Bluebird, Bluebird by Attica Locke

Characters: 5 Writing: 5 Plot: 4.5

A remarkable and entertaining book — appealing to literary fiction and mystery lovers alike. As a whodunit, it has it all — convoluted plot, simmering tensions in the community, and plenty of motive to spread amongst an array of characters. What takes it past straight mystery and into the realm of literary fiction is the top notch writing (see great lines below), truly in-depth characters, and the fact that the narrative never takes the easy way out.

This is a story of murder in the small, East Texas community of Lark (population 178). Two bodies are pulled out of the bayou behind Georgia Sweet’s Sweet shop within days of each other — a 35-year old black man and a 20-year old local white woman. Darren Matthews, one of the few black Texas Rangers (his now-deceased favorite Uncle was the first) is unofficially asked to nose around the case. Darren is the epitome of the Hero — a strong, capable, focussed man who can’t bear to injustice — especially when it has a racial component. He won’t stand by as the black community takes the heat for the white girl’s death, but neither does he give in to the temptation of assuming the Aryan Brotherhood (ensconced just down the road at the Ice House) are to blame. He must work around a local (white) Sheriff who seethes under Matthews’ technically superior rank, the threatening Brotherhood members who would love to get “credit” for bringing down a black Ranger, and even a black community that doesn’t appear to trust him.

This 2018 Edgar Award winning book goes deep into the way racial tensions can fracture a community and give rise to crimes that are far more nuanced than your typical hate crimes. I couldn’t put this book down, though I have to say the stress level (for me, as I can never seem to separate myself from a book that feels as real as this one) was quite high.

Strongly recommended!

Some of my favorite lines:

“Seemed like death had a mind to follow her around in this life time. It was a sly shadow at her back, as single-minded as a dog on a hunt, as faithful, too.”

“Criminality, once it touched black life, was a stain hard to remove.”

“…men of stature and purpose, who each believed he’d found in his respective profession a way to make the country fundamentally hospitable to black life.” (about his uncles…)

“But sometime after he hit forty, the word Mama shot out as if it were a stubborn seed lodged in his teeth all these years that had finally popped free.”

“Most black folks living in Lark came from sharecropping families, trading their physical enslavement for the crushing debt that came with tenant farming, a leap from the frying pan into the fire, from the certainty of hell to the slow, torture of hope.

“For black folks, injustice came from both sides of the law, a double-edged sword of heartache and pain.”

Lethal White by Robert Galbraith

Writing: 4.5 Characters: 4.5 Plot: 4.5

Another great installment of the Cormoran Strike series. These books just fly for me — 600+ pages and I finished it in two days. The plot is just convoluted enough to require focus, but not confusing or (even worse) stupid. Rowling is the master of the archetypal character — each appeals to us in deeply rooted ways, but is fleshed out enough to feel fully human. I am drawn to Strike, and the reason is nicely summarized in this line: “…but the itch to detect, solve and reimpose order upon the moral universe could not be extinguished in him.” I like characters that are aware they dwell in a moral universe and apply themselves to keeping it that way!

In this episode, Strike and his equally well-developed sidekick Robin Ellacott, investigate the blackmailing of the distinctly unlikable Jasper Chiswell, Minister of Culture. Coincidentally, Strike is approached by a malodorous and highly agitated young man who claims to have witnessed a strangling and burial on the grounds of Chiswell’s estate when he was a small child. While he is most likely delusional, there is just enough about the interaction to turn “that niggling doubt into a significant and possibly permanent impediment to the detective’s peace of mind.”

Plenty of color is provided in the interactions between aristocrats (the Chiswell family and friends) and a group of Marxists, including the son of the old Chiswell estate caretaker. While none come off as particularly appealing, the aristocrats come off decidedly worse. While some are less unpleasant than others, they all share a disregard for the lives of those who are not in their social class. Also included, some pretty funny references to the experience of “sudden” fame for Strike, which must have come directly from Rowling’s own experience.

The writing is as great as you’d expect — my only complaint is that too much time is spent on the nature of the relationship between Strike and Robin. Does he like me? Why is she still with her twit husband? Is he falling for another woman? Blah, blah, blah. That part reads like a poorly drafted romance novel that has run out of ideas. Luckily, plenty of action and intriguing characters help distract the reader from that small irritation.

Professor Chandra Follows His Bliss by Rajeev Balasubramanyam

I received a complimentary copy of this book from Random House Publishing Group through NetGalley. Opinions expressed in this review are completely my own. The book will be published on March 26, 2019.
Writing: 5 Plot: 4.5 Characters: 4.5

69-year old leading Cambridge economist Professor Chandra is a shoe-in for the Nobel prize in Economics — except that he doesn’t get it. Divorced, distant from his three children, and frustrated with the new tenor of academic life, this “non event” coupled with a silent heart attack sends him off on an unintended, Siddhartha-like quest for personal enlightenment (naturally starting with a sabbatical at UC Bella Vista in Southern California).

His journey takes him to unlikely places — both physical and emotional. He is tricked into attending a weekend workshop at Esalen; he visits his ex-wife and new, annoying husband in Boulder in order to see his troubled daughter Jasmine; he searches for a way to reach his middle daughter Radha — an angry Marxist who hasn’t spoken to her conservative father in over two years; and visits his son Sunil’s highly successful Hong Kong-based “School for Mindful Business” (based on principles completely antithetical to his own). He learns that he is human and not infallible and finds himself more OK with that than he would have expected.

Excellent and insightful writing — wry and witty with deliciously pithy and often hysterical articulations of his evolving viewpoints. Lots of interesting commentary about psychology, economics, spirituality, achievement and the personal search for meaning and happiness.  I appreciate that while he learns more about himself, his priorities, and his relationships, he does not relinquish his intellectual interests or accomplishments.

Some great lines:

Brief but scathing summary of the identity politics Radha adheres to:
“‘West’ … ‘bourgeois’ … ‘capitalist’ … these words would fly from her lips like tiny swastikas, her knuckles turning white, her jaw clenched, her eyes hard as Siberian pickaxes as she sentenced most of the world to the gulag for their crimes against ideology.”

“An Indian Miss Havisham with an Emeritus Professorship and a takeaway menu.”

“… but he couldn’t help believing meditation was best suited to those with less mind to be mindful of: sociologists, for example, or geologists”

“Humans were like those snowflakes against the window, buffeted by winds no one understood.”

“Chandra accepted the phone as if he’d been handed a small but quite genuine lump of plutonium.”

“They seem to come pre-offended, forsaking any analytical content in favor of emotion and outrage.”

“But the undergraduates were even worse than in Cambridge: arrogant, unhygenic, and brazen, convinced that lazy platitudes and fallacious arguments would earn them nothing but praise if delivered with sufficient conviction.”

“King’s was Chandra’s least favorite college. It was the intellectual equivalent of a Disney princess, fluttering its eyelashes at tourists who didn’t know any better.”

“It was what Chandra loathed most about liberals — their shameless self-righteousness, as if the species’ failings were always someone else’s fault, while anything they did, murder and arson included, were heroic acts in the service of liberty and justice.”

10:04 by Ben Lerner

Writing: 5+/5 Plot: 2.5/5 Characters: 4/5

A literary tour-de-force — fascinating, though not necessarily enjoyable, to read. Beautifully written with intriguing sub-stories and descriptive prose (social, internal and external) to rival the best. It’s very difficult to describe what it is “about.” It feels like a loosely disguised description of portions of the author’s own life, complete with self-referential discussions of selling the idea of the book to the publishers, the art scene in New York, relationships and vignettes on various inspirations that resulted in “him.” Lerner explores the boundary between fiction and non-fiction and the fact that there is no such thing as something which is fully one or the other.

The writing is the real star of the show — this was one of those books that I had to read slowly so as not to miss any of the insights or the brilliant prose. Lots of stream of consciousness, but far more coherent than Joyce or Pynchon. As individual sentences went off on tangents and lasted longer than any sentence has a right to, I found myself actually caring about what would be at the end (of the sentence). Plenty of sharp, Tom Wolfe-style social commentary, though less acerbic and more focussed inward than outward on others. A more modern and neurotic version of Proust. I had to read this book in stages — it was absolutely worth reading but definitely a lot of work.

I tried to find some of my favorite lines but it was a bit difficult to find lines that were good out of context. My favorite was a description of the moment Lerner knew he wanted to be a poet. It was while listening to Ronald Reagan’s post Challenger disaster speech. In the speech, Reagan quoted from an inspiring poem written by young flyer a few weeks before his death. When Lerner researches this later he finds that the poem was actually cobbled together from stolen bits of other poems in what he calls “a kind of palimpsestic plagiarism.” I just love that phrase.

A few of other good lines:

“She chose you for your deficiencies, not in spite of them, a new kind of mating strategy for millennial women whose priority is keeping the more disastrous fathers away, not establishing a nuclear family.”

“Art has to offer something other than stylized despair.”

“…not to mention a checkout system of radical, willful inefficiency.”

“…but I could dodge or dampen that contradiction via my hatred of Brooklyn’s boutique biopolitics, in which spending obscene sums and endless hours on stylized food preparation somehow enabled the conflation of self-care and political radicalism.”

“Most desire was imitative desire.”
Also, an astonishing number of words that were new to me:
nosological — the branch of medical science dealing with the classification of diseases.
craquelure — a network of fine cracks in the paint or varnish of a painting.
prosody — the patterns of rhythm and sound used in poetry.
poeisis — from ancient greek: the activity in which a person brings something into being that did not exist before.
chenopod — russian thistle, waterhemp, or pigweed
pareidolia —psychological phenomenon in which the mind responds to a stimulus, usually an image or a sound, by perceiving a familiar pattern where none exists.
lachrimal — something to do with tear or crying as in a “lachrimal event”

Once Upon a River by Diane Setterfield

Thank you to Atria Books and NetGalley for an early review copy which will publish Dec. 4, 2018.  All thoughts are my own.
Writing: 4 Plot: 5+ Characters: 4

An old-fashioned Story (with a capital S!) full of richly drawn archetypal characters, a convoluted but cohesive plot, and just the hint of inexplicable mysteries.

In (roughly) England in the mid-1800s, near a powerful river that may or may not be the Thames, there stands The Swan — a country inn known for the storytelling skills of its patrons. One night during a rough storm the regulars swear to a Miracle — the corpse of a drowned child, pale and angelic, comes to life hours after the local healer pronounced her dead. The child has a strange effect on those who see her — she raises an inexplicable feeling of connection and need in them all. Lily White swears the child is her long-dead sister Ann; the Vaughans are convinced she is the child abducted from them two years ago; Robert Armstrong thinks it is the abandoned child of his neer-do-well son Robin. Launched by this perceived Miracle, there are stories upon stories, many intertwined, all of them rich, some bursting forth while others are slowly extracted. The overall pacing at which the confusion unravels is just right. With beautiful descriptions of the countryside and the different moods of the river, it is a lyrical tale about the power of storytelling that utterly embodies the point!

Great for fans of Alice Hoffman or Charles De Lint.

Salvage the Bones by Jesmyn Ward

Writing: 5 Plot: 4 Characters: 4

Salvage the Bones is an utterly gripping depiction of life in Bois Sauvage, Mississippi for the Batiste family during the twelve days before, during, and after Hurricane Katrina — as seen through the eyes of 15-year-old Esch.

This family puts the “hard” in hardscrabble — a mother dead from childbirth 8 years prior, a hard-drinking father who shambles about trying to take care of his family, and four children each following their own path to survival. 17-year-old Randall aims for the one basketball camp spot that may get him scout-spotted; 16-year-old Skeetah applies hyper focus to China, his prize pitbull, and her new litter, hoping for cash sales; Esch has sex with any boy who asks — it’s all she feels she has to offer; and 8-year-old Junior simply doesn’t want to be left behind. When Esch finds herself pregnant, she looks to China, Greek mythological figures such as Medea, and even the hurricane itself for insight into what it means to be a mother in her world.

Ward is the master of setting the scene — both external and internal — through small details. She manages to portray raw emotions through the tiniest gesture, or even absence of look or touch without ever resorting to over dramatization. It was a difficult book for me to read as I read casual violence, low expectations, poverty, and children being raised by circumstance rather than design — but speaking through Esch, she doesn’t focus on any of that. From Esch’s perspective, this is what life is, and she is optimistic about her survival, her family, and her community. Although Esch is as the center of the story as the first person narrator, the book is filled with wonderfully portrayed men — each focussed on their own story, some flawed, but most are good men trying to do right in the world in which they find themselves.

In truth I enjoyed Sing, Unburied Sing more — perhaps because I read it first, or perhaps because I read this equally powerful novel a little too soon afterwards. I found it disturbing to read and yet found that I couldn’t put it down. I read it within a 24 hour period.

Virgil Wander by Leif Enger

Thank you to Grove Atlantic and NetGalley for an early review copy of Virgil Wander by Leif Enger, which will publish October 2, 2018.  All thoughts are my own.

Writing: 5+ Story: 5 Characters: 5

A wonderful book — perfect for fans of Kent Haruf, Ivan Doig, and Wallace Stegner. I hope that it is nominated for (and wins!) the Pulitzer Prize. It is that good.

The story takes place in Greenstone, Minnesota — a fading town in the Northern wilds of Minnesota, near Lake Superior. It is the story of the fading town, the fading men in it, and the opportunity of redemption and resurrection for both. While there are strong, interesting, female characters as well, the real focus is on the men — not the stereotype of men, but real individuals at different stages of life with their own internal struggles and desires. I loved the insight into each and every one of these characters.

Virgil Wander, the eponymous protagonist, is a fading man himself. He describes himself as “a Midwestern male cruising at medium altitude, aspiring vaguely to decency, contributing to PBS, moderate in all things including romantic forays, and doing unto others more or less reciprocally.” He runs the town’s Majestic theater — badly in need of a new roof and a more significant audience. The story opens when his car takes a dive off a bridge and he sails into the frigid water. Rescued by happenstance, he is a teetering, tottering, slightly damaged version of himself. He doesn’t recognize his clothes, has trouble finding the right words, and has inexplicably lost his fear of speaking up. He has become “impervious to sarcasm.”

It is full of wonderful characters such as Rune, a kite-flying, pixie of an elderly man from Tromso, who arrives to find out more about the son he never knew he had; Tom Beaman, the Samoan journalist and owner of the local paper (and Genghis, a pet raccoon); Shad Pea, an elderly fisherman with a wife in care and a disturbed son; Nadine and her son Bjorn, the wife and son of the missing Alec Sandstrom, and Adam Leer, son of the town’s original founder who made good in Hollywood, but has somehow come to embody all that is negative in the town — a smiling predator.

The language is beautiful — the description of places, people, and the things that are important to them (fishing, kite-flying, baseball) is suffused with a kind of magic that captures their very essence in just a few choice words. Every page is delightful with both despair and hope somehow tangled together.

Great lines:

“Yet it was also true he had a headful of spiders which woke now and then and altered his personal scenery.”

“It was disconcerting to think it might’ve shown itself at last, only to be swaddled in the bubble-wrap of concussion.”

“What I suddenly missed as Bjorn talked away, was the easy arrival of interests. Of obsessions.”

“ He had the heartening bulk of the aging athlete defeated by pastry”

“His gentle baritone came at me like elbows.”

“Within weeks certain prodigal words started filtering home. They came one at a time or in shy small groups.”

“He had a hundred merry crinkles at his eyes and a long-haul sadness in his shoulders.”

“I appear briefly as a ‘sun-deprived projectionist’ with ‘a degree of forbearance approaching perpetual defeat.’ “

“It’s never been hard for me to fall in love, a quality that has yet to simplify one single day of my life.”

Sing, Unburied, Sing by Jesmyn Ward

Writing: 5+ Plot: 5 Characters: 5

A powerful novel and I don’t use that word lightly. The language is riveting and evokes a pervasive sense of physical and emotional space in a way I haven’t felt since reading Toni Morrison’s Beloved.

The story takes place in Bois Sauvage, Mississippi. Jojo is a thirteen year-old boy learning to be a man. He lives with his grandparents (“Pop” and “Mam”), his 3 year-old sister Kayla, and his mother (whom he calls Leonie) when she bothers to show up. Mam, Leonie, and both children have the “sight” — an ability to see and hear things that others don’t — and this filters into the story in significant and lyrical ways. The action centers around a trip to Parchman prison to retrieve Michael (the children’s white father) at the end of a three year sentence. However, the real story is about how a person can grow into an honorable and ethical human being when they are in a poisoned environment.

Jojo, Leonie, and Richie — the spirit of a young boy incarcerated at Parchman with Pop when he was 15 — are alternating narrators. The stories they tell weave together haunting tales of the past with their parallels in the present. Hints of voodoo and the thin veil between this world and the next suffuse the interlocking narratives.

The book is equal parts disturbing and heart warming; the end is quite glorious.

Some good lines
“Pop says a man should look another man in the face.”

“But it follows, even as I follow the trail of tender organ blood Pop has left in the dirt, a trail that signals love as clearly as the bread crumbs Hansel spread in the wood.”

“Even now, my devotion: inconstant.”

“I wait until the nicotine laps at my insides like a placid lake.”

“I blink and I see the bullet cleaving the soft butter of him. “

As an aside, I looked up Parchman Prison because I couldn’t believe some of the things I was reading and found the truth to be even worse: https://www.pbs.org/newshour/arts/inside-mississippis-notorious-parchman-prison. Check out the Convict Lease Program.

The Last Equation of Isaac Severy by Nova Jacobs

Writing: 4 Plot: 4 Characters: 4

A fun, tangled novel about mathematics, the search for truth, and some atypical family dysfunction. The Severys are a clan of advanced academics — Isaac is a top mathematician, working on the ultimate deterministic equation based on chaos theory; son Phillip is a well-known string theorist whose output has been dwindling in both quantity and quality as he ages; utterly anti-social daughter Paige is hard at work on her Book of Probabilities which she estimates will be 565 volumes and which she doesn’t expect to finish in her lifetime. Adopted grandchildren Hazel and Gregory are the “normal” members, a failing book store owner and police officer respectively.

The novel opens with Isaac’s self predicted death and continues with wild scurrying on the part of everyone else to get their hands on what might be the equation that can literally predict everything. While there is plenty of reference to interesting mathematical problems and the motivation of those who pursue them, there is even more familial drama with insertions of mysterious agents who also yearn for the magic equation.

While the existence of such an equation lends a speculative fiction aspect to the book, it’s really more of a mystery mixed with family drama and characters more intellectually oriented than most.  All in all pretty fun to read, well written, and hard to put down.

(OK – I realize this is two reviews within the space of an hour –  I’m fast but not that fast 🙂  Just took me awhile to finish the Morton review while this one just wrote itself…)

The Clockmaker’s Daughter by Kate Morton

Writing: 3.5 Plot: 3.5 Characters: 4

Richly detailed historical fiction with a convoluted plot pulled from a set of narratives scattered across time but centered on place: Birchwood Manor — a 400 year old house immersed in myth and mystery. Murder, mayhem, stolen heirlooms, and old artifacts form the center of the story, but they exist in a sea of love, loss, and a range of historical settings including Queen Elizabeth and the Catholic persecution of 1586, the (fictional) Magenta Brotherhood artist group of the mid 1800s, the establishment of a school for young women in the late 1800s, London and environs in WWII, and modern day archival work. It’s engrossing but complicated — I found that documenting a timeline as I read was extremely helpful.

The writing is good but a little long winded for my taste. On the other hand, if you love historical dramas you may enjoy the longer opportunity to immerse yourself in the 500 pages of intriguing characters and historically accurate details. Did I mention that one of the narrators is clearly a (compelling) spirit that has been bound to the house for over a century?