Bardo – (in Tibetan Buddhism) a state of existence between death and rebirth, varying in length according to a person’s conduct in life and manner of, or age at, death.
I can’t use my standard Writing / Plot / Characters rating scheme as this novel simply doesn’t fit within those parameters!
The death of Abraham Lincoln’s son, Willie, on April 20th, 1862, is the precipitating event around which the novel unfolds. The unique storytelling style combines quotes from historical sources (often in conflict with each other) with descriptions of and conversations between the ghosts who inhabit the “Bardo” of the title. This Bardo is manifest within the graveyard into which Willie Lincoln’s body has been interred.
Willie’s death occurs at a critical juncture within Lincoln’s presidency. The civil war has begun and has already incurred a great loss of life. The interplay between the real world and the confusing swirl of ghostly presences finds a center in Lincoln himself as he grieves for his boy in the cemetery and tries to find the resolve to continue his approach to the war. The ghosts vary in age, gender, race, and life time period. Each has been distilled to an essence with a unique presentation and obsession. These are riveting reductions — reminiscent of Hemingway’s famous six word story: “For sale: baby shoes. Never worn.”
A fascinating view of history and a strangely compelling style — I enjoyed this far more than I expected. It really is the masterpiece everyone says it is (which is hard for me to admit as I don’t like agreeing with “everyone”!).