-year old Milo Pine lives with his adoptive parents in Greenglass House — a rambling old Inn whose “regulars” are the smugglers who need a little “shore time.” Greenglass House is perched above a deep gorge — accessible only via a creaky cable car named the Whilforber Whirlwind or a 310 step stairway.
As Christmas vacation commences, and Milo prepares to snuggle in for some serious R&R in the empty Inn, the cable car bell keeps ringing and the number of guests (and emergency helpers) grow until Milo finds himself amidst a sea of eccentric characters who all seem to be on delightfully connected personal quests that center on the house itself.
Weaving together folk tales and local legend with a little paranormal thrown in, Milo uncovers the mysteries of Greenglass House and the odd set of characters who are so fixated on it. Milo — prone to anxiety and panic attacks — also develops delightfully through the twin instruments of literature and role playing games.
Good writing — the story is complex enough to engage adults and yet completely accessible to the target kid audience.