A coming-of-age story for 11-year old Makeda. Opening on the road as she and her family are relocating West for her father’s new job as Principal Cellist in the New Mexico Symphony, we quickly learn that she is a black girl adopted into a white family shortly after birth. She both wonders about her birth mother and struggles with ongoing (and annoying) reactions of those around to her. People are constantly commenting on “how white she talks” and persisting with queries about where “she is really from” (even though the answer is simply “Atlanta.”)
Told with a mixture of prose, poetry, and tumblr posts with her best friend back in Baltimore (also a black adoptee in a white family), we get an up close and personal look at one young girl’s transracial adoption experience.
The writing is very good and the details of Makeda’s thoughts and feelings are incredibly perceptive and well-expressed. It’s important to remember that the book is completely focussed on Makeda — her perceptions, her memories, her hopes, and her experiences from her perspective. As an older white person (not the target demographic here), I cringed at the description of her mother — the absolute stereotype of a guilt-ridden white liberal. When it becomes clear that her mother is mentally ill — she is diagnosed with bipolar disorder later in the book — her whiteness and mental illness kind of blend together. Makeda’s experiences at her new school and a girl scout troop were also blatantly racist, without any compensating non-racist encounters which I found disappointing.
On the whole I found this worth reading — it felt authentic and certainly broadened my perspectives in a number of ways. I wish there had been a slightly more hopeful path at the end, but of course that is not the whole story.
Thank you to Farrar, Straus and Giroux and NetGalley for providing an advance copy of this book in exchange for my honest review. The book will be published on July 30th, 2019.