Head On by John Scalzi

Writing: 5 Characters: 3.5 Plot: 4.5

Classic Scalzi — a cool, well-explored, futuristic world with non-stop and non-predictable action and funny banter. This is the second book in his “Lock In” series. It can be read on its own, but “Lock In” was great, too, so why not read it first?

Both books are mysteries in a sci-fi setting. In this world, 1% of the global population has Haden’s syndrome — a condition where the person is “locked in” to his/her own body. A number of technologies have been developed to support this population — implantable neural networks that link their brains directly to the outside world to humanoid personal transport units (called “threeps” after C-3PO) and an online universe called “The Agora.”

In this installment, FBI Agents Chris Shane (himself a Haden) and Leslie Vann (a female version of the crotchety senior detective persona) tackle a difficult case: the physical death of a Hilketa player during a game in which the play is all via threeps and should be no danger whatsoever to the human player. Hilketa is a (very weird to me) game played by decapitating a targeted player and carrying his / her head across the goal line.

I’m happy to say that Scalzi is back in top form. This is only the second book published after he signed a huge multi-million dollar, multi-year, multi-book deal with Tor. The first book published after the contract was Collapsing Empire — the only Scalzi book I have ever disliked (and I’ve read them all) — so I’m quite relieved that he is back on track.

Great writing and pacing, plenty of plot twists, and generally difficult to put down. I started in the morning and finished as I went to bed (only put it down briefly when I was grudgingly dragged outside to help shovel dirt into the new tomato planter). This is accessible to all readers — similar to Andy Weir’s books (The Martian; Artemis) but funnier, more inventive, and offers more exploration of the cultural and political impact of the technologies in addition to the scientific-technical angles.

Small Country by Gaël Faye

Thank you to Crown Publishing Hogarth and NetGalley for an early review copy of Small Country by Gaël Faye, which will publish June 5, 2018.  All thoughts are my own.

Writing: 4.5 Plot: 4 Characters: 4

A powerful coming-of-age novel in the politically charged climate of Burundi in the 1990s. Gabriel (Gaby) is the son of a French father and Rwandan mother living in Bujumbura, the capital city of Burundi. He is 10 years old when the country — filled with hope and expectation — holds its first multi-party election in 1993. This is a personal and humanistic version of the ensuing events in both Burundi and nearby Rwanda. Told from a the perspective of a child, it blends observations of surroundings, tensions, and shifts in the interactions between people who used to simply be “part of the neighborhood.”

Told through the memories of an adult Gaby who is visiting Burundi after living in France for 15 years, the novel is imbued with nostalgia for the innocence of childhood and the beauty of the home he remembers, while simultaneously mournful at the irreparable damage done. Beautiful descriptions of the landscape, childhood diversions, and familial relationships. The story is necessarily sad, but not depressing or hopeless.

I hadn’t heard of the author before, but apparently he is a well-known French rapper and hip hop star. Originally published as Petit Pays in France in 2016, the book is the winner of five French literary prizes. You may enjoy listening to his song of the same name – I found it absolutely beautiful:

 

 

The Fifth Season by N. K. Jemison

I can definitely see why this book won the Hugo Award.  I had never read anything by N. K. Jamison before, but she is clearly a major talent. The craft and thought embedded in the pages are inspiring.

We are thrust into a catastrophic event in the first pages that is likely to launch the next Fifth Season. Fifth Seasons are Father Earth’s revenge for what humanity has done to the planet in this post-apocalyptic world.  These disastrous “seasons,” lasting for months, years, or centuries,  go by names like “Choking Season”, “Shattering Season”, “Acid Season”, and “Madness Season.”  The theme of this dark, intense, and utterly compelling novel is survival and control. The players: Orogenes have evolved to be able to control the massive powers of the Earth; Guardians have evolved to be able to control the Orogenes; Stills do neither.  And then there are the mysterious Stone Eaters who are just odd and not very human, who clearly have their own, hard to decipher, agenda.

The action filled and psychologically oriented plot begins with three distinct story lines that slowly evolve into one, explaining how we got to the current state described in the prologue.  It is a fantastically well developed world, with coherent themes, nomenclature, and social customs. It’s clearly a post-apocalyptic Earth and its fascinating to see how the author extrapolated from our present to this environment clearly millennia in our future. While this book doesn’t quite end with a cliff hanger, there is plenty left to reveal in the next two books (luckily, the third and final book will be available in less than a month).