This is one of two novels written by Anne Bronte (sister to the somewhat better known Emily and Charlotte) before her death at 29. It is known as one of the first feminist novels as it features a woman — Helen — fleeing an abusive husband and aiming to support herself and her son. This in an era when women had few, if any, rights and children literally belonged to the husband
While I can’t say that I enjoyed reading the book — it was long, somewhat repetitive, and a depressingly perfect depiction of an evolving and utterly miserable life — I did learn quite a bit from it, and I am glad to have read it.
While certainly a book of its time, the messages and situations are easily translated to modernity. Helen is a young woman with neither the experience nor the training to know how to judge a man. The point is made that society at the time kept young women “innocent” in this way, leaving them ill-prepared for making decisions about marriage. They become easy marks for men with smooth manners, handsome faces, and a decent income. Societal expectations (and their religious backings) emphasize support and happiness for husbands, while the wives are expected to be virtuous, good, and obedient. This was both a feminist novel and a morality play — all the dissolute characters end badly, and the men that behave well, or are compelled through the actions of a virtuous women to reform, end well.
There were some interesting surprises for me. For example, the importance Helen put on not allowing her son to be influenced by the dissolute father. She goes so far as to introduce him to alcohol chased by an emetic such that the very smell of alcohol makes him ill. I also enjoyed the slow realization — on the parts of men and women — as to what really is important is selecting a spouse — and it wasn’t solely the physical attraction or purse of either.
The style of the book was a bit difficult to me. The central — and longest — portion of the book is the diary Helen kept throughout her marriage. It is this diary that she gives to Gilbert, a young man in the village she has escaped to who has become besotted with her and doesn’t understand her reluctance to engage (given her stated widowhood and pseudonym). The surrounding chapters are literally one or more extremely long letters that Gilbert is writing to Halford, his brother-in-law. The timeline of this letter is unclear, as is the position of “Halford” in his life. This makes things a bit confusing — I found a character list on wikipedia to be quite helpful in providing enough context to have the book make sense.
Overall worth reading. There is nothing like a classic to really immerse you in a time and place, completely devoid of modern interpretation.









