Clover Blue by Eldonna Edwards (Fiction)

Writing: 4 Plot: 4 Characters: 5

When 10-year old Clover Blue witnesses his first live birth in his Northern California commune, he begins to wonder which of the sister-mothers he actually came from. But there is an odd hush around that subject, in this otherwise open, loving, and caring community.

Ranging from 1974 through 1978, the book follows Blue’s quest to understand who he really is. Blue is a wonderful character and the detailed depiction of communal life and those who chose it are inspiring. The author manages to paint a full picture of real people who have consciously formed a family in a spiritual environment and yet who have also made mistakes with serious impact. I love the balanced way she has shown what might happen in such circumstances — with an objective tone which simultaneously portrays the beauty of the people, their relationships, and their way of life as well as the struggles, frailty, and hypocrisies.

I loved reading this book — particularly for the characters and the fact that it embodied all the best things I remember from that era (Blue is four years younger than I was during the time period). The commune members have their own backstories and their relationships within the commune parallel the evolution of the commune itself. The story unfolds beautifully with ongoing reflection. The commune is clothing optional and the kids are home schooled — with each of the “Elders” imparting their own wisdom. The local library serves as a fantastic resource. The essay Blue is assigned to write about people watching TV is priceless (he has to go to the local clinic to observe this as there is no television at the commune). One of the Elders sums up all of the great religions with: “Great prophets like Jesus and Mohammed and Buddha pretty much said the same thing… Be kind. Respect life. Pay attention. And focus on the here and now, not the promise of something better in the afterlife.” So simple.

The start is a little slow — I initially found the writing a little clunky and almost stopped reading — but fairly soon I was completely caught up in the characters and their surroundings and forgot I was reading at all (my measure of a good book!).

Highly recommended!

Thank you to Kensington Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 28th, 2019.

The Lost Man by Jane Harper (Fiction)

Writing: 5 Plot: 5 Characters: 5

A completely absorbing book. The kind of great writing that lets you forget that you’re reading at all as you become completely immersed in the world described. Part mystery — part family drama, all playing out in a landscape that is real, but unlike any that most of us know — the remote Australian Outback.

Cameron Bright has been found dead of exposure and dehydration a mere nine km from his car packed (as usual) with enough survival gear to carry him through any outback mishap. Cameron runs Burley Downs — the largest station in the region at 3500 sq km. His older brother Nathan runs the adjacent homestead — a three hour drive away. As Nathan and the rest of the family struggle to find out what happened to Cameron, they also must contend with the difficult environment and with all the broken spaces between them — none of which is ever discussed in this culture where extreme quiet is the norm.

With vivid characters, deft pacing, tight prose, and breathtaking descriptions of the landscape and way of life it represents, you won’t be able to put this one down. I carried the hardcover in my carry-on simply because I couldn’t bear not to finish the last 40 pages… My first Jane Harper, but definitely not the last.

A few of the great lines…

“He hugged her back. The movement had the rusty edge of underuse.”

“The kid lived in a city. He couldn’t cope with quiet like the rest of them.”

“It was funny how high and bright the red flags flew in hindsight.”

Our Women on the Ground by Zahra Hankir (Non Fiction)

This is a hard book to read, but will open your eyes to whole worlds that exist just across the ocean. These 19 female journalists write about the stories they cover across the countries in the Middle East. From Syria to Iraq to Lebanon to Yemen (and more), they describe the world behind the political and military statistics — the civilian individuals (often women and children) trying to survive in a world gone crazy. From years without power, to the random and constant acts of violence, to the impact of a single car bomb on the rest of the community, these women bring to life a whole realm of existence that is hard for a Westerner to imagine. In many cases, we are reminded of how “normal” life was in the very recent past. It’s a harsh reminder that yes, no place or system or way of life is immune to the possibilities of sudden and violent destruction.

The essays are very personal, in many cases exposing the difficulties of being a female journalist, the impact on her life, the hopelessness of covering what feels like endless stupidity and ritualized anger. Some are heartfelt but rambling, others provide clear, coherent overviews and analyses of the situations, many expose details that enable the reader to understand a little more about how things evolved, and almost all stimulate a compassion that unfortunately have no real place to go.

Definitely worth reading, though give yourself time and take some breaks to keep from sinking into a useless despair.

Thank you to Penguin Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on August 6, 2019.

 

Blue Hours by Daphne Kalotay (Fiction)

Writing: 4 Plot: 3 Characters: 3

How far would you go for a friend? Successful author Mim Woodruff faces this question when a call reveals that a humanitarian aid worker in Afghanistan has gone missing. Once an intensely close friend, Mim has not spoken to Kyra in twenty years.

The novel is composed of two major parts: the first takes place in Manhattan twenty years before the phone call. Mim and Kyra, fresh out of school, finding their way in the world. Kyra stylish, pushing away the wealth that is her birthright, and possessed of a deep, almost painful, awareness of the distress around her; Mim, dreaming of being a writer but instead folding sweaters at Benetton, observing the world around her but always at a remove. A youthful but intense love affair, a shattering experience, and an almost surgical split lays the foundation for events twenty years later.

Part two follows the journey Mim takes into ever-more remote Afghanistan in the search for the missing Kyra. Beautiful descriptions of the physical environment and the people. Well-researched portrayals of the organization of and interplay between the various factions, the military, the aid organizations, and those in remote villages. Stunning portraits of the individuals involved and those they avoid, warily approach, or engage.

The story feels real — messy, inescapable, and somewhat hopeless — and yet giving up really can’t be an option. The tone is emotionally removed, like our central character. While I found the detail and depth of the story engaging, I did not resonate with the characters at all — in fact I really didn’t like Mim very much. As an author describing her observations from an objective viewpoint, she works; As an individual going through deeply personal experiences, not so much. Possibly this says more about me than her!

Thank you to Northwestern University Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 15th, 2019.

Bridge of Clay by Markus Zusak (Fiction / YA)

This is an unusual book for me — I couldn’t put it down, became completely involved with the characters, and yet I’m having a very hard time describing it. The “plot” doesn’t half cover what the reading experience is actually like.

It’s about the Dunbar boys — the five sons of Michael and Penny Dunbar. As the novel opens, they are living alone in chaos — their mother having died and their father having absconded shortly thereafter. Written in the first-person by the oldest son, Matthew, they are self described as “a family of ramshackle tragedy.” The primary timeline follows the events of eleven years before, when Matthew, Rory, Henry, Clay, and Tommy were 20, 18, 17, 16 and 13 respectively.

The center of the story is the fourth boy — Clay. Clay is a wonderful character — sweet and caring, deep and loving, vulnerable yet strong, and almost completely internal — he doesn’t say much and rarely laughs.  He’s also amazingly fast.  Clay is the holder of all the family’s stories — the real stories — and while the book moves forward linearly through the events of that time, narrative streams from the present and past are woven throughout, with these stories — and secrets — slowly exposed. The writing is thoroughly engaging. The language is poetic — not in the sense of beautiful language for its own sake, but in the sense of distilling experience and emotion into a single phrase that evokes more than straight words can convey. While I would never say it was a happy book, neither was it depressing, though I did find myself wanting to leap into the story to help.

I was surprised to find this categorized as YA — it reads very well as adult fiction. I love the fact that it is unashamedly focused on boys — how they love, how they cope, how they grow, and how they survive. I tend to read female authors (not intentionally but it works out that way) and I find the descriptions of this family different from what I usually read. Obviously, not all men (or all women) are the same, but I did feel a different perspective emerging from these pages. There is a lot of fighting, roughhousing, work intensity and focus, and physical extremism. Much behavior is explained with “just knew” or “had to be that way” without the associated exploration and understanding of “why.” Each of the five boys (and their father) have distinct personalities, but their very maleness pervades the narrative and is both unfamiliar and appealing to me.

This book is not like any other I’ve read, but aspects of it did remind me of John Irving and the setting evoked the feel of SE Hinton’s The Outsiders.

To Night Owl from Dogfish by Holly Goldberg Sloan and Meg Wolitzer (Middle Grade)

I’ve been reading a lot of depressing (but very good – stay tuned) books lately and decided I needed a happy break — enter To Night Owl from Dogfish. An impressive, fully epistolary (email style) novel, following the grudging friendship developing between two 12-year old girls who have been sent to summer camp by their romantically involved, single, gay dads in order to get to know each other. What follows is a touching and simultaneously funny (and convoluted) story reminiscent of The Parent Trap.

Californian Bett Devlin is afraid of nothing, loves animals, sports, and a lack of rules. New Yorker Avery Bloom is afraid of everything, likes the indoors, and loves for things to be under control and absolutely safe. As their dads head off for a motorcycle trip across China, they communicate via iPad having already decided that they will under no circumstances be friends or even speak to each other at camp! Things head off in unexpected directions (I really didn’t see *any* of the plot developments coming) and include Avery’s previously unknown biological mother and Bett’s (somewhat loony) grandmother from Texas.

A fun read!

The Sentence is Death by Anthony Horowitz (Mystery)

The second installment of Horowitz’ self-referential detective series starring himself as the semi-bumbling, self-deprecating sidekick to the enigmatic Detective Daniel Hawthorne. Horowitz writes fantastic mysteries — they are convoluted in the most delightful ways, are full of interesting characters, and progress at the perfect pace (also — I never do figure it out early!) One of the benefits of this particular series is also gaining some insight into other aspects of Horowitz’ writing life — the production issues for Foyles War, the interactions with agents and booksellers, and parts of the Writer’s Process (as experienced by Mr. Horowitz).

I don’t want to give away *anything* in the plot, but it covers a wide range of places, people, time, and professions — divorce lawyers, (very) expensive wine, literary snobs, interior decorators, spelunkers, forensic accountants, muscular dystrophy, and the NHS. Horowitz does an impressive job of applying diversity to characters with no regard to stereotypical expectations. I did find myself struggling to constantly sift out the fact from the fiction, which told me more about myself and my own neuroses than about the book — it doesn’t matter a bit! A fun read.

Great for fans of Robert Galbraith.

Thank you to Harper Collins and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on May 28th, 2019.