Writing: 4/5 Plot: 4/5 Characters: 4.5/5
It is 1941 . Rose Hamilton answers an ad to accompany Walter — a young, newly orphaned boy — to his distant family on an Australian cattle station. But Walter is not an ordinary boy, and the cattle station is not what they were led to expect. About a third of this book was a very appealing romance. The rest was fiction that depicted life during wartime — in England, during the months long journey on a not-exactly-elegant ship, and in the remote areas of Australia, a few hours from Brisbane. I learned more than I knew about Australian history — particularly about the White Australia Laws and the Chief Protector of Aborigines (FYI he was not very protective). Plenty of surprises in the plot as past events come to light, and current events continue to unfold.
This was a happy book for me — in truth it was somewhat formulaic but it was executed so beautifully and with such appealing characters and well-researched history that I didn’t mind a bit. I liked the fact that the drama was not overstated, that moral commentary was pervasive but not overwhelming, and that the main characters had far more to them than their tropes (e.g. vulnerable hero) would require.
Thank you to St. Martin’s Press and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on March 15th, 2022.
Writing: 4.5 Plot: 5 Characters: 4.5
I love Jane Harper — this is her second book written and the third that I have read. I seem to like them best in reverse order of their writing which bodes well for the future!
In this book, five women set off on a multi-day trek into dense bush as part of a corporate retreat (note to self: Never go on a corporate retreat of this sort! Never!). Only four of them come back. Federal Police Agent Aaron Falk — who features in Harper’s The Dry — gets involved as the missing woman has been an informer for his work in the Federal Financial Investigations Unit. Lots and lots of complexity, psychology, strange relationships, suspicion, and suspense. Told in chapters alternating between what Falk and his partner are discovering and what actually happens during the four days the women are out. As the personalities of the five women slowly unravel during their ordeal, Falk is simultaneously coming to terms with his own.
A complete page turner — a kind of modern-day, corporate version of Lord of the Flies amidst threads of money laundering, serial killers, anorexia, and fear.
Writing: 5 Plot: 5 Characters: 5
A completely absorbing book. The kind of great writing that lets you forget that you’re reading at all as you become completely immersed in the world described. Part mystery — part family drama, all playing out in a landscape that is real, but unlike any that most of us know — the remote Australian Outback.
Cameron Bright has been found dead of exposure and dehydration a mere nine km from his car packed (as usual) with enough survival gear to carry him through any outback mishap. Cameron runs Burley Downs — the largest station in the region at 3500 sq km. His older brother Nathan runs the adjacent homestead — a three hour drive away. As Nathan and the rest of the family struggle to find out what happened to Cameron, they also must contend with the difficult environment and with all the broken spaces between them — none of which is ever discussed in this culture where extreme quiet is the norm.
With vivid characters, deft pacing, tight prose, and breathtaking descriptions of the landscape and way of life it represents, you won’t be able to put this one down. I carried the hardcover in my carry-on simply because I couldn’t bear not to finish the last 40 pages… My first Jane Harper, but definitely not the last.
A few of the great lines…
“He hugged her back. The movement had the rusty edge of underuse.”
“The kid lived in a city. He couldn’t cope with quiet like the rest of them.”
“It was funny how high and bright the red flags flew in hindsight.”
Writing: 4 Characters: 5 Plot: 3
A gripping, character driven, novel — classic Moriarty. A fairly simple plot — nine “perfect strangers” sign up for a ten-day retreat at a high-end health resort promising a “transformational” experience. Each is there for wildly different reasons and none really expects to be “a different person” at the end but … it’s possible they will be.
Moriarty draws interesting, intricate, and believable characters. Each character — across a wide range of backgrounds, ages, and motivations — is completely developed in the story. Each chapter is told from a specific character’s point of view, giving rise to some fascinating contrasts between what a character is saying, is thinking, and is assuming about the others. I was most interested in these assumptions and the way those perceptions of each other shifted over time with more exposure and information. It’s rare that we get so much insightful detail about how our assumptions play into our behavior towards people and vice versa.
The story includes many social issues such as microdosing, lotteries, teen suicide, shaming, and trophy wives. My favorite line and sly message about the “shaming” current authors are susceptible to (as expressed by character Frances Welty, aging romance author: “She dared to look up and the stars were a million darting eyes on the lookout for rule-breaking in her story: sexism, ageism, racism, tokenism, ableism, plagiarism, cultural appropriation, fat-shaming, body-shaming, slut-shaming, vegetarian-shaming, real-estate-shaming. The voice of the Almighty Internet boomed from the sky: Shame on you!”