Writing: 5; Importance: 4; Pleasure Factor: 5
Funny, personal, and important – all in one sparkling package!
There’s been a recent spate of celebrity memoirs written by female comedians. I’ve read (or tried to read) them all: Tina Fey’s Bossypants, Anna Ferris’ Unqualified, Mindy Kaling’s Why Not Me?, etc. This one is much, much, better — no doubt due to the fact that Nell Scovell is a comedy writer rather than a comedy performer and therefore can really write!
This memoir is part sitcom, part Hollywood wannabe training material, and part exposé on the difficulties of women getting fair treatment (or any treatment at all, really) in the industry. The very first line is her own paraphrase of Nietzsche: “That which doesn’t kill me … allows me to regroup and retaliate” — a great and apt opening!
I love Nell’s writing – it’s well structured and quite personal but never strident nor overly dramatic. Some great quotes, intriguing character profiles, factual depictions of the diversity (or utter lack thereof) in writer rooms, and a real sense of the frustrations in the field. The book is littered with fabulous (and funny) story ideas that went nowhere for no reason. Her summarized job timeline in the appendix is full of “shot but unaired”, “unshot”, and “unsold” labels, with what feels like a tiny sprinkling of successes. Such futility! Any dreams I had of working in Hollywood (luckily I had none) have been thoroughly quashed by reading through this descriptive tour of a Hollywood writing career. At the same time, Nell’s love and passion for the work is obvious, and it is clear she wouldn’t choose to be doing anything else.
Perhaps you know her from Sabrina the Teenage Witch or perhaps from her co-authorship of Lean In with Sheryl Sandberg. Even if you’ve never heard of her at all, you’ll enjoy this well-documented peregrination through her life as a writer of comedy. FYI I tend to find non-fiction a slog, rarely making it past the 1/3 mark, but I gobbled this book up in two days.