Writing: 5 Plot: 5 Characters: 5
A completely absorbing book. The kind of great writing that lets you forget that you’re reading at all as you become completely immersed in the world described. Part mystery — part family drama, all playing out in a landscape that is real, but unlike any that most of us know — the remote Australian Outback.
Cameron Bright has been found dead of exposure and dehydration a mere nine km from his car packed (as usual) with enough survival gear to carry him through any outback mishap. Cameron runs Burley Downs — the largest station in the region at 3500 sq km. His older brother Nathan runs the adjacent homestead — a three hour drive away. As Nathan and the rest of the family struggle to find out what happened to Cameron, they also must contend with the difficult environment and with all the broken spaces between them — none of which is ever discussed in this culture where extreme quiet is the norm.
With vivid characters, deft pacing, tight prose, and breathtaking descriptions of the landscape and way of life it represents, you won’t be able to put this one down. I carried the hardcover in my carry-on simply because I couldn’t bear not to finish the last 40 pages… My first Jane Harper, but definitely not the last.
A few of the great lines…
“He hugged her back. The movement had the rusty edge of underuse.”
“The kid lived in a city. He couldn’t cope with quiet like the rest of them.”
“It was funny how high and bright the red flags flew in hindsight.”
Writing: 4 Characters: 5 Plot: 3
A gripping, character driven, novel — classic Moriarty. A fairly simple plot — nine “perfect strangers” sign up for a ten-day retreat at a high-end health resort promising a “transformational” experience. Each is there for wildly different reasons and none really expects to be “a different person” at the end but … it’s possible they will be.
Moriarty draws interesting, intricate, and believable characters. Each character — across a wide range of backgrounds, ages, and motivations — is completely developed in the story. Each chapter is told from a specific character’s point of view, giving rise to some fascinating contrasts between what a character is saying, is thinking, and is assuming about the others. I was most interested in these assumptions and the way those perceptions of each other shifted over time with more exposure and information. It’s rare that we get so much insightful detail about how our assumptions play into our behavior towards people and vice versa.
The story includes many social issues such as microdosing, lotteries, teen suicide, shaming, and trophy wives. My favorite line and sly message about the “shaming” current authors are susceptible to (as expressed by character Frances Welty, aging romance author: “She dared to look up and the stars were a million darting eyes on the lookout for rule-breaking in her story: sexism, ageism, racism, tokenism, ableism, plagiarism, cultural appropriation, fat-shaming, body-shaming, slut-shaming, vegetarian-shaming, real-estate-shaming. The voice of the Almighty Internet boomed from the sky: Shame on you!”