Tag: books

The Killing Stones by Ann Cleeves (Mystery — Jimmy Perez / Shetland)

I generally “read” most of Ann Cleeve’s work by watching the excellent BBC adaptations. This — the most recent of the “Shetland” series, and the first I’ve actually read — is so far from where the TV series has ended up that it was a bit of a shock for me!

The story takes place some time after Perez has left Shetland and is now living in Orkney with his partner and their child (with another on the way). It all starts when an old friend goes missing on Westray and found bludgeoned to death with one of the old Story Stones found in an archeological dig.

It’s a solid murder mystery full of island characters and relatable description of the incredible scenery (and weather) there. Not usually a fan of scenic descriptions, I could feel these descriptions and enjoyed them a lot. My only complaint is that the reader seems to be kept in the dark about the detective’s thinking so that the apprehension of the murderer is a bit of a surprise. Nonetheless, enjoyed it a lot.

Thank you to Minotaur Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on September 30th, 2025.

The Eights by Joanna Miller (Historical Fiction)

Historical fiction at its best! Four women are part of the historic 1920 matriculation of women to Oxford — the first in over 1,000 years. Roomed together in “corridor eight,” this is the story of their first year, with several flashbacks to flesh out their personal context. Beatrice Sparks — almost 6 feet tall, daughter of a famous (and vigorous!) suffragette, with an appetite for politics; Marianne Gray — the motherless daughter of an English vicar; Dora Greenwood — beautiful and still grieving for the brother and fiancee who died in the war; and Ottoline Wallace-Kerr — wealthy and at odds with her family’s expectations, who keeps herself calm with mathematics. There are some secrets and some surprises — all quite realistic and perfectly embedded in the well-drawn context of the time. And for the girls, a discovery of unexpected, but deeply felt, friendship.

I say this is historical fiction at its best because it finds the right balance between the extremes of dull, historic, facts and overly sensationalized (and manipulatively emotional) story telling with a minimum of historic accuracy. There are no modern sensibilities sneaking in — but plenty of individual reactions and experiences nestled in the very real context of the day. The country had just emerged from WWI, (some) women had just gotten the vote, and now — Oxford was open to women who wanted to pursue a more intellectual path through life. I loved the many small details that peppered the prose: a new mystery author — Agatha Christie — who was set the challenge to write a novel where it was impossible to guess who did it — and succeeded; the introduction of ouija boards; stories of the Bodlein library and how the rare books were protected during the war; the second wave of influenza; the origin of Chequers (home to Britain’s prime ministers); practice trenches in the countryside; suffragette pennies, etc. A pretty interesting Oxford-style debate on whether or not women should be at Oxford at all. I loved the bits of discussions on various studied subjects. The secondary impact of the war on various people after the war was over was equally interesting — more personal, individualized, and detailed. Philosophical and ethical issues pervaded the experiences because how could they not?

I like historical fiction because, when done well, you learn about what history might have meant to the people who lived through it. The author’s note delineates fact from fiction as well as describes inspirations — with a nice bibliography on relevant sources. Also — there is a glossary at the end that I really wish I had known about before I finished! Plenty of period specific slang was used that I had to constantly look up or guess at. Now you know!

Thank you to G. P. Putnam’s Sons and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 15th, 2025.

Back After This by Linda Holmes (Rom-com)

Writing: 5/5 Characters: 4/5 Story: 5/5

I really enjoyed this (very) funny, well-written, and actually insightful rom-com written by the author of Evvie Drake Starts Over. I like rom-coms when they are clever, witty, and most of all — NOT STUPID. I can’t stress that last quality enough. This was a perfect, read-in-one-sitting exemplar of exactly what I love in a rom-com and perfect for this stressful season.

Cecily is a podcast producer who agrees (think forced, bribed, coerced) to star in a podcast about modern dating with the help of a dating guru / popular Influencer. An introverted audio nerd by nature, this takes her so far out of her comfort zone that she feels impending implosion looming everywhere. Plenty of (well-paced, well-written) comedy follows, but I was impressed that she gained some real insight into aspects of her own personality that were getting in the way of her getting more of what she wanted from life. While I can’t bear to read about physical makeovers, psychological makeovers — are fascinating.

As an aside, I learned interesting components of podcast production (and marketing) which were new to me and described with a depth that showed true understanding on the part of the author (pet peeve: I hate when characters have a huge passion for something but then never do or think about it in any meaningful way).

A cross between Lori Gottlieb and Curtis Sittenfeld — the best of them both!

Some great quotes:
“I wondered exactly where that research had been done. Presumably the University of Unsupported Hunches, where I was guessing she was a tenured professor.”

“He took me to an ax-throwing bar on our first date, and he was very good at ax-throwing, which I suppose impressed me, because you never know when you might need a guy who can kill a monster in a cartoon dungeon.”

“But we finally agreed on a loose top that fell off one of my shoulders and a pair of pants that had just enough stretch to accommodate my newly emphasized hips without making me look and feel like a vacuum-sealed pork shoulder, ready for a sous vide bath.”

“He had the facial symmetry and the perfectly shaped dark hair of a Lego prince.”

“I tried to dig my smile out of the recesses of my personality.”

“It made for a long dinner, learning quite that much about Andrew’s gym routine.”

Thank you to Ballantine Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 25th, 2025.

Death of the Author by Nnedi Okorafor (Literary / spectulative fiction)

A captivating book about Zelu — a disabled Nigerian American author (unpublished) and teacher who gets cancelled (and fired) due to her insensitivity (really deeply provoked impatience!) with her more irritating students. It’s also about the new book she writes — Rusted Robots — which becomes an overnight sensation. A post-apocalyptic story where robots and AI are at war over the tattered remains of human civilization, Rusted Robots brings her fame, fortune, some wild, tech-based opportunities, and a whole lot of people who suddenly feel entitled to tell her exactly what to do.

There are so many intellectually interesting and intersecting threads in this story — AI and automation, family, gender roles, African culture, authorial creativity and control, fame, freedom vs safety, disabilities, and the balance between individual and society — but the overarching theme is one of my favorites: the place of narrative and story in human culture. After all, I read fiction because I seek understanding, not just information.

Okorafor manages to blend multiple genres brilliantly, and since I am a fan of both literary and speculative fiction, I was riveted from start to finish. The characters were drawn so deeply — like all of my favorite people, they seemed to be compelling, annoying, loud, supportive, controlling, and caring all at once. I appreciated the fact that while most of the characters were Black (with the exception of the “wealthy white dudes” who keep finding her), there was no antipathy towards white people, just more of a lack of interest.

The big twist at the end absolutely blew me away. And a last little make-me-happy tidbit? She included a call out to one of my favorite (and fairly obscure for the U.S.) books — So Long A Letter by Mariamba Ba.

In my Top Reads of the Year list.

Quotes:
“The rusted robots in the story were a metaphor for wisdom, patina, acceptance, embracing that which was you, scars, pain, malfunctions, needed replacements, mistakes. What you were given. The finite. Rusted robots did not die in the way that humans did, but they celebrated mortality. Oh, she loved this story and how true it felt.”

“The capitalism machine had used her book, her attempt at shouting into the void, to make visual comfort food for drowsy minds.”

“She thought about Rusted Robots and the main character, who understood deep in her circuits that true power was in the harnessing of it, not the possessing of it. And when you were aware of the moment you harnessed power, that was when it was most difficult to navigate.“

“Narrative is one of the key ways automation defines the world. We Humes have always been clear about this fact. Stories are what holds all things together. They make things matter, they make all things be, exist. Our codes are written in a linear fashion. Our protocols are meant to be carried out with beginnings, middles, ends. Look at how I have been built. My operating system is Ankara themed, my body etched with geometric Ankara designs. I’m the embodiment of a human story. But true storytelling has always been one of the few great things humanity could produce that no automation could. Stories were prizes to be collected, shared, protected, and experienced”

Thank you to William Morrow and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on January 14th, 2025.

The Perfect Passion Company by Alexander McCall Smith

A new offering from Alexander McCall Smith — possibly the beginning of a new series. Katie has taken on management of the Perfect Passion Company — a matchmaking service with the personal touch. She is aided by the knitwear-designing, gorgeous but unavailable, William next door. Together they face a number of difficult-to-place candidates and manage to find matches for all in a typical McCall Smith simplistic, but effective and empathetic, approach to every day human problems (very reminiscent of Mma Ramtoswe’s style in the Number One Ladies Detective series).

I completely enjoyed reading this book with its emphasis on kindness and making a positive difference in people’s lives, though I admit to being slightly more annoyed than usual by some of the principles that inform his characters. Some are kind and empathic but also (IMO) weak, allowing themselves to be taken advantage of and turning the other cheek (they happen to be rich which I guess helps). There is also some not-too-subtle demonizing of the Right with, for example, some (very negative) descriptions of “libertarians” that don’t map to any of the libertarians I’ve ever met. However, as always I loved his ability to see people from different viewpoints and (except for the libertarian) accept people for who they are and acknowledge that they can still find happiness and love despite some very annoying (and pretty humorous) characteristics.

Thank you to Vintage and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on February 13th, 2024.

The Last Word by Elly Griffiths (Mystery)

Writing: 4.5/5 Characters: 5/5 Plot: 4.5/5

A fledgling detective agency is asked to investigate the (to all appearances natural) death of a client’s mother. The client is even so kind as to provide the name of the murderer — the mother’s second husband who has inherited the lot! Another client is worried about a similar situation, and oddly enough, the obituaries of both were written by a man who predeceased each of them! Natalka — a beautiful and blunt Ukranian careworker; her partner Benedict — a philosophical ex-monk who now runs a coffee shop; and Edwin — an erudite and genteel former BBC producer of advanced age all tackle the case which quickly heads off into surprising territories. At the center of the proliferating coincidences is a writers retreat and a book club run by one of the retreat’s instructors.

I always love Griffiths’ characters. They are interesting in the way real people are interesting — not just superficial quirks but different ways of thinking, different things that give them pleasure, different ways of tackling problems. While some characters get the diversity treatment (the DI with a small role in this book is a lesbian Sikh), they get to be individuals within that identity classification and do not pretend to represent the whole or spend much time letting their identity inform the important parts of their lives. Her characters are completely believable, and I would be very happy to spend time with most of them. I also love Griffiths’ writing which has been consistently good throughout all of her many (many) books. Although I would classify her mysteries as cozies, there is never any dull filler. In this book, what “fills” the pages are questions of spirituality and ethics, literary references ranging from Shakespeare to Christie to Richard Osman, (good) writerly advice, operatic clues, and feathered barbs relating English experiences to those of a Ukranian.

I read a lot of mysteries — they are my comfort reads — but most mysteries are nothing special. Some nice closure at the end, a few historical tidbits, an engaging character. I find Griffiths’ mysteries a cut (or two) above. She is in my top three along with Louise Penny and JK Rowling (as Robert Galbraith) — satisfying at every level. I’m so happy with her prolificity!

Thank you to Mariner Books and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 23rd, 2024.

Old Baggage by Lissa Evans (Historical Fiction)

The best thing about this novel is the way it brings the UK Women’s suffrage movement of the early 1900s to life. Historical fiction at its best. Having grown up in the 60s in a family that wouldn’t dream of not encouraging their daughters, I sometimes forget how difficult it was for women to gain something as simple as the vote (as an aside, check out https://www.infoplease.com/us/gender-sexuality/womens-suffrage to see the order in which women got the vote across the globe).

Mattie Simpkin is the larger-than-life, brash heroine who has spent most of her life fighting for Women’s Equality. She was a leader of the Militant Suffragette Movement, and a fair portion of the book covers those experiences along with “where are they now” reunions of those women in the current time (1928, on the cusp of the Act that gave women electoral equality with men). Now Mattie has turned her attention to the young girls who don’t seem to appreciate their newly won rights or understand that the fight for equality isn’t anywhere near complete. She founds a Girls Club with the stated aim of training young girls for lives as “20th Century Women.”

The writing is exquisite — equal skill applied to descriptions of the environment, individuals and their opinions and motivations, and some spectacularly articulate and insightful arguments for women’s equality.  I loved the depth painted in each character — a panoply of realistic people of the time. Although the story is not a comedy, several lines had me laughing out loud (see samples below).

There was an additional plot line overlaid on the broader story that I frankly didn’t care for as much. This focused more on Mattie’s personal development with respect to her feelings towards friends and family and her inability to see clearly into a particular character because of her own history.  However, the bulk of the book is both enjoyable and informative so I am happy to recommend it.

Some great lines:
“People always stared. If one didn’t creep around, if one said what one thought, if one shouted for joy or roared with anger, if one tried to get things done, then seemingly there was no choice but to be noticeable”

“Moodiness had always baffled her — the way that it placed the onus on the other person to gauge which breeze of circumstance was the cause of this particular weathercock twirl. If one were cross about something, then one should simply say so; conversation should not be a guessing game”

“Whereas listening to Mr and Mrs Wimbourne on the topic of their grandchildren is akin to being chlorformed. And servants — do you have any idea of how much the average middle-class woman has to say on the subject of servants? Mrs Wimbourne, Mrs Holyroyd, Mrs Lumb — all ululating on the difficulty of keeping a housemaid.”

“A banshee chorus swelled monstrously and then died away and, for a moment, only the barking of every dog in Hampstead was audible.”

“Churchill had been giving a speech about the miners, his staccato delivery a gift to the astute heckler:”

“It seemed that people like him, people with easy lives, were always assuming things about her: she was stupid because she was a char; she was interesting because she was pretty; she’d be loyal because she was grateful. Nobody except Miss Lee asked her what she really thought.”

“There was a pause, presumably for Mr Wilkes to ensure that any remaining trace of anticipation had been sluiced from the room.”

“If she were a horse, one would advise blinkers”

“Mattie felt as if she were trying to sharpen an India rubber pencil”

“As a method of teaching it lacked variety, but it pummelled my intellect and meant that I dreamed no more during lessons.”

Thank you to Harper Collins and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on April 16th, 2019.

Words of Radiance by Brandon Sanderson (F&SF)

Writing:  5/5 Plot: 5/5 Characters: 4/5

Book two of Sanderson’s Stormlight Archive series (three are available to date) is every bit as good (if not better) than book one. I wouldn’t mind a (non-invasive) peek into Sanderson’s brain because his ability to world build is better than any I’ve seen. The variety and depth of the cultures that populate these worlds is overwhelming — a constant mental exercise for the reader as a continual stream of new information forces refactoring of the complex models held in reader land.

While volume one reads well as a stand-alone (no cliff hangers), volume two does take up where it left off (by the way, I waited one full year before reading the second book and had no trouble remembering the characters or world — it was that vivid). Words of Radiance brings the storylines of the three main characters closer together as they each muster their own internal resources (and develop unexpected capabilities) to tackle the danger that faces Roshar. Dalinar rises to the challenge of refounding the Knights Radiant in spite of overwhelming and devious opposition of all the other High Princes; Kaladin contends with his own bitterness, mistrust, and divided loyalties in his new leadership position as most trusted personal guard of the King and family; and Shallan — meek supplicant scholar in book one — develops in every dimension possible to become absolutely essential for the preservation of the human race on Roshar.

Plenty of action and tension, strong moral and ethical themes around honor, blame, responsibility, and doing what is right. Great character development — the heroes make sometimes drastic mistakes and have inner as well as outer demons to fight while the villains are often motivated by similar values but conflicting needs and situation assessments. There are more answers — and more questions — on some fundamental concepts of the world such as the Spren, the Void Bringers and the Desolations. Sanderson is a master at introducing other cultures by way of natural storytelling rather than long descriptions. As an aside, I love the division of labor between males and females: females are the scholars, scientists, and engineers; males are the warriors and politicians. Reading is considered too feminine for most men. Crossover happens — some people are scandalized and others couldn’t care less. A fun twist on gender assumptions!

My favorite line: “Do not let your assumptions about a culture block your ability to perceive the individual or you will fail.”

The Next to Last Mistake by Amalie Jahn (YA)

I received a complimentary copy of this book from Inscribe Digital through NetGalley. Opinions expressed in this review are completely my own. The book will be published on March 19, 2019.

Writing: 3.5/5  Plot: 3.5/5 Characters: 4.5/5

Blonde haired, blue eyed, Iowa farm girl Tess Goodwin has her life uprooted when her father reenlists in the military and relocates the family to Fayetteville, North Carolina. “Trading farm crops and silos and tractors for soldiers and loud guns” — it’s a rough transition for Tess. She leaves behind a beloved lifestyle and her best (and in some ways only) friend Zander … for whom she may have some stronger feelings than just friendship. She also enters the very real and dangerous world of the military where “the practice of staying alive is incentivized” with a billboard displaying the number of days with no unit fatalities. However, as they say in her farming community, you “grow where you’re planted,” and this is the story of how she manages to develop in a wildly different environment.

Leaving the homogeneity of Iowa behind, this is Tess’ first experience with racial diversity. Establishing a strong connection with a group of three other girls — military and townie, black and white — she is forced to come to terms with her own implicit biases. While I got a little tired of her feeling “humble and thankful for clemency” so frequently when faced with racial realities of which she was previously unaware, I did appreciate the frank discussions of the topic, exemplified via experiences, educational mini-lectures, and a couple of really good literary discussions drawn from Toni Morrison’s The Bluest Eye.

A coming-of-age story, it does a nice job of describing the experience for a specific, rather than generic, teen. Tess is a chess enthusiast, a skillful farmer, and has a much closer relationship with her father than her (perfectly normal) mother. The book does a nice job of challenging multiple gender, race, and role assumptions simultaneously.

At times the book feels a little over simplified (problems are solved with far too facile measures) and a few passages feel like mini-lectures rather than the natural expressions of teenage girls, but the characters are appealing, the descriptions of both farm and military life are engaging, and I liked the clear descriptions of difficult racial subjects from the perspective of a white girl who had not needed to consider them before.

The Orphan of Salt Winds by Elizabeth Brooks

Thanks to NetGalley and Tin House Books for an advance review copy. The Orphan of Salt Winds will be published on Jan. 16, 2019.

Writing: 4 Characters: 3.5 Plot: 3

A dark and moody historical drama set against English marshes on the eve of WWII. Virginia — a ten-year-old orphan — comes to live at Salt Winds as the adopted daughter of Clem and Lorna. Clem is the author of wildlife books and Lorna a somewhat reluctant housewife. Tension unfurls at a steady and insidious pace as Virginia works to makes sense of the strain between her adoptive parents and the perfidious and disagreeable neighbor Max Deering. When a German aviator crashes into the marsh, events unfold that lead to a terrible denouement. Alternating chapters take place in 2015 when Virginia, in her dotage and still haunted by past events, spies a young girl clinging to the marsh wall in the bitter winds.

The writing is very good and the tension palpable. The descriptive prose brings the marshes and the time to life. The pacing is a bit slow for my taste with not enough story to warrant the length, and I would have liked a more upbeat ending. One of the more interesting aspects of the book for me is the way Virginia’s (and therefore our) understanding of individual characters changes over time. For example, Clem is the sympathetic character at the start — he behaves like a father while Lorna doesn’t seem to know what to do with the role of mother that has been foisted upon her. However, over time Virginia begins to see, and understand, how circumstance shaped Lorna and how she finally pushes through a learned submissiveness to become the person she needed to be. It’s interesting to realize that we see everything through the eyes of a ten- to twelve-year-old, and later through the eyes of the (somewhat bitter) old woman she becomes.

Good for fans of Kate Morton.