Writing: 5 Characters: 3.5 Plot: 4.5
Classic Scalzi — a cool, well-explored, futuristic world with non-stop and non-predictable action and funny banter. This is the second book in his “Lock In” series. It can be read on its own, but “Lock In” was great, too, so why not read it first?
Both books are mysteries in a sci-fi setting. In this world, 1% of the global population has Haden’s syndrome — a condition where the person is “locked in” to his/her own body. A number of technologies have been developed to support this population — implantable neural networks that link their brains directly to the outside world to humanoid personal transport units (called “threeps” after C-3PO) and an online universe called “The Agora.”
In this installment, FBI Agents Chris Shane (himself a Haden) and Leslie Vann (a female version of the crotchety senior detective persona) tackle a difficult case: the physical death of a Hilketa player during a game in which the play is all via threeps and should be no danger whatsoever to the human player. Hilketa is a (very weird to me) game played by decapitating a targeted player and carrying his / her head across the goal line.
I’m happy to say that Scalzi is back in top form. This is only the second book published after he signed a huge multi-million dollar, multi-year, multi-book deal with Tor. The first book published after the contract was Collapsing Empire — the only Scalzi book I have ever disliked (and I’ve read them all) — so I’m quite relieved that he is back on track.
Great writing and pacing, plenty of plot twists, and generally difficult to put down. I started in the morning and finished as I went to bed (only put it down briefly when I was grudgingly dragged outside to help shovel dirt into the new tomato planter). This is accessible to all readers — similar to Andy Weir’s books (The Martian; Artemis) but funnier, more inventive, and offers more exploration of the cultural and political impact of the technologies in addition to the scientific-technical angles.
Thank you to Henery Press and NetGalley for an early review copy of Secrets, Lies, and Crawfish Pies by Abby L Vandiver, which will publish June 12, 2018. All thoughts are my own.
Writing: 3.5 Plot: 3.5 Characters: 4
A fun, cozy, mystery – full of colorful Southern characters surrounded by good food and music.
Romaine Gabriela Sadie Heloise Wilder is a medical examiner in Chicago, in love with the married Chief of Staff of her hospital. When she loses her job and man through one swift act of downsizing, she is dragged home to East Texas (Roble, to be exact) by her voodoo and herbal remedy-wielding Aunt Zanne. When they arrive they find a surprise guest at the Ball Funeral Home and Crematorium — the family business. He fits right in, though, as he is quite, quite, dead. Romie solves the mystery with the help of her Aunt, the sheriff (a first cousin), and a couple of attractive beaux-in-waiting.
Fun, light, well-written. For those who care about these kinds of things, the author and most (perhaps all) of the characters are African American. I hadn’t heard of this author before, but she is quite prolific with three additional mystery series to her name — so if you like this one, you’ll have a lot more to read!
Writing: 2 Characters: 2 Plot: 2 (on scale from 1-5)
In this installment of the Inspector Gamache series, he tackles the drug cartels and the fentanyl crisis (which we are reminded frequently kills 50 people for every kilo sold) all out of the seemingly peaceful sanctity of Three Pines. Meanwhile, a disturbing, hooded figure takes up residence on the Village Green and silently stares, bringing a sense of forboding to the sleepy town. Modeled after a Cobrador, or Conscience with a capital C, everyone in the Village feels certain it has come for them.
This is a hard review to write. I’m a huge Louise Penny fan – I loved the first 11 books in the Inspector Gamache series and eagerly preordered the 12th, pouncing on it as soon as it arrived. Perhaps those high expectations are part of why I found this book so absolutely dreadful. Had it been any other author I would have stopped reading after the first couple of chapters. The writing is simply bad. It reads like a first draft. Characters that I loved, that had wonderful depth in previous books, have become caricatures of themselves. I literally do not like these people any more.
The structure is a big part of the problem. The book opens at the murder trial with Gamache on the witness stand. We don’t find out who was actually murdered until 50% of the way through the book. It is 75% of the way through the book before we find out who the accused murderer is. There is very little action (until the very end) and the dramatic tension is maintained not by what is happening but by what we as readers aren’t told. Multiple chapters end with Gamache and Beauvoir looking at a new piece of startling information and exchanging serious looks – but the reader isn’t let in on the secret. About 60% of the book alternates between repetitious hand-wringing (about the drug crisis, the scary guy on the green, or Gamache’s approach (or apparent lack of approach) to solving the problem) and bland filler about food and drink (and by the way, for a novel focussed on how terrible the drug crisis is, our heroes drink A LOT!). That is just sloppy writing!
The last chapters in the book, where the action finally comes to a head, reminds me of the old Louise Penny. I enjoyed reading that, but it in no way made up for the hours I spent slogging through the rest. I know that Ms Penny’s husband died, and I know that writing was her escape during a very, very, difficult time and I feel bad giving it a bad review, but I can’t pretend something is good when it is really very, very bad! I wish she had gone back and and done some editing before releasing. I will certainly give her the benefit of the doubt and give the next book (if there is a next book) a try, but this book was truly awful.